Listen to this week's patron episode free in its entirety on our patreon at: https://www.patreon.com/posts/91121697

Beatrice speaks with Rasha Abdulhadi about how to stand in solidarity with Palestinians in this moment, the importance of refusing the idea that the genocide of Palestinians is inevitable, and how the language we use to resist the colonial project can sometimes fail to meet the scale of our demands.

Rasha Abdulhadi is a writer, editor, and cultural organizer, and a queer Palestinian Southerner disabled by Long Covid.

Find the poem Rasha reads at the top here:
https://thedeadlands.com/issue-16/believe-the-graves/

The documentary Rasha recommends in the episode called “Women in Struggle” (2005) can be watched via Solidarity Cinema’s radical film archive: https://www.solidaritycinema.com/

Get Health Communism here: www.versobooks.com/books/4081-health-communism

Runtime 1:47:00, 16 October 2023

🧬

Death Panel

Death Panel 468 Teaser - Refusing Genocide w/ Rasha Abdulhadi (10/16/23)

Listen to full episode

Teaser - Refusing Genocide w/ Rasha Abdulhadi (10/16/23)

A mix from resident Number One at 3CRENDSDEEP
Hope Works // Mesters
08/12/23

Number One - 3CRENDSDEEP 08/12/23

Lisvane's second release comes from The Business & Max Winter with remixes from Evely, Will Hofbauer and LT

This release has a limited run of 16 12" dubplates all with unique artwork hand painted by Hannah MacClure-Towells

Fancy it? - lisvanerecords.bandcamp.com/album/lisv02

LISV02

The Business & Max Winter - PAY A M8 [Lisvane Records]

TAKSEER w/ Ubax - 27/03/2024

Exploitation Occident

Social Media Collapse

thinking of moments or stages throughout the years when cloudy fuzziness and misty haze accumulate until the mind is certain this state of being will last an eternity - however cloudburst and golden breaks are awaiting at the horizon
 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/metamorphosis-2024/episodes/metamorphosis-2024-broken-shards-w-shoplifter-11th-april-2024

broken shards W/ shoplifter 110424

Cassette/digital available from Imprec.com

“The Generous Law,” a new album by organist Jack Langdon and guitarist Anthony Vine, presents a glimpse of the inner voices and acoustical splendor of the Fisk Organ at Wellesley College, enlivened by the intuition of two improvisers. At the keyboards, Langdon crafts geometries of patiently braided lines and incisions, configuring the hues and shades of organ stops with an ear to the materiality of sound. Vine seizes on this, tuning his guitar to the organ and bringing his strings into alignment with the harmonics of the reeds and pipes, becoming an extension of the instrument, an organ stop of sorts. The guitar flows in and around Langdon’s angular counterpoint, like the shimmer between the divots of a jigsaw puzzle, illuminating its matrix. 

The tonal design of the Fisk Organ brings these interactions into vibrant relief through its quarter-comma meantone tuning and 17th c. Danish and German stops—giving organists access to sonorities only found in historic North European churches. Resurrecting a distant sonorous past echoes the design of Wellesley College's Houghton Chapel itself, a braiding of ecclesiastical motifs with no historical center, designed to impart a sense of old-world sacredness. Fisk’s ahistorical mélange yielded something extraordinary, not a cheap replica or period imitation, but an instrument of sui generis chroma and expressivity.

The musical idioverse of Langdon and Vine is defined less by interior imaginations, established style, and compositional formality, and more by the inexplicable pull of the organ, its guiding and grounding voice. In a letter to Ross Feld, Philip Guston speaks to this abstract, yet ubiquitous dynamic in artmaking with his notion of the “generous law,” the namesake for this collection:

“I think you are writing about the generous law that exists in art. A law which can never be given but only found anew each time in the making of the work. It is a law, too, which allows your forms (characters) to spin away, take off, as if they have their own lives to lead—unexpected too—as if you cannot completely control it all. I wonder why we seek this generous law as I call it. For we do not not know how it governs—and under what special conditions it comes into being. I don’t think we are permitted to know other than temporarily. A disappearance act. The only problem is how to keep away from the minds that close in and itch (God knows why) to define it.” -Philip Guston to Ross Feld

This music is not driven by concept, process, or system, but by the wanderlust of sound, time, and listening.

Jack Langdon & Anthony Vine - The Generous Law - 1  July 27, 2022 - 1pm

SAYF & AMA

"A collection of music from musicians I admire & friends I love." — Jiyoung Wi

 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/drowned-by-locals/episodes/drowned-by-locals-21st-may-2024

DROWNED BY LOCALS PRESENTS: MUSIC FOR PARKING GARAGES, REWIND W/ JIYOUNG WI 210524

Turinese sunitty lord Matteo Coffetti is back to the Bamboo Shows ℘ཞɛɱıɛཞɛ program with his next "Cave Kids Exploration" EP. Coming on June 6 on american IW (International Winners), as another great addition to their catalog focusing on the digi-world disruptions into the supertangible audio experience that is noise music, here are a few words about the release from the italian wonderkid:

"In the solace of forgotten caves, where wild shadows dance on the flicker of fires and echoes thread silence, a group of kids found cheer in muziikk.

Drums made of stones and flutes carved from bones made sounds woven with tales of adventure, of daring escapades, of friendships formed.

Will you join them, dance to the beat of the unknown, escape the banal and embrace the magic of their sweet cacophony?"

https://internationalwinners.bandcamp.com/album/cave-kids-exploration

Cave Kids Exploration

Download

℘ཞɛɱıɛཞɛ ≈ Matteo Coffetti - Hisleria Digisol [IW]

@dvvdvv
The 42nd release of katharsis is the collaborative album “Soft Space” by label founder jjjacob and various other artists from around the world, coming out on May 31st. The album works as a sequel to his previous full-length release "Brutal Nature" from 2022, both in terms of the collaborational dogma in production but also in the thematic connection and contrast between the brutality of nature and the softness of space. All tracks emerged as infantile jjjacob sketches, then taking more form and gaining inspirational matter from the collaborating artists' conduct and care, before finally being concluded by the final touches of jjjacob again.

The result is as the title suggests smooth and gentle at most times, but it does though have more wicked and harsh moments and aspects throughout the album. The emotional journey of the album keeps pendulating between the pleasant floating sensations of celestial emptiness and the brute mysticality of the unknown. At times it feels aerodynamic or dissolving, at others it tastes crispy and anthemic, but the overall output is definitely ethereal and cosmic.

releases May 31, 2024
artwork & mastering by jjjacob

pre-order

premiere: jjjacob & dvdv - Touching Time

Politics, culture, and public policy from the left. Stay alive another week.

w/ Beatrice Adler-Bolton, Artie Vierkant, Phil Rocco, Jules Gill-Peterson, and Abby Cartus. 

https://www.patreon.com/deathpanelpod

Teaser - Refusing Genocide w/ Rasha Abdulhadi (10/16/23)

Death Panel

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