Your new petshop order has arrived.  Available on bandcamp at https://deadecay.bandcamp.com/track/longing

Longing

Join Iris Kara as she finds out about Paradise Loop and what lures people there.

Paradise Loop

𝓐𝓶𝓮𝓻𝓲𝓬𝓪𝓷 𝓗𝓸𝓻𝓻𝓸𝓻 𝓢𝓽𝓸𝓻𝔂 1984 𝓽𝓱𝓮𝓶𝓮 #𝓜𝓪𝓬𝓠𝓾𝓪𝔂𝓵𝓮  𝐃𝐑▼𝐆𝐱𝐖△𝐕𝐄‡Ξ𝐃𝐈𝐓☣𝐂𝐂𝐈𝐗𝐒𝐈𝐍𝐒☣ 

𝓰𝓻𝓪𝓿𝓮𝔀𝓪𝓿𝓮
ᴀᴍᴇʀɪᴄᴀɴ ʜᴏʀʀᴏʀ ꜱᴛᴏʀʏ 1984 ᴛʜᴇᴍᴇ #ᴍᴀᴄQᴜᴀʏʟᴇ  
ᴜɴᴍᴀꜱᴛᴇʀᴇᴅ ᴛᴡᴏ ʟɪᴠᴇ ꜱᴇᴛꜱ ᴡ ᴛʜꜱ ɢʟᴏʀɪᴏᴜꜱ ᴛʀᴀᴄᴋ 
𝐃𝐑▼𝐆𝐱𝐖△𝐕𝐄‡Ξ𝐃𝐈𝐓☣𝐂𝐂𝐈𝐗𝐒𝐈𝐍𝐒☣ 
𝓲 𝓳𝓾𝓼𝓽 𝓬𝓱𝓸𝓹𝓹𝓮𝓭 𝓪𝓷𝓭 𝓻𝓲𝓹𝓹𝓮𝓭 𝓲𝓽..
𝓜𝓪𝓬 𝓠𝓾𝓪𝔂𝓵𝓮 𝓼  𝓪 𝓑𝓞𝓢𝓢
𝓜. 𝓡𝓸𝓫𝓸𝓽 ... 𝓐𝓗𝓢 ..84 𝓽𝓲𝓵𝓵 𝓹𝓻𝓮𝓼𝓮𝓷𝓽..

https://www.imdb.com/name/nm1989340/#composer

🄰🄼🄴🅁🄸🄲🄰🄽 🄷🄾🅁🅁🄾🅁 🅂🅃🄾🅁🅈  1984  #AHS  𝐃𝐑▼𝐆𝐱𝐖△𝐕𝐄‡Ξ𝐃𝐈𝐓☣?ｌӨ ｗｅｒｃａｓｅ ｄｒｕｇｓ☣

1 𝔯𝔢𝔱𝔞𝔦𝔩🍦𝔱𝔥𝔢𝔯𝔞𝔭𝔶
𝔞𝔯𝔱𝔴𝔬𝔯𝔨 𝔟𝔦
𝔥𝔱𝔱𝔭𝔰://𝔴𝔴𝔴.𝔦𝔫𝔰𝔱𝔞𝔤𝔯𝔞𝔪.𝔠𝔬𝔪/𝔶𝔲𝔫𝔤𝔴𝔢𝔩𝔩𝔟𝔲𝔱𝔯𝔦𝔫/
𝔬𝔯𝔦𝔤𝔦𝔫𝔞𝔩 ℭ𝔏ℑ𝔒 1985
https://www.instagram.com/yungwellbutrin/

クリオ－顔 （１９８５）

This song was made for a challenge based on a image. This time, the image was a Japanese Shinto shrine (神社) so I attempted to make something similar to Kagura (神楽), the music you would hear at a shrine. I have used traditional Japanese instruments such as the taiko (太鼓) and shamisen (三味線) and tried made it to sound like a performance.

今回の曲は絵に基づいているチャレンジーの曲です。絵は神社である為、神楽みたいな曲を作ってみました。伝統的な楽器の太鼓や三味線などを使いました。お聴きください

YouTube: https://youtu.be/NKadlhTv1wE

Kagura (神楽)

Halloween excursion into the depths of the dark forest...
A reimagined version of a track specifically created exclusively for one single broadcast for The Dark Outside & Sanctuary Lab 24 hour radio broadcast in the Galloway Forest Dark Skies Park September 2021; includes (in homage to Gong) space whispers & glissando guitar played using antique surgical instrument

Included in Johnny Hedley's Amazing Radio Show: Base Frequencies - the murky underworld of Psych, Doom, Punk, Noise, Ambience, Experimental, Shoegaze, Abstract Hiphop, Beats, and beyond - produced & presented by the legendary Pigs Pigs Pigs Pigs Pigs Pigs Pigs bassist, it is a dark and joyous realm of twisted wonders!!!

Selected as Fresh On The Net Eclectic Pick; occasional landings on Gong Planet's social media moons, satellites and flying teapots...; spins on Neil March's Trust The Doc Radio & 365 Radio shows: & on Richard Pierce's Radio Stradbroke  show; etc.....

music composed and performed by Junkyard of Silenced Poets copyright & all rights reserved

image – pv66

image contains modified elements of internal illustration from Heather Fowler’s short story collection Elegantly Naked (Queen’s Ferry Press, May 2014)

Gargoyle Trees

This work for cello is derived from ideas associated with change ringing.

If one has, say, 6 bells, and one wishes to ring them in some sequence, then one has 720 possible sequences ("rows") to choose from.    Performing all the possible "rows" in some sequence constitutes an "extent" or "full peal."  A traditional desire consists of have every two consecutive "rows"  (or "change") in an "extent" differ only by swapping order of two consecutive bells.   So give any particular starting "row" of 6 bells, only 5 "rows" can legally complete the "change." 

That "extents," legal in this sense, even exist follows from non-trivial mathematical constructions, but these constructed extents tend to have a very mechanical character (and advantage for "method ringers").  

I (re?)discovered that one can make new extents from old by exchanging two consecutive segments AND time-reversing just one of them.  Call this a "twist."  "Twisting" one of the mechanical extents 2000 times (for an extent of 720 "rows") seems to produce reasonably random or organic "extents."   Philosophically these "twisted extents" lead double lives, being both highly structured and constrained, but given that, also as capricious as possible.

Four random "extents" govern this work.  Most simply, one "extent" controls the 6 dynamic levels in each row statement, one "extent" controls the 6 durations, and one "extent" controls the sequence within whatever the current collection of pitches.  

The final "extent" gets used go generate the pitch content.  Instead of ordering events, the permutations get used to order  the intervals 2/1, 3/2, 4/3,  5/4, 6/5 and 7/6, thus building up a scale (or perhaps a chord, depending on how you care to think about it).  So unlike actual bells that each carry a fixed pitch and collectively establish a fixed key, here each "row" of the 720 has its own "key."  Thus the music constantly modulates, and since each "change" modestly changes just one note in the scale (because consecutive intervals swap), the music manifests an emergent sort of voice leading, albeit a very distant relative from the voice leading of common practice music.

Simultaneously Follow Four Twisted Paths, for cello

Kakaeru

out there

spring pastel

A collection of sounds programmed and composed by Lisa Bella Donna to accompany the release of firmware update 1.5 for the Moog One polyphonic analog synthesizer.

Lisa Bella Donna - Moog One 2022  - Confluence

NB trans girl from NY now Tampa.  I play synths and drum machines.  Anything you hear on here was either done with my software or hardware synths, occasionally using samples.  

Inspired to play synths by sci-fi sound tracks and other trans women I'm friends with who play.  I share a birthday with Wendy Carlos so I guess it was in the stars?  Trans girl, into synths & making electronic music.  Apart from soundtracks most of my inspiration comes from cold wave, darkwave, post punk, synthwave, low-fi, gothic & punk music.  

If my solo work has slowed a bit I was away on vacation, and shortly after getting back I joined a band.  I am still working on my solo stuff though and have big plans for 2020 musically.

Paradise Loop

Dea Siculus