excellent collaboration… excellent piece of music… excellent singing🙏🏻

Very pretty all of you! Nice low notes and high notes : )

I’m lost in the smoky haze of this beauty

woooow beautiful vocal and song 🌹🌹🌹👍👍

Wonderful song and collab! Superb performances!

Stunning song✨ Marvelous voice 🫶 Bravo all ✌️

Incredible collaboration... So well done! Congrats to you all!!

Best of SoundCloud October 2025

Ray (https://soundcloud.com/user-364196783-552705040) and I went back to the well, and came back with this.

You Oughta See

Collaborating with Amin on this song was a completely different experience for me, and I'm glad that I did it. 😍
Piano and Strings by me 😊
this track originally released is 2018.
mix & mastering by @amin-pishehvar

Children of the sun (featuring amin pishehvar)

Just for fun.
----------------------------------------------------------------------------------

i’m comin’ around
i won’t back down
got a posy
i’m after you

i’m bringin’ a ring
forget everything
that i told you 
i am ready

god dammit if i have to
climb a mountain
i’ll man it with abandon
racing for you

you’re shootin’ me down
way down to the ground
still i saw you 
Seraphina

god dammit it if i have to
down a dragon
i’ll plan it for your pleasure
send it to me

has anybody
seen my baby
engine’s runnin’
get in

i’m down on my knees
cohabitees
for the weekend
will have to do

god dammit do you have to
always play me
god dammit do you have to
stove me in
god dammit it if i have to
slay a dragon

damn Phina

----------------------------------------------------------------------------------------------

Thanks to Jacques Dicroce, Janine Levinson, Cheesemont Paisely-Paisely, Wheelwright and David Weiss for early listening, critique and encouragement.

Image from Daniel Radford via Unsplash

Seraphina

Music: Little Man & Janne Hennie
Lyrics & Vocals: Janne Hennie
Instruments & Mix: Little Man 

The picture is my mothers dog ❤️
Update 4 October: He passed away 2 October.. Rest in peace, little friend ❤️

Lyrics:

Every time I came to visit
You danced around my feet
Made happy noises, barked a song
Lots of cuddles, lots of love

You are my friend, like a brother to me
We could talk, have long good walks
Always faithful, with trust in us
So much comfort in my mothers dog

But now you're tired, you need to rest
I know you did you're very best
I will carry you on our last walk
My little brother, my mothers dog

If I was sad, you licked my hand
could always sense and understand
Whenever something was bad or wrong
You were there, your presence so strong

Take a rest now, my brother, my friend
I'm pretty sure I'll meet you again
Then we'll take a long good walk
Lots of cuddles, lots of love

But now you're tired, you need to rest
I know you did you're very best
I will carry you on our last walk
My little brother, my mothers dog

My Mothers Dog

If you want to learn more about Jessy, the Cat Princess, and her life story & adventures, you can choose one of these videos that we have created in four languages.

Video link selection:
SVK: https://www.youtube.com/watch?v=VE7xKPRGZQ8
FR: https://www.youtube.com/watch?v=B3bJz5Gr77w
GER: https://www.youtube.com/watch?v=FeOQ8wpSyiM
ENG: https://www.youtube.com/watch?v=7L3juxfuPsI

Love & Light 
✨🌟❤️🌟✨



Rest in peace, my dear Cat Princess. Until we meet again. 💖 
🍄Amanitalinda🦋

Land of Dream

Jessy - The Cat Princess (Remix)

Jessy - The Cat Princess (Remix) & Video Link

'Background Noise' inspired by the noise pollution of daily living.

CON-FUSION

Background Noise

Pour qui je compte     ( Translated following the French text )

Vidéo :   https://youtu.be/9njE-7si0d0
Texte :           Muette
Chant lead : Philippe J
Choeurs :      Liora 

Il y a des carnets
Et des mots égarés
Tout au fond des tiroirs
Et qu'on n'relit jamais
Parce qu'on est en retard
Et qu'y a toujours quelqu'un
Dont il faut prendre soin
Et ce quelqu'un, c'est jamais soi.

Dans la frileuse Flandre,
Sous les chênes et les hêtres,
Il y a ce tas de cendre
Après un feu de fête.
Au milieu, des canettes,
Des souv'nirs jetés là
Qu'on ramass' les yeux las
Pour les trier plus tard, peut-être.

Alors on compte sur ses doigts.
Un' seul' main suffit quand on s'dit :
Pour qui je compte vraiment ?

Les glacières dans le coffre,
La guitare dans sa housse,
On se serre un peu fort.
Un dernier regard pour
Les lits de mousse tassée,
Et les arbres muets
Mêm' quand l' bûch'ron les couche.
Et chacun r'part de son côté.

Alors on compte sur ses doigts.
Un' seul' main suffit quand on s'dit:
Pour qui je compte vraiment ?

Et puis quand la clairière,
S'éclaircit plus encore,
Qu'on sait par cœur le bois,
Ses pièges, ses réconforts,
Assis sur les souches
On se parle à soi-même
En dénombrant ses doigts.
On se demande : Qui m'aime ? Qui m'aime ?
Et une seule main suffit. 

For whom I count on

There are notebooks
And lost words
At the bottom of drawers
That we never reread
Because we're late
And there's always someone
We have to take care of
And that someone is never ourselves.

In chilly Flanders,
Under the oak and beech trees,
There is a pile of ashes
After a festive bonfire.
In the middle, cans,
Memories thrown away
That we pick up with weary eyes
To sort through later, perhaps.

So we count on our fingers.
One hand is enough when we ask ourselves:
Who do I really count on?

The coolers in the trunk,
The guitar in its case,
We hug a little tighter.
One last look at
The beds of packed moss,
And the silent trees
Even when the lumberjack cuts them down.
And everyone goes their separate ways.

So we count on our fingers.
One hand is enough when we say to ourselves:
Who do I really count on?

And then when the clearing
Grows even brighter,
When we know the woods by heart,
Its traps, its comforts,
Sitting on the stumps
We talk to ourselves
Counting our fingers.
We ask ourselves: Who loves me? Who loves me?
And one hand is enough.

Pour qui je compte. avec Philippe J

Vocals: @Oddrun-Eikli 
Trumpet: @Arne-Hiorth
Lyrics: @user-264930040 (Peter)
Piano: Debra Buesking
This piano composition takes its cues from Beethoven's Bagatelle "Für Elise".  It seemed a bit of fun to give Beethoven's famous piece a new twist and so we have.  Thank you to my dear friends Oddrun, Arne, and Peter, for this marvelous and joyful experience of working together.  It brings us all a bit closer together.

An Autumn Pastorale

The year’s getting late, now summer’s sleeping
I contemplate how autumn’s creeping in.
Berries shining for the birds
As they harmonise each others’ words In a chorus like the angels heard.

The year’s getting late, for carefree living

Lazy times, with honest give and take.
Simple joys like baby smiles
And climbing hills to see for miles
The evening star switching on…year’s getting late

The year’s getting late, memories clinging
Better times, that sweet hope’s bringing in
The last of this year’s butterflies
Mother nature’s neat surprise

Can’t those days come back please? … year’s getting late.

Autumn Pastorale | Oddrun E, Arne Hiorth, Peter the Poet, & Debra B

After too long of a hiatus, back with some funk fusion, Creeping Around The Corner.  I'm joined again by two fabulous musicians that need no introduction here ...Stephan "Pinner" Lipinski on guitar and Daniele Petrocchi on bass.  Love what these guys bring to every musical situation:  https://soundcloud.com/pinner
https://soundcloud.com/daniele-petrocchi

And as always, thanks for your generous time listening, for your comments and for your shares

Creeping Around The Corner - Stephan Lipinski / Daniele Petrocchi / Jamie Rhind

Lyrics: @user-264930040 (poet Peter)
Piano and composition for piano: Debra Buesking https://soundcloud.com/debra_buesking
Vocals, and vocal composition : Oddrun Eikli
Trumpet, studiowork and mix: Arne Hiorth


Debbies`s words about the piano composition:
"This piano composition takes its cues from Beethoven's Bagatelle "Für Elise". It seemed a bit of fun to give Beethoven's famous piece a new twist and so we have."

Thank you to my dear Debbie, Arne, and Peter, for this marvelous and joyful experience of working together. It brings so much JOY:)

An Autumn Pastorale

The year’s getting late, now summer’s sleeping
I contemplate how autumn’s creeping in.
Berries shining for the birds
As they harmonise each others’ words In a chorus like the angels heard.

The year’s getting late, for carefree living

Lazy times, with honest give and take.
Simple joys like baby smiles
And climbing hills to see for miles
The evening star switching on…year’s getting late

The year’s getting late, memories clinging
Better times, that sweet hope’s bringing in
The last of this year’s butterflies
Mother nature’s neat surprise

Can’t those days come back please? … year’s getting late.

Autumn Pastorale. Debra B. Oddrun E. Poet Peter. Arne H.

Special thanks to Paploviante for his generous open collab offer 🫶

I added mostly keyboard music to Paul’s jamming jazz track of keyboard, guitars (awesome solos!), bass, and percussion. VST instruments or E-instruments that I used are listed below. No AI, made by humans.

Paploviante's original track is here:  https://soundcloud.com/paploviante-and-friends/time-turns-back-paploviante

And if you love saxophone as I do, check Joerxworx's sax remix of Paploviante's Time Turns Back here:  https://soundcloud.com/joerxworx/time-turns-back-by-paploviante-joerxworx-sax-remix

BTW, time falls back one hour on Sunday, October 26, 2025, in most of the European Union, and on Sunday, November 2, 2025, in the United States, Canada, and other locations observing Daylight Saving Time in autumn.

…………
85 bpm

DAW: Apple Logic Pro X 
MIDI: Akai Professional Keyboard 
Concert Grand 
Ambient Lead
Studio Trumpet 
Focus rhythm arp
African Kit ~ Metal Shaker for an extra Tick-Tock rhythm in the intro, outro
……………..

COVER ART is a surrealistic interpretation of the song as original CGI by SUNNYBECK using a composite derived from original and AI-generated images rendered by the DaVinci app, then altered, retouched, and designed in Photoshop. Includes a thumbnail of Paploviante’s original cover art.
.

Time Turns Back by Paploviante | SUNNYBECK Remix

Hoping you are having a lovely weekend....Just a little French inspired number !
Thank you for your very kind plays reposts and playlists.

Une Histoire

'Shadows In Fallen Clouds' Chemtrails are covering our skies worldwide daily. These chemtrails contain a mixture of chemicals and heavy metals. Most of the worlds population appear to think that these chemtrails are clouds or contrails and some are even oblivious to their very existence. However I am not and am well aware that what is being sprayed artificially in the upper atmosphere, won't stay there for long and will soon succumb to gravity. So then these chemtrails start to fall to earth, with their pollutant toxins. We are then breathing these in and eating the food produced from the contaminated ground and drinking the water. 
My track then 'Shadows In Fallen Clouds' is my protest to this assault on the earth and every living thing on it.
Alan

Shadows In Fallen Clouds

The Snow Queen – The Fox
October 2025
Duration: 2:15
Listen to more music from the Snow Queen ballet at: soundcloud.com/bruce-klepper-1/sets/the-snow-queen-music-for-danse
Based on a short melody from a Russian gypsy folk song 
Music for Danse Etoile Ballet (www.danseetoile.org) who will be performing The Snow Queen Ballet January 2026 in Colorado.
For violin, clarinet, alto sax, tenor sax, baritone sax, double bass, marimba and percussion.

The Snow Queen - The Fox

Remixes

The Future Is Inside You (Remix 2025)

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

Best described as eclectic, my style is a soothing mix mirroring my personality: mostly mellow with the occasional outburst. Although I have a background in classical piano I have always loved to create and improvise.  Since early childhood I have been trying to duplicate on the piano what I hear in my head.  Now I see how formal studies and improvisation fit together perfectly. I hope to always keep growing and learning, reflecting the beauty of Christ in all my endeavors. Thank you for your kind listening.

Autumn Pastorale | Oddrun E, Arne Hiorth, Peter the Poet, & Debra B

Debra Buesking

Recent comments

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