"Die in Sibirien geborene Lippstädterin ist einer der Top Newcomer 2018. 
Mit ihren sehr harmonisch aufeinander abgestimmten und melodischen Technosounds, konnte sie bereits im Juli 2017, das Format, den Dj Newcomer Contest Lampenfieber, des Fusion Clubs in Münster, für sich entscheiden und zählt seitdem dort, zu einer der interessantesten Künstlerinnen auf dem Markt. Unter anderem tingelt sie zur Zeit durch ganz NRW und weit über dessen Grenzen hinaus und begeistert Club nach Club mit ihrem können, hinter dem Dj Pult.

Was uns da noch in Erinnerung geblieben ist, auch auf jedenfall im Kopf der Gäste bleibt und dieser Künstlerin zusätzlich ihre Persönliche Note verleiht ....-> Ihre Crowd bezeichnet sie als Ihre Karate Kids, den Floor nennt sie ihren Boxring...
Klingt verrückt... ist es auch ...
Man muss sie gesehen und gehört haben, um zu verstehen, mit welcher Energie sie ihr Publikum immer und immer wieder in Ihren Bann zieht und davon schweben lässt."

House und Techno Musik – jeden Freitag 20 - 21 Uhr eine neue Ausgabe bei Radio Bielefeld und Radio Gütersloh im Rahmen des Bürgerfunks.

House and Techno music - every Friday 20 - 21 o'clock a new edition at Radio Bielefeld and Radio Gütersloh

Already played with:

-> Felix Kröcher
-> Sasha Carassi
-> Sutter Cane
-> Sven Wittekind
-> Kerstin Eden
-> Gayle San 
-> Niereich
-> Daniel Steinberg
-> Patrick Lindsey
-> Channel X
-> Ben Delay
-> Man at Arms
-> Sorgenkint
-> Sascha Braemer
-> Andy Kohlmann
-> Tube & Berger
-> Remute


Who am I?

Sebastian Großmann aka Rox ist der Geschäftsführer des Flagship-Club´s Rüthen (Projekt-Gegengift). Inspiriert durch seinen Bruder, der in der Clubszene auch unter "SAYAN" bekannt ist, begann Sebastian Mitte 2007 sich selbst sein erstes DJ-Equipment zu zulegen. Nach den ersten holprigen Anfängen wurde er erstmals von BEN YANG für einen Auftritt gebucht. 

Dieser Auftritt sicherte Sebastian einen Platz bei H.o.E ( House of Elements ), ein Zusammenschluss von 3 DJ´s die regelmäßig auf Events im Kreis Soest vertreten waren. Durch die guten Kontakte von H.o.E zu den lokalen DJ´s konnte er sich weitere Auftritte in Clubs & Diskotheken wie z.B. Nightrooms/ Dortmund, Cocos-Club/ Soest oder Werkstatt / Lippstadt sichern.

Diese Zeit kann man auch als Genre-technische Selbstfindungsphase bezeichnen. Nach einem Hin- und Her zwischen House & Electro siedelte sich sein Stil bei Tech-House / Techno an.

Kurz danach wurde es wieder still um H.o.E und Sebastian beschloss die Organisation zu verlassen um mit seinem Bruder SAYAN ein neues Projekt zu starten.

Das gemeinsame Vorhaben bekam den Namen "Projekt-Gegengift". 
Die ersten "Gegengift Premium Sound" Events starteten 2009. 
Der Name sollte für Anti-Kommerziellen Sound und Spaß stehen.
Deshalb wird auf den Gegengift Events bis heute weder Eintritt noch Mindestverzehr von den Gästen verlangt. 
Diese finanzierten sich alleine durch ein Sparschwein welches am Eingang aufgestellt worden ist.

Durch die Gegengift Events entstanden Kontakte zu mehreren Diskothekenbetreibern und Besitzern. 
Mitte 2010 bekamen die beiden Brüder die Chance den verrufenen Tara-Club in Rüthen zu übernehmen. 

Mit viel Mut, Schweiß, etwas Glück und einem neuen Konzept entstand, nach einer Umbauphase von einem halben Jahr, der FLAGSHIP-CLUB Rüthen.

Durch den eigenen Club und guten Kontakten zu verschiedenen Bookingagenturen bekommen Sebastian und sein Bruder immer wieder die Chance sich mit Szene-bekannten DJ´s wie Daniel Steinberg, Channel X, Sascha Braemer, Man at Arms, Sorgenkint, Felix Kröcher oder Sven Wittekind zu messen.

The Soundcloud Home of Patrick Lindsey
________________________________
for booking Patrick Lindsey
please contact:
booking (at) patricklindsey (dot) de ________________________________

Over a long period, Patrick Lindsey has developed a well-deserved reputation as a forward-thinking dance music maker. He's also become a highly regarded tastemaker, DJing quite literally in every German club; pushing electronic experimentation in his own music. Alongside Ciri Ceiver, Heiko Laux and others. Patrick has written history when it comes to the challenging and unique side of the Frankfurt sound. His amazing feel to communicate with music has made him attractive for the producers of now. He has his own label set up called Funkwelle and has been producing Monika Kruse's music on Terminal M for a longer period.
Patrick has recently released music on Hideout, Suara, Systematic, Phil Kieran Rec, Dubfires label SCI +TECl. He has also done remixes for Radio Slave,Phil Kieran & Green Velvet, Adam Beyer, Marc Romboy, Thomas Schumacher and Oliver Huntemann.
Patrick Lindsey is not that kind of artist who likes to hide behind the mixing-console performing isolated. It..s about his friendly and extroverted personality always trying to be as close as possible to the crowd constantly motivated to rock the “house” with them together. Lindsey..s DJ-style is defined by precise mixing, endless transitions and perfect arranged “cuts” and “effect-sequences”. In 2002, the project “Bad Pimps” came into existence where Lindsey and is Belgium friend Stanny Franssen a.k.a. G-Force primarily focusing on mixing techno-tracks with other music influences like “Chicago or Booty-House, James Brown, Herbie Hancock or the Beastie Boys, to name just a few. 3 turntables, 3 laptops, 2 cd-players plus the necessary live-act-equipment create an extraordinary party-feeling where both the djing- and live-act-component are performed as one harmonious flow resulting in a fresh experience with a huge portion of “funk”. It doesn't play a role if Patrick Lindsey is performing as a solo-artist (since 1994) or as a team-player: He wants to deliver a unique show demonstrating his well-developed skills in the field of hard- and software, night by night.

http://soundcloud.com/driving-forces-recordings

http://www.driving-forces.net

http://www.connect2.at/


 THE SPELL's journey began at the age of 14 years when he came in contact with electronic music and it's technology for the first time. From then on he followed the story of the Austrian event promoter XXX Productions and idolized their Dj-Mix compilations "Favorite Tools" which presented the elite of the Austrian Techno circus! But it took a long time until The Spell started mixing music himself. He was 23, when he bought his first pair of Technics turntables and a simple 2 channels mixer. This was the moment when he finally lost control and became addicted to Techno music. The young man started collecting vinyls and used every possible free second learning himself to mix them together until he was experienced enough to play his first gigs.

 In 2006, the Upper Austrian DJ Chris Morgan was fascinated by the skills of the young Dj and invited him to his booking agency "Giants Music". After many appearances at the most important clubs of Upper Austria like Tunnel or the legendary Cembran/Cellar, it was time to go seperated ways again!

 2008 was the most important year of The Spell's young career.
 He came in contact with Sutter Cane, who was one of the leading figures of XXX Productions and after some time he was allowed to work at their events like Gazometer, Com.Plex or Overdrive.
 One day The Spell got the chance to perform at one of their clubnights and this was the moment when Sutter Cane feeled the energy and potential of the upper austrian guy. Shortly after this he started to support him and so The Spell was able to play at some of the XXX's legendary clubnights like Overdrive or the official Gazometer Afterhours in venues like Volksgarten or Empire Club Vienna.

 Both guys became friends for life and so it was just a question of time until Sutter Cane asked The Spell to join his artist pool and the fresh recordlabel DRIVING FORCES RECORDINGS.
Now The Spell is for sure one of the technically most experienced Djs of the Austrian clubscene. Using vinyls, CDs, samplers and effects or his laptop with Traktor Pro and Ableton Live. The Spell knows how to use his stuff the right way and mostly catehes the crowd within seconds.

 Next to his performing abilities The Spell also works on his own pumping Techno tunes for Driving Forces Recordings. His first release is planned for 2010. Watch out!


Listen to 'The Party is Over' radio - curated by the Keinemusik crue - on Spotify. Updated weekly: goo.gl/MbTbcY

When one could assume, &ME entered the House and Techno world somewhat out of the blue, it is due to his sublime modesty that’s already captured in his alias. His way to become one of today’s most praised and sought after DJ/producers is based on a solid foundation. A foundation comprised of solo-releases, remixes, projects and collaborations that numerous, we’d rather refer to his discography than weary you with namedropping. Besides, all those references would just distract from what truly matters – the music this guy is delivering. Not to underestimate the importance of a project such as Terranova for &ME’s current path, but still the alignment has been made – to focus consistently on his solo-work. And it shows.

There are not many artists around turning in such a slew of globally praised floormaterial like &ME did over the last years. Just think of his last offerings on Keinemusik, a collective of Berlin based DJs and producers, including Rampa, Adam Port, Reznik & artist Monja Gentschow, he helped founding in 2009, namely “After Dark” and “Woods” or his “Vermillion”-remix for Damian Lazarus – all serious bangers, played by every renowned DJ worldwide. Everything is falling into place for the fella. His DIY-approach to handle things, his easy going attitude, his reputation as a gifted producer and DJ extraordinaire, his ability to link innovative production with consensual reception, making him one of the most unique and original figures in the game.

TOM SHARK
(JOIN THE DIFFERENCE//HAMBURG)

For quite some time the name Tom Shark has been causing a stir in the international House scene. He has produced remixes for artists such as Mark Knight, Dirty South, Julien Jabre, Grooveyard, DBN, Cosmo Klein and solo productions that have caught the attention of many labels including the legendary House label Strictly Rhythm.
 
Tom Shark has been inspiring the party community in and around Hamburg for more than 15 years. He is one of the most popular and respected DJs in northern Germany. Tom has rocked the crowd at countless top venues in Hamburg regularly, such as the renowned “Betty Ford Klinik“, the stylish “Upper East“ all the way to the “Golden Cut“, “Bar Morphine” and “Moondoo”, just to name a few.
 
Tom Shark’s passion for music developed at a very young age. When he was only four years old, Tom started playing the keyboard. But it was a little later, when he saw the Technics DJ World Championship for the first time on TV, when he got fascinated by the skills of the competitors. From this point on Tom knew that he wanted to be a DJ.
 
Slowly but surely Tom Shark made a name for himself in the scene. At first he impressed his peers as a DJ, but recently he has been rocking the scene with his own productions and remixes. Not having any own productions to boast makes his tour history even more impressive, which includes gigs in Miami, Zurich, Copenhagen, Kiev, Warsaw, Kraków and at some of the most prestigious events in Germany, like the infamous “GMF” at “The Weekend” in Berlin, where he plays several times every year.

Tom Shark managed to attract a lot of attention with his own productions. His first remix of “Bomjacker” by DBN was an instant club hit, only rivalled by his second remix of “Stopover” by Dirty South and Mark Knight. Several tracks and remixes followed – until Strictly Rhythm started noticing Tom Shark. The most legendary House label of all times secured a double single by Tom, which helped him earn a lot of respect in the international community. He followed up with a single, produced in collaboration with DBN, with none other than Shena on the vocals – another big track, which distinguishes Tom Shark’s career.

ROX ► FLAGSHIP - CLUB is following