performed by Schallfeld Ensemble at the Bludenzer Tage zeitgemäßer Musik on October 8th, 2022 in Bludenz, Austria

Flute - Elisa Azzarà
Bb / Bass Clarinet – Szilárd Benes
Soprano/Baritone Saxophone – Matej Bunderla
Accordion – Mirko Jevtović
Piano – Patrick Skrilecz
Percussion – Manuel Alcaraz Clemente
Violin – Lorenzo Derinni
Viola – Francesca Piccioni
Cello – Myriam García Fidalgo
Double Bass – Margarethe Maierhofer-Lischka
Conductor – Leonhard Garms
Sound engineer - Davide Gagliardi

recorded by Chris Swithinbank
mixed by Isaac Roth Blumfield

commissioned by the Bludenzer Tage zeitgemäßer Musik with the support of the Ernst von Siemens Music Foundation􏰙􏰗 􏰎􏰓􏰍 􏰏􏰈􏰝􏰕􏰍􏰌􏰣􏰍􏰋 􏰤􏰊􏰠􏰍 􏰣􏰍􏰅􏰎􏰠􏰍􏰘􏰥􏰦􏰍􏰋 􏰧􏰝􏰖􏰅􏰨 􏰢􏰅􏰎􏰓 􏰎􏰓􏰍 􏰖􏰝􏰑􏰑􏰇􏰋􏰎 􏰇􏰡 􏰎􏰓􏰍 􏰩􏰋􏰌􏰖􏰎 􏰞􏰇􏰌 􏰐􏰅􏰍􏰘􏰍􏰌􏰖 􏰧􏰝􏰖􏰅􏰆 􏰪􏰇􏰝􏰌􏰕􏰊􏰎􏰅􏰇􏰌 􏰢􏰋􏰅􏰎􏰎􏰍􏰌 􏰡􏰇􏰋 􏰐􏰆􏰓􏰊􏰈􏰈􏰡􏰍􏰈􏰕 􏰩􏰌􏰖􏰍􏰘􏰙􏰈􏰎􏰓􏰍 􏰏􏰈􏰝􏰕􏰍􏰌􏰣􏰍􏰋 􏰤􏰊􏰠􏰍 􏰣􏰍􏰅􏰎􏰠􏰍􏰘􏰥􏰦􏰍􏰋 􏰧􏰝􏰖􏰅􏰨 􏰢􏰅􏰎􏰓 􏰎􏰓􏰍 􏰖􏰝􏰑􏰑􏰇􏰋􏰎 􏰇􏰡 􏰎􏰓􏰍 􏰩􏰋􏰌􏰖􏰎 􏰞􏰇􏰌 􏰐􏰅􏰍􏰘􏰍􏰌􏰖 􏰧􏰝􏰖􏰅􏰆 􏰪􏰇􏰝􏰌􏰕􏰊􏰎􏰅􏰇􏰌 􏰢􏰋􏰅􏰎􏰎􏰍􏰌 􏰡􏰇􏰋 􏰐􏰆􏰓􏰊􏰈􏰈􏰡􏰍􏰈􏰕 􏰩􏰌􏰖􏰍􏰘􏰙􏰈􏰍
Program note:

“End of summer, light between your eyes” deals with memory: not as something which flows easily and envelops you like a dream, but as a series of sensations, zoomed in, never able to regain the momentum or consistency of experience. 

Only the essence of the feeling, the strange details that remain after years, more present than the significant moments which always seem to disappear and reappear without reason, without a thread to hold them together. 

It deals with memory as distraction, as the inability to stay present in a moment, as a kind of zig-zag through realities both present and obscure; as something which binds together and something which is irredeemably isolating, which constantly presses on the ability to share anything at all.

End of summer, light between your eyes  |  for ensemble (2022)

Re - Formed Into 1000 Green Ghosts

New album released.

「森と海」
Bandcamp page
https://satoshisugiyama.bandcamp.com/album/--3

----- caution ------
 I'm in the process of making the CD. I will send it to you by surface mail  as soon as it’s ready.


以下、アルバムについて。


「森と海がまじわるところ」

鬱蒼とした森の記憶を辿るように、レコーダーを手にし土と枯れ葉の小道を登る。
まず、その小高い森の中心と思われる場所で一度目の録音。
そして同じ場所でレコーダーのマイクを空に向け二度目の録音。
遠くに僅かに波音が聴こえた。

その音に誘われて、数日後、友人たちと森を抜け海に降り立つ。
岩場の潮溜りにハイドロフォンを落とす。
マイクを通して海中の音を聴くのはそれが初めてで、海の中から外の世界を見ているような気持ちになった。
小さな生き物たちの気配、波音と森のざわめきと
すべてがまじわるところに僕はいた。


※この録音を聴き返すうちに、10年前に三木葉苗が書いた「美の基準についての覚え書き」を思い出し読み返す。合わせて読んでももらえるといいなと思いこれを付属することにしました。

録音と編集　杉山聡
絵　三木咲良
言葉　三木葉苗

森と海 -Excerpts-

Piano solo commissioned by the Ian Potter Foundation for Marilyn Nonken and premiered by her at the Musica Nova Festival, Helsinki, February 2009. The 4 movements are: I. Autumn, 6′ II. Winter, 6′ III. Spring, 7′ IV. Summer (Sema), 10′ (starts at 18'22). info at: http://limprogrammenotes.wordpress.com/2011/08/01/the-four-seasons-after-cy-twombly-2009/

The Four Seasons (after Cy Twombly), 2008 - 09

HEREJIA

Apprendere dal fango, d'après Volodine 

Acousmatic, stereo version

Apprendere dal fango

Original Track:
https://soundcloud.com/ulvo/tachycardia

Ulvo- Tachycardia (Senglar Rmx)

Beatrice speaks with Dean Spade about how we respond to crises, from climate collapse to covid, and how the state’s primary response to these crises is to try to narrow the possibilities for political action around them.

Transcript: https://www.deathpanel.net/transcripts/dean-spade-collapse

Read Dean’s piece, “Climate Disaster Is Here—and the State Will Never Save Us” here:
https://inthesetimes.com/article/climate-disaster-ecological-crisis-deluge-ministry-markley-robinson-gelderloos

Find our book Health Communism here: www.versobooks.com/books/4081-health-communism

Find Jules' new book, A Short History of Trans Misogyny, here:
https://www.versobooks.com/products/3054-a-short-history-of-trans-misogyny

Death Panel merch here (patrons get a discount code): www.deathpanel.net/merch

As always, support Death Panel at www.patreon.com/deathpanelpod

Death Panel

Death Panel 495 Collapse w/ Dean Spade (02/22/24)

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Collapse w/ Dean Spade (02/22/24)

Performed by Ensemble Una Corda
Kristi Mühlig - chromatic kannel, vase and speaker
Liis Jürgens - harp, vase and speaker
Ene Nael -harpsichord, vase and speaker
sound -Liisa Hirsch

Zoom recording by the composer from the premiere on 15.02.2024, Tubina Hall, Tartu

Harmonies that instruments play in this piece have been captured from the recordings of electromagnetic waves that are sounding from the speakers inside the glass vases (unfortunately translated into ET). Other environmental recordings and recordings of glass are manipulated and filtered by the musicians while carefully moving the vases closer and away from the speakers. The hums and overtones created by the hollow insides of the vases inspired the name of the piece after one icy cold day in this winter.
video link: https://www.youtube.com/watch?v=v3mZs6fQJMI

Celsius -23° for kannel, harp, harpsichord, glass vases with small speakers+live electronics

From the album Machines & Corners — Download on bandcamp: https://jonasruchenhever.bandcamp.com/album/machines-corners

Machines & Corners

Corner V

Download

Antanáklasi I [2019] | pour flûte et électronique

Politics, culture, and public policy from the left. Stay alive another week.

w/ Beatrice Adler-Bolton, Artie Vierkant, Phil Rocco, Jules Gill-Peterson, and Abby Cartus. 

https://www.patreon.com/deathpanelpod

Collapse w/ Dean Spade (02/22/24)

Death Panel

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