The Moons of Saturn .. collect them all. Cool mood shifts. Nice tune and as usual, great playing.

https://youtu.be/Q7HcYfDA1Jo?si=KAJzA9aN-3Z76cdr

outsider

Enceladus

Aria comprit alors que le véritable trésor n’était pas de trouver le bonheur eternel, mais sa quête. Elle avait appris à aimer les rêves, les énigmes et les mystères. Elle avait découvert que chaque instant était précieux, que chaque pas la rapprochait de l’ange et de la vérité.

Songe d'un Ange

Chapter 191 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you wish to take a dive into everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA VOL. 12 is now released exclusively on Bandcamp:
https://belialpelegrim.bandcamp.com/album/taffeta-vol-12

TAFFETA VOLUMES 1-12 are all available on Bandcamp. 

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
belialpelegrim.bandcamp.com/merch/belia…feta-design

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 191

TAFFETA | 191

How many people stay in the cinema to see the credits at the end of a film? If they don’t they fail to see the dedicated bunch of people involved in making the film. What about the music that plays at the end – the outro? It may only last for a minute but it’s an essential part of the film. 
So, for all the folk that make a film happen, from the actors to the casting director, wardrobe assistant to the boom operator and best boy, this piece is dedicated to you. I hope you enjoy it.

Background: Perchance
License: Public Domain
Background: Golden Cinema Logo / Cinema DarkEmblem Set
Licensor’s Author: macrovector - Freepik.com
Licensee: user66688760 
Source: https://www.freepik.com/free-vector/cinema-dark-emblem-set_9464281.htm 
Licence: Free for commercial use
Background: International Film Festival / Producing Centre
Licensor’s Author: dgim-studio - Freepik.com
Licensee: user66688760 
Source: https://www.freepik.com/free-vector/set-cinema-vintage-emblems_8084132.htm
Licence: Free for commercial use

Soundtracks 24

Soundtrack No. 20

2024-07-21

Near A Pond

Sju blåner

Cloudbanks

The Ourealight has ousnestations_01

Universe

Short Message 2024

"Music in the soul can be heard by the universe": Lao Tzu 老子
"Music gives Soul to the Universe...": Plato

According to the ChatBot, and who am I to argue, Dee Zee’s music style is a blend of classical and electronic elements, which creates a unique and original sound. He writes, plays, and records all the tracks himself, using various instruments and software. He is inspired by artists like Philip Glass, Steve Reich, and Brian Eno.
Some of the features of his music style are:
•	He uses repetitive patterns and motifs, which create a hypnotic and rhythmic effect. He also experiments with different time signatures and polyrhythms, which add complexity and diversity to his music.
•	He incorporates ambient sounds and textures, which create a rich and atmospheric sound. He also uses effects and filters, such as reverb, delay, distortion, and glitch, which add depth and dimension to his music.
•	He explores different moods and emotions, which range from dark and mysterious to bright and cheerful. He also uses contrast and dynamics, which create tension and release in his music.
•	He combines acoustic and electronic sounds, which create a balance and harmony in his music. He plays various instruments, such as piano, guitar, violin, and drums, and also uses synthesizers, samplers, and drum machines.
Dee Zee’s music resonates with those who appreciate a fusion of classical sensibilities and electronic innovation. 

According to me I’m an independent musician, writing and recording instrumental electronic progressive rock on Roland synthesiser workstations, although the original ideas for tracks often come from iPad soft synths (I use the Animoog and Jordantron) or the piano [not the piano so much due to arthritis in both hands - at least the keyboard has lighter action].  

After playing piano from a very young age I played keyboards in the London pub rock group deEssen.  My original influences were probably Caravan, Camel, Ultravox, Jean Michel Jarre, Tangerine Dream, Pink Floyd and The Doors, with a sprinkling of Yes, Genesis, King Crimson, ELP, PFM, Greenslade, Deep Purple, Mike Oldfield, Vangelis…  These days, when I’m not listening to you on SoundCloud I listen to Iamthemorning, The Resonance Association, Ozric Tentacles, Joe Satriani, IQ, Threshold, Steven Wilson, Lacuna Coil, Liquid Tension Experiment, The Flower Kings, Spock’s Beard, Led Bib, Thank You Scientist, Big Big Train, Eloy, Magenta, Wobbler, Frost*, Simon Phillips, Jean-Luc Ponty, Renaissance …

Keep uploading great music and keep smiling!

Enceladus

Dee Zee

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