https://soundcloud.com/klordopsound
https://roorec.bandcamp.com/album/klordop-ghosthour
https://roorec.bandcamp.com/track/klordop-ghosthour-2-db-maui-rmx

Klordop - Ghosthour 2 (db-Maui Remix)    [Free Download]

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Contact: dbmauimusic at gmail.com
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Leftfield deep house producer. Inspired by Spencer Kincey AKA Gemini, Ricardo Villalobos, Herbert, Derrick Carter, Tuff Jam and soooo many others. Interested in collaborations and remixing each other.

Channelling the elemental grandeur of nature and the existential enigma of the human experience, perceived with a dark romanticism. Evoking the majestic and awe-inspiring as well as the ominous and threatening sides of the forces of nature.

New album "Erwuchs":
https://formatrecords.bandcamp.com/album/erwuchs

II: The experimental side of Marie Wilhelmine Anders + repost channel :II
Dear DJ*s, please, give credits to the artists you play!

"momentmusik" was a concert series for experimental and improvised music, visual arts, performance and language at the Theater Rampe Stuttgart 2003-2004. The series was founded and directed by Marie Wilhelmine Anders and was used to promote the regional scene and national and international exchange. In the two years 14 concert evenings took place with a total of 26 artists.
The concerts:
07.04.2003*
unterton + Maciej Walczak / Lodz, Stuttgart / Livevideo
unterton were: Anja Füsti / Vibrafon, Perkussion, Oliver Prechtl / Elektronik
Marie W. Anders / Innenflügel, Tasten, Hammond XB-1
02.06.2003*
unterton + Carsten Netz / Stuttgart / Klarinette, Sax 
+ Christian Reiner /Wien, Berlin / Stimme
28.07.2003*
unterton + Thomas Maos / Tübingen/ Elektronische Gitarre
29.09.2003
unterton + Günter Heinz / Dresden / Posaune
03.11.2003
unterton + Boris Baltschun / Berlin / Sampler
08.12.2003
unterton + Hanfreich / Stuttgart / Synthesizer, Elektronik
02.02.2004
Marie W. Anders / "einblenden/atmen" für 4 Lautsprecher, Hammondorgel, CD + MD-Player, vorbereitetes Klangmaterial
01.03.2004
Set 1: Alessandro Bosetti / Berlin / Sopransaxofon +  Michel Doneda / Toulouse / Sopransaxofon
Set 2: Anja Füsti / Percussion +  Marie W. Anders / Innenflügel, Elektronik
29.03.2004
Jörg Kallinich / Tübingen / Dias & Projektion + Marie W. Anders / Elektronik
03.05.2004
unterton + Jo Ambros / Berlin, Stuttgart / Gitarre
07.06.2004
Set 1: MBK - Maybachkeller Stuttgart
Set 2: Roland Blach / Stuttgart / visual piano + Mark Lorenz Kysela / Stuttgart / Elektronik
05.07.2004
Anja Füsti / Percussion + Oliver Prechtl / Elektronik
04.10.2004**
Set 1: Chris Forsyth / New York / Gitarre + Chris Heenan / LA, Stuttgart / Altosax, Bass- + Kontrabassklarinette
Set 2: Oli Rubow /Stuttgar, Frankfurt / M. / Organic Electro Beats + Laurenz Theinert / Stuttgart / Visual Piano
06.12.2004**
Set 1:vestige vertical / Berlin
Lothar Fiedler / Gitarre, Elektronik
Michael Walz / Sinthesizer/Sampler
Michael Vorfeld / Perkussion, selbstentworfene Saiteninstrumente
Set 2: Volker Illi / Reutlingen / Overheadprojektor + Nikola Lutz / Stuttgart / Saxofon, Elektronik
* The concerts on 7.4., 2.6. and 28.7.2003 were funded by the Cultural Office of the City of Stuttgart and the Cultural Foundation of the Landesbank Baden-Württemberg.
** The concerts on 4.10. and 6.12.2004 were sponsored by the Cultural Office of the City of Stuttgart, the Cultural Foundation of the Landesbank Baden-Württemberg and the Ibis Hotel Stuttgart on Marienplatz.
momentmusik thanks the Theater Rampe warmly for the friendly support of the series.

Profile photo: Merit Schambach ©2020
Banner: Marie Wilhelmine Anders


### note on use ###

the data samples presented here are barely checked electro-acoustic recordings. 

the decoded passages, which we encourage you to study, show clear frequency anomalies, so that further analysis is necessary and desirable. 

however, as the exact implications are largely unexplored, use and analysis of the data is at your own risk and for your own enjoyment. thank you for your attention!

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### hinweis zur verwendung ###

bei den hier vorgestellten daten handelt es sich um kaum geprüfte elektro-akustische aufnahmen. 

die dekodierten passagen, zu deren studium wir sie ermutigen, weisen eindeutig frequenz anomalien auf, so dass eine weitere analyse notwendig und wünschenswert ist. 

da die genauen zusammenhänge jedoch weitgehend unerforscht sind, erfolgt die verwendung und analyse der daten auf eigene gefahr und zum eigenen vergnügen.
wir danken für ihre aufmerksamkeit!

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godspeed!
phonout







Avant-garde house music between lofi- and minimal / deep house, techno, glitch and electronica, plunderphonics and house, the Westend Ghetto Guys somehow occupy a niche of their own and live from strange glitches and bizarre sounds. Bootleg remixes and mashups for 'iamamiwhoami' also lead to an official remix ("N") and collaborations with other musicians (e.g. 3PM, Minute Taker, Christopher Norman, Klordop / Tis, Morgen Wurde) from the Swedish pioneers of viral video chips. Not surprisingly, the collective from the Westend Ghetto even published sample libraries for the renowned magazine "Computer Music" and for the 'sounds2sample'-Platform and offers highly acclaimed "ensembles" in the Reaktor community ("Native Instruments").

retired raver. hallodri. free human beeing. germany, bavaria.

II: composer I producer I human being :II

MARIE WILHELMINE ANDERS is a wanderer in music. Musically and instrumentally trained since her earliest childhood, she received her first technical training as a sound engineer at GDR television. She played keyboards in a punk band in the East Berlin underground music scene, created field recordings and sound installations, studied classical composition at the University Of The Arts Berlin, and graduated as a music teacher at the Musikhochschule Stuttgart. In Stuttgart she was an active part of the experimental improvisational scene playing piano as well as a set of electronics. There she founded two ensembles, "Unterton" and "Hammerhaus", both of which brought together groove and free-flowing improvised forms from different perspectives. Additionally, she initiated and directed “momentmusik"—a concert series for experimental and improvised music, visual arts, performance and spoken word, which established the connection between her ensembles and the national and international scenes. 

In 2005 she ended her concert activity and moved back to Berlin. Eager for new forms of expression, Marie learned to play the electric bass, and began producing her music using DAWs and publishing it under the pseudonym Marie Wilhelmine Anders.

Marie's conceptual thinking and her craft as a modern classical composer allow her to congenially translate non-musical concepts into a modern electronic language, influenced by techno, electronica, ambient music and drum & bass. Between 2018 and 2023 she released 6 albums, 2 EP’s, over 10 remixes and more than 20 mixes. As a producer, Marie likes to work alone and independently. She is also increasingly in demand as a remixer.

Her best friend writes: "Marie works her way out of all restrictions and experiments with styles and musical directions.Thereby she adapts formal means and creates something very much her own out of it. As always, I am impressed by her accuracy in everything she does. Marie is the secret Phoenix among my friends, who every time after it has turned to ashes, puts on a new and even more splendid plumage. I have great admiration for her consistency, uncompromising artistry, unconditional honesty, absolute fidelity and loyalty. One speaks of the Phoenix as an eternally youthful bird. And he can fly.”

Profile picture: Merit Schambach ©2020
Banner: Marie Wilhelmine Anders