In my description for my last personal composition, Painted In Pastels, I talked about a certain harmonic language or style that flowered in the late sixties, early seventies. I mentioned Sondheim and his work, especially from the same said time. This to me is a towering achievement of what I was talking about. I was just floored digging into the music. The better a musician I become the more this piece impresses me.

Send In The Clowns

R-Can I lie to you ?

Presidential (ft. Ryder Official)

'you can('t) change' with Scratch Kelly 

Scratch: beat, synths, backing vocals, production, art
Scotty: guitars, lyrics, vocals 

I can't even blame you, girl,
after I've learned about your world.
Fucked up, but, still, that is that.
I have given all of me,
and sometimes I did believe
that we'd create a habitat. 

But then tonight happened again,
and I've lost my love, and best friend. 

It didn't need to escalate,
then you wanted to stay out 'late',
drink some more, and party hard.
Then when it was time to leave,
you spoke shit I'd rather disbelieve, 
and now I have to leave. It's hard.

Because when you're straight, you are great.
But, I keep making the same mistake
of forgiving you. Now, it's too late.
My heart is torn, but, so is fate. 

You can('t) change.

you can('t) change (with Scratch Kelly)

this track ment to be exchanged from time to time untill it takes off 🚀 or I got pro and more than 180 minutes 🌞 

in progress just before takeoff

Written by James Geer

I’ll take a B in spelling
I’ll take a B in math
I’ll take a B in Affection
I’ll take a B in wrath

I’ll take a B in working
I’ll take a B in health
I’ll take a B in living
That’s how I’d grade myself

I’ll take a B in caring
I’ll take a B in love
I’ll take a B in giving
These fit me like a glove

I’ll take a B

This track is a remix of Hue Solemn by Awrenzas. While the original explores a solemn and introspective mood, this reinterpretation approaches the concept from the opposite end of the color spectrum. The sound design embraces a cold, inorganic aesthetic—structured yet emotionally detached—aiming to express a sense of hue stripped of warmth or sentiment. It is a study in contrast, turning solemnity into abstraction.

Hue Solemn(Olttaoff Mix)

A smorgasbord of tasty musical treats....😄

Nowhere is Somewhere

Made in August 2025

Video; https://youtu.be/4nQXqMd0q4o

Colours Of Nature

Always Ask

buy "Always Ask"

Watch the video: https://youtu.be/vxZ0FjJQej4

Funkatopia

“The flow state is our most powerful weapon against the intense rationalization of our lives.” Denny Zeitlin. Denny Zeitlin is not my father. Also see Cecil Alexander.

According to the ChatBot, and who am I to argue, Dee Zee’s music style is a blend of classical and electronic elements, which creates a unique and original sound. He writes, plays, and records all the tracks himself, using various instruments and software. He is inspired by artists like Philip Glass, Steve Reich, and Brian Eno.
Some of the features of his music style are:
•	He uses repetitive patterns and motifs, which create a hypnotic and rhythmic effect. He also experiments with different time signatures and polyrhythms, which add complexity and diversity to his music.
•	He incorporates ambient sounds and textures, which create a rich and atmospheric sound. He also uses effects and filters, such as reverb, delay, distortion, and glitch, which add depth and dimension to his music.
•	He explores different moods and emotions, which range from dark and mysterious to bright and cheerful. He also uses contrast and dynamics, which create tension and release in his music.
•	He combines acoustic and electronic sounds, which create a balance and harmony in his music. He plays various instruments, such as piano, guitar, violin, and drums, and also uses synthesizers, samplers, and drum machines.
Dee Zee’s music resonates with those who appreciate a fusion of classical sensibilities and electronic innovation. 

According to me I’m an independent musician, writing and recording instrumental electronic progressive rock on Roland synthesiser workstations, although the original ideas for tracks often come from iPad soft synths (I use the Animoog and Jordantron) or the piano [not the piano so much due to arthritis in both hands - at least the keyboard has lighter action].  

After playing piano from a very young age I played keyboards in the London pub rock group deEssen.  My original influences were probably Caravan, Camel, Ultravox, Jean Michel Jarre, Tangerine Dream, Pink Floyd and The Doors, with a sprinkling of Yes, Genesis, King Crimson, ELP, PFM, Greenslade, Deep Purple, Mike Oldfield, Vangelis…  These days, when I’m not listening to you on SoundCloud I listen to Iamthemorning, The Resonance Association, Ozric Tentacles, Joe Satriani, IQ, Threshold, Steven Wilson, Lacuna Coil, Liquid Tension Experiment, The Flower Kings, Spock’s Beard, Led Bib, Thank You Scientist, Big Big Train, Eloy, Magenta, Wobbler, Frost*, Simon Phillips, Jean-Luc Ponty, Renaissance, Arena, Izz, Jupiter Fungus, The Tangent, Karfagen, Hania Rani, Madis, Nik Bärtsch, Neil Cowley, The Messthetics, The Necks, Antoine Fafard …

Keep uploading great music and keep smiling!