Mighty Craic (AKA Carabhan) is a London based DJ/Producer/Promoter with several residencies throughout the capital and sets at many top venues including Ministry Of Sound, Tobacco Dock, Electric Brixton, SW4 (Official After Party), Trafik, Rich Mix and Metro Bar. While 2021 will see in his long awaited Ibiza debut.

His early musical influences include Jazz, Soul, old school R'n'B, Funk and Disco, the key elements of which lie at the heart of his musical DNA.

Devoted to sharing his passion for music and dedicated to perfecting his craft as a DJ, he has built up a 50,000 strong following and his weekly mixes and radio shows have achieved over 10 million plays world wide.

BOOKINGS: Contact (at) DJMightyCraic.com

BOOKING: Contact(at)DJMightyCraic.com

Cercle is an artistic movement that hosts and curates experiences, events, festivals, a record label, and immersive musical journeys. At the intersection of music, aesthetics, heritage, and video, Cercle aims to create and produce innovative experiences on a global scale, highlighting unique artists on unique stages, offering a new perspective on the cultural and natural legacy of our world.

hello@cercle.io

Giorgio Moroder - the father of Disco

Casablanca Records

Genres and Styles:
Disco, Electronic, Hi-NRG, Synthesizer, Pop, Rock, Dance, EDM

Moroder is frequently credited with pioneering synth disco and electronic dance music.

Soundtracks: 
Metropolis, Scarface, Midnight Express, Cat People, Electric Dreams, American Gigolo, Flashdance, The NeverEnding Story, Top Gun, Over The Top, Grand Theft Auto III (Flashback FM), Grand Theft Auto: Liberty City Stories (Flashback FM), Racer

Giorgio collaborated with Daft Punk in 2013
(My name is Giovanni Giorgio, but everybody calls me Giorgio - "Giorgio by Moroder"),
he is officially the oldest DJ in the world and currently working on his new album called "Déjà Vu" featuring Britney Spears, Sia, Charli XCX, Kylie Minogue, Mikky Ekko, Foxes, Matthew Koma, Kelis and Marlene.
Stay tuned.

#74isthenew24
#Righthererightnow
#Dejavu
#Diamonds
#Dontletgo

LUXXURY (Kitsuné, Future Disco, Boogie Angst, Eskimo, Deep&Disco, Big Beat) makes dance music for adults. Raw, funky bass-lines plucked with grown-man finesse. A mastery of space disco native only to those who lived through the late '70s/early '80s. Dust in the glitter that vibrates in the space between string stabs, bongo slaps, and guitar jabs—while the steady pulse and astral effects feel beamed in from a more cybernetic future Los Angeles. That's where the nu-disco wizard born Blake Robin dwells when he isn't on the road opening for Giorgio Moroder or the Juan MacLean, leading his 4 piece band on late-night TV or remixing live at DJ sets in Mexico City, New York and London. In fact, you might've first felt his deft touch via the controversial  LUXXURY Edits—where he uses multi-tracks (stems) of classic hits to create dubby slow-disco versions—but his original music is no less arresting, with a sound that reflects not only a newfound earnestness of expression but a lifelong love for the craft of disco.

Psychedelic Trance With A Progressive Touch.

VINI VICI BIOGRAPHY 2016 

Vini Vici is the new project of Aviram Saharai & Matan Kadosh, both well-known and experienced electronic music producers for over a decade.
The concept of Vini Vici was formed by the boys with an intention to express their love for the old school sound, paired with their progressive ideas.
Iboga Records and FM Bookings, widely considered to be the biggest psytrance label and booking agency, were the first to see the potential of the project and invited them to be part of their well respected family, alongside names such as: Ace Ventura, Liquid Soul, Ticon, Captain Hook, Atmos, and the like.

After the huge success of their premier EP 'Divine Mode' and their follow-up ‘Back Underground’, ‘Expender’, ‘Anything & Everything’, and ‘Veni Vidi Vici’ tracks (all top sellers on Beatport and Iboga Records charts), Vini Vici continued to produce massive hits while touring the world nonstop - Brazil, Mexico, South Africa, Switzerland, Finland, France, India, Denmark, Germany, United State, Italy, Portugal, Austria, Australia, Serbia, Netherland, Scotland, United Kingdom, Ireland, Israel…..
It's no surprise Beatport positioned them at No.3 on the Top Artist list of 2014.
2015 was a huge step forward for the boys with the release of their debut album ‘Vini Vici - Future Classics’. They hit the Beatport Main Chart at No.2 (Psytrance at No.1) - a position that very few psytrance artists have managed to stand at before, followed by Psyshop No.1 and TrackItDown No.1 spots, while the legendary Infected Mushroom named them “the best upcoming psytrance artists at the moment”. The explosion continued when trance king Armin Van Buuren edited their already classic tune ‘The Tribe’, and featured them on his legendary ‘ASOT’ radio show over and over again.

Finishing 2015 with a bang, the boys were ranked by Beatport as No.1 on the PsyTrance Artist chart and they also landed the Best Selling Track of 2015. They continued to make history early in 2016 with their Vini Vici Remix of ‘Hilight Tribe - Free Tibet’ - the track gained over 15,000,000 views on YouTube and 5,000,000 plays on Soundcloud, while also hitting the No.2 spot on Beatport’s Main chart, and becoming the first psytrance track ever to have entered the Beatport Main Top 10.

After such an outstanding beginning to 2016, it’s no surprise that the rest of their year continued to bring this elevated level and even after many successful years before became their best year by far. Some even call it the ‘The Vini Vici Year’ - with over 220 shows in some of the most prestigious electronic music events around the globe (A State Of Trance Festival NL, Tomorrowland BE, Boom Festival PT, Electric Daisy Carnival in U.S.A, Ultra BR, Dreamstate U.S.A, Transmission CZ, Experience BR, Vuuv DE, Sunburn GOA, Luminosity NL, Earthcore AU, Unity IL just to name a few…).

Keeping their No.1 spot on Beatport’s Psytrance Artist list and Best Selling Track for the second year in a row went on to lead a new generation of psytrance fans and producers to their style. Just before ending off 2016 came the jewel in the crown; a collaboration with no other than one of the solid founders of modern electronic music - Armin Van Buuren, featuring french band Hilight Tribe in their creation ‘Great Spirit’. This massive collaboration took over the Beatport Main Chart immediately and gained over 1,000,000 views on YouTube in just 2 weeks, taking them one step closer to their life goal of spreading psytrance culture and energy in the world.

Armin van Buuren: “I’ve wanted to work with Vini Vici ever since they embarked on the music scene. Few acts have such a well-defined signature sound”

Wondering what the buzz is all about? It's time to tune in and find out.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

“We are the Music Army” DZ💯🛢🎹🎻🧡

Captain Earnest Bon-Huffington
Madame Francois de Lundenkopf
Esquire Winston Humphries III and Fred

New song 'Run' out now

Management: Info@teamleisurely.com

decibelman is following