(‿ˠ‿)BUTT BASS (‿ˠ‿)
made by stoner best buds.
-----------------------------
BnW = @BLONDTRON X @WASPYbeats

Twitter: @blondtron & @WaspyBeats
Facebook.com/BlondtronWaspy
Instagram: @Blondtron & @WaspyBeats

Bookings: Blondtron@gmail.com


i used to do drugs and commit suicide. now I don't. 

For the past decade, Mad Decent has been invading your ears with fresh sounds. With humble beginnings in Diplo’s Philadelphia studio, Mad Decent’s unwavering mission is to highlight underground, genre-blurring sounds. Mad Decent tops iTunes, Beatport and Shazam charts worldwide with #1 Dance tracks and albums with releases from artists like Major Lazer, Dillon Francis, Grandtheft, Party Favor, NGHTMRE and Yellow Claw. Mad Decent is also home to Good Enuff, a launchpad for artists breaking the norm; notable releases include Bauuer’s “Harlem Shake” and DJ Snake’s “Bird Machine.” As an extension of the Mad Decent sound, Mad Decent Block Party was established in 2006 and now spans across North America and India.

* Message me if you have any copyright issues *

Home of my own mixes - predominantly jungle/hardcore with the odd bit of D&B, plus eclectic sample-digging, breaks and hip-hop, techno & electronica. 

Pre-2001, all mixes vinyl; Post-2016, all mixes digital (DJay 2); Post-2018, Ableton Live. Why? Why not?
I've got an old skool DJ's mentality, early influences ranging from Sublove, Ratty, Randall & Hype to Coldcut, DJ Juice, MK & Primo.  In the early 00s I turned my back on D&B, retired my turntables in favour of family/work commitments, and got into funk, soul, reggae and so on... a lot of this driven by curiosity around the sample roots of hardcore and jungle.  Forward another decade and an early mid-life crisis saw me messing around with virtual decks on my phone, and later acquiring a vinyl ripper, with one vision in mind: making mixes.
Although I'm partial to the odd DJay or vinyl mix when I get the chance, the progression into Ableton Live was a simple means to an end.  My ideas stretch further than the limitations of my physical collection and real-time mixing, and by sequencing I can pick, choose, chip away and structure mixes at my leisure. Which I do... a lot :)

Wait, there's more ... an absolute stack of classic golden era/old skool hip-hop/turntablism, jungle and d&b, hardcore, techno and house mixes retrieved from my dusty tape & CD archives.  This includes (by my reckoning) the most exhaustive collections of classic Full Cycle and Sublove Galaxy Radio shows, live Ruffneck Ting jungle tapes, loads of studio & compilation mixes, all manner of rave tapes, and so on. 

Have fun, spread the love :)

Please check out and support these like-minded individuals
@the-roadblock
@ethereal94
@kolanut 
@drumtrip 
@repertoiresound
@sonarsghost
@dj-madbeats
@dareerickson
@danielnorman
@vykhod_sily
@sonicrampage
@rough-culture
@wiseguisedjs
@distantworldtransmissions
@code618
@user-381614661 (trackfx)
@user-626612322 (Made in Chedzoy)
@mafsone
@mihailpetrovski
@cash_bailey
@sinewavebass
@10inchpress
@user-118560124-972751930 (hardscore)

Virtual entertainment robot throwing ass shaking parties on the 3D web. 

@RedBullMusicAcademy 2006 alumni

#SETYOURPUSSYFREE

Management & Bookings 
abel@fingerlickin.co.uk
www.fingerlickinmanagement.co.uk
+44 (0) 20 7255 2660

www.facebook.com/OfficialASkillz
www.twitter.com/A_SKILLZ
www.facebook.com/KraftyKutsOfficial
www.twitter.com/krafty_kuts 





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