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08. Call Us By Our Names (a Sequel To 請問芳名 Should You Ask My Name) - Feat. 林理惠 & LEO37

𝗦𝗼𝗺𝗼𝘀 𝘂𝗻 𝗺𝗲𝗱𝗶𝗼 𝗱𝗲 𝗱𝗶𝗳𝘂𝘀𝗶𝗼́𝗻 𝗱𝗲 𝗮𝗿𝘁𝗶𝘀𝘁𝗮𝘀 𝘂𝗻𝗱𝗲𝗿𝗴𝗿𝗼𝘂𝗻𝗱 𝗮𝘀𝗶𝗮́𝘁𝗶𝗰𝗼𝘀.

Producer/DJ based  Taipei ,Taiwan
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謝明諺 Minyen Hsieh (2025)

https://linktr.ee/minyenhsieh

Minyen Hsieh is a highly regarded, award-winning Taiwanese saxophonist. The Taipei native, born in 1981, started to perform professionally at the age of 19, and received his Master degree from the Koninklijk Conservatorium in Brussels on 2010. His strong improvisation skills and rich tone has made him a coveted player in several genres varying from: jazz, rock, folk, hip-hop, electronic to avant-garde. He won the Taichung Saxophone Competition in 2012, 2 times Golden Melody Awards (Grammy Awards in Chinese speaking world) and 7 times Golden Indie Music Award with His solo& co-leading albums. Besides Taiwan, he also tour frequently in Japan, Hong Kong, South-East Asia and west Europe.   

In 2024 he participated many projects/performances/releases such as:

-Terao Saho(JP)Taiwan debute ; Shoe-Shine album release concert at SunTory Blue Rose,Tokyo. 
-Monique Chao <Hyperbolic Time Chambers> Taiwan Premier Concert. 
-Non-Confined Space, Green!Eyes @Megaport
-Mantis @Glowball Festival
-Japan Tour w/Suga Dairo, Hayashi Eiiji, Otomo Yoshide, Yamazaki Hiroshi…and others.
-Longineu Parsons(USA)
-NoMads Factory(FR) Album release tour
-Joetrane All Days
-melodies @Taichung Jazz Festival and album release tour.
-Eric Thielemans(BE) Taiwan Tour

And 3 international cooperate album releases:

NoMads Factory 《Elephant On A Pink Leaflet》(NMF-0001)
by Lionel Pinard (FR)  

Asian Connection《East, West & Beyond》(PRA CE 2413)
by Michael Simon (NL) 

Takeshi Sakamoto T.S.O.P Band《光陰 Kouin》(TSOP-1003) by Takeshi Sakamoto (JP)

Also, His latest solo work Our Waning Love ,has won the 15th GIMA <BEST JAZZ SONG>. 


謝明諺  薩克斯風、木管  
  
別因他的謙虛風度而輕忽他，謝明諺是今日台灣音樂界最勇敢的人物之一。布魯塞爾皇家音樂院爵士薩克斯風演奏碩士、碩士後文憑。在2011年的夏天回到台灣後得到了2012台中國際薩克斯風大賽冠軍。自2014年發行個人首張專輯《Firry Path》以來，他著眼於繼續發掘及探索新的領域，在不同的風格之間跳躍，如變色龍般的能力在他參與的每個組合都能準確找到合適的聲音實在是令人驚嘆。參與過的十餘張爵士專輯並共獲得了兩座金曲獎、七座金音獎的肯定。在獨立、實驗、影視和流行樂壇也跨刀合作了超過百首的作品。眾多跨界邀演中也包括了2017年台北世大運閉幕式的熄聖火樂：《薪傳》。 

    2024的世界從疫情中明顯復甦，各種國際的交流演出合作也旺盛回歸！明諺參與了以下有趣的演出：  - 寺尾紗繐(JP)首度台灣演出＆專輯發表@東京 Suntory Hall Blue Rose廳
- 趙默涵 默默大樂團 《Hyperbolic Time Chambers》 台灣首演
- 非/密閉空間；Green!Eyes @大港開唱
- 螳螂大樂隊 @光球音樂祭Glowball
- 日本巡演23場；包括Suga Dairo、林栄ㄧ、大友良英、山崎比呂志等等
- Longineu Parsons (USA)台灣演出
- NoMads Factory (FR)《Elephant On A Pink Leaflet》專輯發表巡演
- 爵犬Joetrane All Days 
- melodies(JP)《melodies》台中爵士音樂節＆專輯發行巡演
- Eric Thielemans(BE) 台灣巡演 - 2024 聲波薩滿 Sonic Shaman  並且有三張國際合作專輯發行，分別是：

- NoMads Factory 《Elephant On A Pink Leaflet》(NMF-0001)
by 法國鋼琴/手風琴家 Lionel Pinard

- Asian Connection《East, West & Beyond》(PRA CE 2413)
by 委內瑞拉裔荷蘭小號手/作曲家 Michael Simon

Takeshi Sakamoto T.S.O.P Band《光陰 Kouin》(TSOP-1003) by 日本鼓手手/作曲家坂本健志 

      他與Suga Dairo new little one的合作專輯《Our Waning Love》也獲得了第十五屆金音創作獎的最佳爵士歌曲獎殊榮。       
https://linktr.ee/minyenhsieh


謝明諺／シェ‧ミンイェン／Minyen Hsieh
https://linktr.ee/minyenhsieh

謝明諺は、１９８１年台北生まれ。
１９歳で自身のバンドを作りプロとしての活動を始めました。
小さい時から音楽が大好きだった謝さんは、高校生の時からサックスを始め、すぐにジャズに恋をしてしまったそうです。
謝さんにとってジャズとは、自由を表現する完璧な方法であり、自分自身に
リアルであるためのものと言えるのだそうです。
謝明諺は、台湾の色々なジャズのライヴハウスなどで活動後、ベルギーにある
ブリュッセル王立音楽院で修士号をとります。
そして、２０１２年に台中で行われたサックスのコンクールで優勝したことをきかっけに、台湾のジャズ‧シーンの重要な人物へとなってゆきます。
台湾の音楽賞での受賞は数多くあり、　台湾をベースに活動している日本人のバンド‧東京中央線とコラボレイションしたアルバム「Lines&Stains」では、GMA金曲賞で２０１９年のベスト‧インストルメンタルアルバム賞を受賞。
エレクトリック‧エクスペリメンタル‧グループである非／密閉空間では、２０２０年のGMA金曲奨のベスト‧インストルメンタルアルバム‧プロデューサー賞を受賞しています。

代表的な作品に、『Firry Path』（2014年）、『上善若水 As Good As Water』（2018年）、『爵士詩靈魂夜 A Soulful Night of Jazz Poetry』（2022年）。

最新作『Our Waning Love』(2023年)は2024年GIMA金音創作獎の最佳爵士歌曲獎を受賞！

日文Press:
https://drive.google.com/file/d/1blKV3lafk6ojbtloucTlPKV6z-mAZYa2/view?usp=share_link

https://www.facebook.com/pages/Sonic-Deadhorse 

http://www.myspace.com/sonicdeadhorse

This is a one-man band, but which also can be played around by joining many people. Because of being fascinated with “Sonic Youth,” because of having been hooked by “Guns N' Roses,” and the most main reason is because of “Sonic Death Monkey”—the band formed by Barry, the lippy clerk of a record shop in my favorite novel “High Fidelity,” I grudgingly pay a tribute to the inexistent band by having the name Sonic Deadhorse.” 
 
It’s the music for lonely urban women and men, the youths captivated by literature and art, dumb rockers, and the crazy raversIt’s the music embracing indulgency of 70s’, melancholy of 80s’, nihilism of 90s’, and isolation of the new century. It is post rock whimpers affecting 
sorrow violent electro, which is a smart-ass with poor. 

As everything faded away with the booming bass drum of TR808, those belonging to love and ignorance of youth seemed to vanish and be gone with Truffaut’s films. After these indescribable sentiments being extracted, I finally decided to play this band sincerely.

Have a long term cooperative relations with  Burma director Midi Z,and Variety said that  Midi Z's last film Poor Folk “ Have the excellent score by Sonic Deadhorse includes some terrific combinations of electronics and acoustic guitar.” 

Now Sonic Deadhorse is a  solo audio/visual controllerism artist  since 2011

Who am I? Just an odd fella that enjoys making the odd chiptune. And Do a lot, A LOT, of liking and reposting. 

I run a VGM Podcast called "VGMporium" that primarily focuses on obscure and unknown VGM as well as highlighting Original chiptune and VGM adjacent music like demoscene and digital fusion.