Grande stile e grande classe. Ottimo davvero!

Tu as aussi une sensibilité complète pour la mise en valeur des parties instrumentales dans ce mix complexe !

wonderful flow, beautiful oriental lines!!!!!

sempre bom ouvi-la! Muita luz, muita força!

I remember well this power track and enjoy the re(ggae)listen :-)

DD Reggae/Funk/Pop/New wave/Jazz/Fusion/Chill ...wizz !

Just played the Bass over it... this nice composition is from DD John ;-)

Collaboration with DDJohn... playin Bass over his "Javelin Spear it" song

An exploration in reggae universe with my old clarinet  ;-)

Clari-Reggae

Riddim: Jon K.T Lindley (soundcloud.com/jon-lindley)
Lyrics, vocals : https://soundcloud.com/arnaud-tranquil
Clarinets : DDJohn (Steph) : https://soundcloud.com/ddjohn

Et Après

Et Après nous, man, que restera-t-il ?
quand nous ne serons plus que des poussières inutiles
bien malgré nous, man, souvenirs futiles
d'une vie souvent rasoir et vécue sur le fil

Deviendrons nous, man, de vieux fossiles ?
quelques mots dans l'histoire oubliée d'une ville
mais ne crois pas , man, que cela est facile, 
quand la vie choisit pour nous des routes si fragiles

Et Après nous, man, que restera-t-il ?

Et Après ....(Arnaud Tranquil) - Riddim from Jon K.T Lindley

Let me present you those awesome musicians who have participated at this Reggae Jam!
Bass: Mirko Borach @soundcloud.com/stringburner
Steel drums: Jamie Rhind @soundcloud.com/jamie-rhind
Clarinet: DD John @soundcloud.com/ddjohn
Djembe: Apha Roots @soundcloud.com/alpha-roots
i played the melodica, the organ solo, rhythm guitar, reggae keyboard bubble and drum programming.

Back To Roots with Mirko Borach, Jamie Rhind, DD John and Alpha Roots

Piano Improvisations #24.8

This is actually the third version of the song. I felt the original idea I’d roughed out with the keyboard and computer could be more interesting. So I reworked the whole track again (twice) adding several ‘hooks’. These were some vocal ‘stabs’, some keyboard/synth riffs as well as writing ( what I hope ) is a more interesting bass line. I beefed up the drum section too. I hope the fun I had creating it is reflected in the overall vibe of the track. Having said all this, the question is: did it actually work? 


Get Up

Velvet Pulse

My new song, it's out now and is much different than my last few tracks. 

Beat Made By @missantidote

Never Gonna Stop (Prod. By Miss Antidote)

Smooth Sailing

Trading Love for Lost Things - Remix

Sainsonic feat. Synthesizer V Eri - Your Dream あなたの夢

Lyrics & vocal : UK Man
Music, instruments & mix : PJ Project

Oh Kim

Da big butt

In America the "roundabout" has been widely used to keep traffic moving effectively through an intersection with more than 2 choices.  This is a musical version of that idea in a theme and variations form.   Artists make choices every time they create, just as in life.  Sometimes we are confident in our choices, other times we're not sure where the road with take us.  It is a beautiful and risky world of free will... that influences us every day and I dare say, keeps us on our toes!

Roundabout

(Written by Terry Reeves)
Recorded and mixed at the TLSS studio, Homerton (May-Oct. 2015
Terry Reeves: Vocals
Steph Laporte: Clarinets
Nik Paravatos: Guitar / Bass / Synths /Effects and Noises
Gary Reeves: Drums

I have always enjoyed being a Dad but things do change so incredibly fast.  One moment you’re getting them ready for school and in seemingly double-quick time, they’re all grown up, with all of the problems the transition into adulthood inevitably entails.  They acquire ‘significant others’, some of whom you like and some you’re pretty sure are never going to make the cut.  From a distance, you look on with increasing interest, watching them struggle with the intricacies of romantic involvement.
This song involves the machinations of my youngest son’s relationship with one particular girlfriend, who seemed to have an issue with any form of commitment.  Sometimes she’d show up out of the blue, wanting to spend every moment with him, then disappear into the ether and not contact him for days.
He and I had quite a few Father to Son conversations about her, primarily because we were both concerned about her mental wellbeing.  He’d try to contact her to check if everything was alright, often without success.  Then, without warning, she’d be back on the scene, the whole merry-go-round starting all over again.  I did my level best to help but she truly was an enigma and I was never really sure if what I had to say was helping the situation.  As with many such tricky equations in life, no obvious solution came to light and things slowly ground to a halt.  To this day, though, he says she was one of the most confusing people he ever met.
As is my habit, I decided to write a song about her, calling it ‘Take’ because it was an anagram of her name (by all means have a guess…), hoping to delineate the complexities of the things she both said and did.  Gal really loved the song and going through a marriage break-up as he was at the time, asked if he could contribute a few lines to the lyrics as a way of describing the bewilderment he was feeling, which proved an interesting window into his thinking.
Our brilliant engineer Nick thought slowing it down would give it a kind of Massive Attack feel, an approach that suited it to a tee.  But we needed something else, something magical in the mix, so Gal suggested asking our good friend Steph Laporte (‘DDJohn’ to his SC friends) to record a lead break along with some additional, extra-slurpy licks on his clarinet.  Steph is a wonderful player and as I’m sure you’ll agree, his contribution proved exactly what was needed.  It’s a real favourite of mine - so different from anything we’ve done before.  By the way, anyone worked out that anagram yet?  (Terry Reeves)

Would like to thank Gordon (https://soundcloud.com/gordon_m) for his invaluable help.  I sent him a copy of the penultimate mix and he was good enough to return a detailed list of possible adjustments, all of which were entirely spot-on and made the job of getting the final mix completed in the allotted hour very achievable, something in some doubt but for his assistance. 
(Gary Reeves)

You can say what you like but don’t say what you want to
You can think what you like but don’t think like you need to
You want to like how you look but don’t look how you like to
You never see in the dark ‘cause the darkness is inside you

Guarded observations unexplained
Is there any need?

You like to hide from the truth but the truth always finds you
You want to stay out of sight when you’re always in full-view
How can you look to the past when there’s so much behind you?
How can you be brand new with those voices to remind you?

Redundant complications unexplained
Is there any need?

You never sing out of key when the music suits you
How can the melody change when the words serve to mute you?
You laugh so loud when your good friends entertain you
You don’t understand that the real joke is about you

Another conversation unexplained

TAKE (Cripple Club collab with DDJohn) *download

Involved in different local music associations with my clarinet  (in classic and jazzy mode) ,  I also  love to play the guitar, I love to try to create and produce music with Cubase and different other instruments at home. I love all forms of music. 
Thank you reading these lines, for your kind words , listens and all forms of appreciation and support, I'm always happy to explore,  discover new sounds  and collaborate on this unique platform with wonderful musicians  !!

2022 Collabs, Jams and Chansons :
https://on.soundcloud.com/pkz71
Proud to be inducted  in 2022 as an Official Lunatics after this:
https://soundcloud.com/cosmic-ratzzz/lunatics71-skyline-cosmic-ratzzz-ddjohn?si=aa7c346eca754497a8e4168605590197&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Still so happy to listen to this one with my french SC buddies in the memory of Georges Brassens on this one :
https://soundcloud.com/ddjohn/les-copains-dabord-george-brassens-with-le-hot-club-de-soundcloud-quebec-usa-fra?si=ec03fb2f0b8b42b1b57522bf07221d14&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
...and loving to play with friends in the marvelous style of Django Reinhardt
https://soundcloud.com/ddjohn/sets/collabs-with-lami-bjp

Album/EP featurings @ the clarinet :

https://soundcloud.com/mountain-songs/take-cripple-club-collab-with-ddjohn-download?in=ddjohn/sets/2015-1/

https://open.spotify.com/album/2XfVKVx3ZE1qUBwoUojmfW
.... and @ the guitar :
https://chrispendergraft.bandcamp.com/track/aint-seen-the-worst-of-it-yet-tribute-to-jimmy-page

Clari-Reggae

DDJohn

Recent comments

Soundwanderer

Bruce Conover

Jamie Rhind

mário rodrigues | caraúnas

Related tracks