The long-lost love child of Regina Spektor and Joni Mitchell.

Indie Pop Folk Electro & more.

// www.dancingfeet.fr

"I turned into a familiar shape" available now on most platforms! 
Buy the physical copy at myrkfaelni.bandcamp.com

 Electronic og Orchestra
Reykjavik og Toronto
Dark og Light
Beautiful og Grotesque
Collaborative og Isolated

R E L E A S E: MUSCLE MEMORY online now.
The powerful sound of IDK IDA’s Industrial Electronica has become even more uncompromising on three-piece EP ‘Muscle Memory’ out 18.10.2019. The emotional density of her music creates a deep connection with the audience and has taken her on tour around europe. Deep bass, complex beats and a web of field recordings create an atmosphere that wraps itself around her revealing voice, establishing a cutting-edge world full of desperation, artistic vision and exiting sound design. Her passion for conveying emotions, combining art forms and bringing people together is evident in the projects, IDK IDA takes part in. From working with post-dreifing to playing electronic improv sets or creating a platform for arts and technology, it makes her a very exciting artist to follow.

Dead Bird Lady is a solo cathartic folk project led by French-Mexican multi-instrumentalist, based in Stoke-on-Trent, England.

From the project‘s creation in Iceland in 2018, to the transition to France and finally finding a home in Staffordshire, Dead Bird Lady slowly morphed into her final shape, merging her fascination for folklore and alternative music with a mix of string instruments and electric effects pedals.

You may hear in her bewitching vocals and harmony-drenched melodies the echoes of artists such as Tori Amos, Grizzly Bear, and Aurora.

Multiverse is a series of musician's testimonies, which tell their creative process and their relationship to art. A creation animated and produced by Sacha Bernardson

Benjamin Gibert ventures into mountains, forests and megacities in search of secret sounds and stray signals. He collects raw sonic material — using a microphone and a notebook — then plays with nesting, soldering, fragmenting and merging sounds. His sonic objects often flirt with acoustic or electronic instruments, forming abstract narratives and opening doors to invisible worlds. His work seeks to create immersive forms where reality and imagination, landscapes and fiction coexist.

Coming from a background in contemporary dance, he develops a physical and spatial approach to sound — conceived for deep listening and movement. Field recording is his main tool, which he combines with electronic textures, evolving rhythmic structures, and a singular use of the voice: without words or language, treated simply as raw, organic, vibrant material.

He has completed numerous residencies in France, New Zealand and Chile, and has performed in France, Spain and Japan.

He released Gemmes (2018), an EP composed for the Royal Abbey of Fontevraud; followed by Taihua (2019), an album created and produced in New Zealand. His upcoming EP, Nightingales, will be released in summer 2025. It is a musical fiction at the crossroads of IDM, organic house and ambient, imagining what a secret forest rave might sound like.

Benjamin Gibert’s work stands out for its way of connecting places, natural sounds and electronic textures. He is drawn to liminal spaces — between wakefulness and sleep, human and non-human, natural and synthetic. His sonic universe is shaped by influences ranging from Oneohtrix Point Never to A.G. Cook, as well as Steve Reich, Björk and D’Eon.

She Makes Music is a UK blog which focuses on the most exciting and impressive new music created by brilliant and talented musicians who identify as female or non-binary.

Casting vapourous sonic spells for musical journeys

Dead Bird Lady is following