Wicked founder, Full Moon Party pioneer and musical mischief maker since the 80s. Currently host of the enigmatic "Noise From The VOID" radio show, with a 20 yr run of live broadcasting. Relaunched Wicked Records in 2016 with both vinyl/digital releases. Check it - wickedrecords.net

Not An Animal is a label born from the party debris left uncleaned from London’s infamous Bad Passion parties, as ran by Chris Stoker and Andy Bainbridge.

As Chris and Andy’s energy was being devoted more and more to their musical endeavours (Chris - Ess O Ess with Jamie Blanco / Andy - Machete Savane with Saul Richards & more recently Latrec with Ali Colling) it became both a logical and inevitable step that they would eventually see the birth of their own record label, to showcase not only their own music but also that of the friends that they’ve made in over a decade of throwing and attending parties in various guises.

It’s this collective nature which means that Not An Animal cannot be pinned down to one single sound, genre or style. The music is instead linked by a commonality of taste and approach from all of the artists involved. While you can draw some slight comparisons with the contributors (which include the aforementioned Ess O Ess and Machete Savane, as well as Man Power, Lauer, Roman Flugel, Chida, Suzanne Kraft, The Backwoods, Kuniyuki, Frank Butters, Justin Van Der Volgen, Discodromo, Tiago & Angophora ) it would be impossible to say that anything truly unites them further than an open aesthetic which is receptive to sounds as various as Techno, Disco, Rock, Balearica and good old fashioned House, and which doesn’t try to draw any distinction between any of them.

We've moved our complete archive to:
www.mixcloud.com/RedLightRadio

Red Light Radio was an online radio station and international music platform based in Amsterdam’s Red Light District. From 2010-2020 RLR  broadcasted daily shows of local and international artists. Enjoy all great music!

Undressing this man you’d find a body that’s wasted and, here and there, patches of fur.

Connecting club culture to the wider world, on screen and irl through parties, film and video.

Juno Daily. Music culture, news, reviews, interviews and features, bringing you all the latest from the cutting edge of today’s music and tech

Hello there ! this is the official breakbot soundcloud.

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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