This is utterly fantastic. Took me listening to it a few times to hear the patterns, as varied as they are. Great stuff, man.

Dreamy kewl spaced out mysterious atmosphere! Nice 1 Daniel! :)

The Intruder (Bobby Peru)

Messing around with Endorphin.es Queen of Pentacles sequenced by Winter Modular Eloquencer sequencer.

Techno Modular Queen of Pentacles

https://nnynyx.bandcamp.com/

Track 08 on the Worldspawn album.

08 - Serial Experiments

https://nnynyx.bandcamp.com/

Track 06 on the Worldspawn album.

06 - Phobos Anomaly

Unknown

This is an intro track that will be included in the "For The Bats" benefit compilation, out now - 
www.forthebats.bandcamp.com
this track includes some bats chattering, if you listen closely :)
written, performed and mixed by Tenderlash
mastering by Jason Corbett of Actors/Jacknife Studios

Prelude

Crazy Xmas!

features eurorack modular synth, octatrack and arturia analog lab for polyphonic sounds

new track #1

Simple little ditty in which a Ladik Derivator is used to fire off two function generators, one rising and one falling. Thee two are summed and fed through a slew and back into the Derivator, creating a tail-chasing CV feedback loop. This complex CV is sampled by a Doepfer A-148 which in turn is fed to an Intellijel quantizer to create the melody. Harmony is supplied by the Shapeshifter Osc which is being fed through the 4MS SMR for use as a phaser. The entire patch is driven by an Elby ChaQuO, chaos generator running very slowly.

The Ghost Inside

Very weird generative patch in which two LFOs (one half as fast) are mixed with voltages from a very slow sequencer which biases the LFOs up, moving the whole melody and harmony up in pitch. This complex CV feeds the Brainseed CV recorder which punches in and loops playback of a small segment of steps, the loop size slowly changes via another LFO. Brainseed output is then quantized by a Doepfer A-156 to a melodic minor (ascending) scale and drives the lead voice which also pans, correlated to frequency. The interesting attack timbres of the lead voice are created by patching two sine waves into an A-116, the modulator being patched through a separately enveloped VCA. The quantized output is patched to a clock divided Sample and Hold and from there is distributed through a Doepfer A-152 Track and Hold switch to three more oscillators to create background harmony. These 3 oscillators, PD, Wavetable. and FM, are patched to filters and seem to echo the melody voice somewhat although no audio delay is used. The A-156 provides the clocks which are in tempo but only fire when the pitch changes. At the end of the very slow 8 step sequence, a burst of noise is triggered and the reverb is modulated by an envelope to be fully wet, creating the crescendo chord at the end of each cycle lasting about 2:20.

The Brood

dcramer

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