Sou Cleverton Klusinski, morador de Londrina Pr, adoro musica eletrônica, escuto faz muitos anos, toco um pouco de violão, e comecei atuar como DJ à 1 ano atrás, estamos aprendendo á cada dia, já toquei em algumas baladas, barzinhos e eventos sociais.. Para maiores informações ne chamem no whats 43-99167-4536

NTLT (pronounced Night Light) is a multi-genre electronic music act rooted in the core principal of using music as a way to bring people together. This music project aims to use music as a way to heal people and provide guidance through light- like a firefly/lightning bug. With a cohesive sound/style this project has managed to create music in a broad spectrum of electronic dance music sub-genres such as electronic trap, dubstep, color bass, and drum n bass. NTLT live performances' reflect the nature of it's releases and musical taste.

This is my personal page where you can listen to my reposted published tracks, more commonly known under the name of KhanWu. All the best, my friends, and enjoy!
You can follow this profile, too if you wish.
Check out KhanWu on #SoundCloud
https://on.soundcloud.com/ses8uRKNaXrJnXcSA

Check my Best of KhanWu on YouTube channel :
https://youtube.com/playlist?list=PLfJkH2ilGTW5UO40f7wecgjvHgbwqm28f&si=A8KyAg59MvCN5Ghq

THE #1 REPOST PAGE

TAKING OVER THE WORLD !

Releases on:
LVLD MUSIC
EDMArmy

https://www.soundcloud.com/edm_army


👉 Socials: 
https://linktr.ee/SteeZeeBeaTs

👉 YouTube: https://youtube.com/@steezeebeats

👉Spotify:
https://open.spotify.com/artist/6XPkrX0CtQCtXFqUsr6s1R?si=K86c6Y98QHua-dj9Lz0NkA&utm_source=copy-link

MUSIC AS A FORM OF RETALIATION AGAINST INDUSTRIAL STAGNANCE

Strange as it may seem, music is created for other reasons than making a living. For many of us it is a way of staying interested in a life that is fraught with disappointment and otherwise encumbered with obstructions to contentment. Some have asked me why I don't create music that is more accessible, with potential for popular appeal. I'll consider that whenever it seems there is a shortage of such. For now, I focus on other sorts of potentials. Not much point in spending valuable time attempting popularity through imitation, and trying to do that better than others. CAUTION: Prolonged exposure to some of the content herein could have an adverse effect on stupidity, resulting in undesired intelligence. Thank you for your attention to this matter!

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

TO PRESRVE MUSIC IN YOUR MIND ,ALTHOUGH YOUARE THE ONLY ONE HEARING IT .

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