RAGE🤘 [Rock & Roll 1.0]

Ayhu

Soft Rock

Re-Posts

Song's that I really like! Hope you do too.

Best regards,
The Boilerman

Boilerman's Favorite Songs Vol 1

Pot's - World of Folk, Ballads and Soft Indie

Pot's - World of Indie and Retro Sounds Part II

The 39th Floor (Remastered) - The 39th Floor EP

FREE FALL

Black & Blue

hip hop instrumental music with a twist of native American sounds and samples.

PILGRIM KILLER

Melted

In the dimly lit studio, The Dark Messiahs channel a brooding and sinister dark jazz energy in their track "Passenger." Sticks Thompson's drums pulse like a foreboding heartbeat, while Art Masters' trombone and Reed Johnson's saxophone wail mournfully, casting shadows in the corners. Guy Stansfield's guitar cuts through the darkness with eerie precision, accompanied by Blue Six's haunting trumpet. Tully Wilson's flute and harmonica add an otherworldly layer, while Wilt Flowers' bass rumbles like distant thunder. Sonny Rhodes' piano keys dance delicately, offering a glimmer of light amidst the gloom of this doom jazz track.

Passenger by The Dark Messiahs [cinematic sinister dark jazz]

Lyrics 

Chorus: Kings in the Winter fall, we live just to gain it all

Rise all who dare to stand,
Beside the majestic grand,
Foes that are left behind,
Have-eyes but regardless blind,
They-can’t-see the integrity 
Of ones bent on unity

Chorus

Fro-zen thrones with no hint of charm
Are like warriors who bare no arms
See passsst your aggressive tracks
Or find ob-trusive cracks
A Ruler you chose to be
With-a-heart that’s not truly free

Written & Composed by Jah-Femi Telewa
Vocal arrangement by Jah-Femi Telewa
Co-produced by B.Kava
Performed by Bella

R&B: Kings in the Winter (Alternative Version) feat. Bella

TROUBLE SO HARD

TIMEWASTED (prod. Aishhhiteru)

CHEERS

we don't want to believe, but we're already ok
we can makes it if we've got some fun
can we try to live some days?, i say

nananananananananananan yeah
nananananananananananan yeah

you don't care to be yourself, 
you want to live in fame for not feeling alone but this is sad and bad and every gonna say, and every gonna nanananananana  

nananananananananananan yeah
nananananananananananan yeah

eheheheheheheheheh uuuuuuuuuuh

i don't think your life is cool i think it's just your life, 
so keep it up and take the lead 
your head has got a trap your head has got a trap, 
has got a trap your head your head your nanananana

hey in my head you want be too sad, 
we've found the best cure, 
you gotta dance dance dance, 
and now it's time to live your life again, 
you're ready to the jump and i say  

nananananananananananan yeah
nananananananananananan yeah
nananananananananananan yeah  
nananananananananananan yeah

CHEERS

artwork based on photography by Mathilda Khoo

LIMERENT

River

"Stay" is a deeply emotional and poignant song that touches the heart with its raw honesty and vulnerability. This soul-stirring track navigates the complex journey of grief and longing, following the loss of a loved one. With a blend of melancholic melodies and heartfelt lyrics, "Stay" resonates with anyone who has experienced the pain of separation. The song masterfully captures the essence of wanting more time with someone who has departed too soon. Its lyrics, "Oh, away, away, Today you flew away," and "I know you were in pain, so much pain every day," reflect a profound understanding of loss and the human condition. The chorus, "I wanted you to stay, to stay," echoes the universal desire to hold onto those we love. "Stay" is not just a song but a therapeutic embrace for those in mourning, offering a sense of solace and understanding in times of sorrow. The song's introspective nature and the authentic expression make it a remarkable piece that's likely to leave a lasting impact on its listeners.

Stay

Indie Pop/Rock meets traditional christmas music. I wish you a merry christmas :)

Bio, news and more:

https://www.mpgrey.net/
https://www.facebook.com/MPGREYofficial
https://www.instagram.com/mpgreymusic

Digital Stores:

Vocals: Rudiger (LA), Mixing & Mastering and Producing: Jimmy Deer (LA).

Christmas Time

Surprise (demo)

In The Silence

Dandelion

Sally Won't You Come - Robert Grigg & Combstead

"Morpheme" by Jeremias Langsämmer is a delicate and introspective journey into the realms of lo-fi piano and harp. Drawing inspiration from the evocative simplicity of Joji and the nostalgic soundscapes of Nujabes, Langsämmer weaves together soft, minimalistic piano melodies with the ostinato of a lo-fi harp. The track captures a dreamy, meditative atmosphere, with the piano's warm, melancholic tones perfectly complementing the harp's airy resonance, creating a sound that is both soothing and deeply reflective. "Morpheme" invites listeners to slow down, breathe, and lose themselves in its tranquil, yet emotionally rich soundscape.

COVER PHOTOGRAPHY: Fraser Cormack - A Stag At Huntley

Morpheme by Jeremias Langsämmer [Lo-fi piano]

A final contribution to Andrea Stolpe's course, this one is crafted with assistances for lyrics and vocals.

Long Lost Friend

Hey you 
Let me see your hands
I need to know that your on my side
Hey you
I want to know your plans
Are you ready to lay down and die

Yeah you better fall in line

Hey you
Let me know your stance
You best believe full compliance is a must
Hey you
Can we do the dance
Or are you someone that I can never trust

Yeah you better fall in line

Escalation
Hostile nations
Run this enterprise on fear
Intimidation
Confiscation
There’s no room for free thought here

Head up
Shoulders back
face forward 
Straight toes
Keep your ears and your eyes and your open mind 
Closed

Hey you
Now you know the drill
Are you gonna follow every word I say
Hey you
Now it’s time to kill
Your whole life was preparation for this day

Fall In Line

Mosh Pit

About a guy who reflects back on an early love and wonders what life would have been with her.


Lyrics:

Once In A While
© 2002 Gary Randman

[Verse 1]
Long time ago
In a town near the coast
Met a girl named Jolene
For a little while we were real close

We’d runaway
To go hide in the caves
Where we talked and we laugh
And we fell in love, it was true love

[Chorus]
Once in a while
Thinking of her
What it be like
Life together now

[Verse 2]
She’d always say
To be strong not afraid
So I gave her my heart
If I would hurt she would heal me

Cold winter days
Lying close feeling safe
And we held on so tight
It felt so good and it felt right

[Chorus]
Once in a while
Thinking of her
What it be like
Life together now

[Verse 3]
Remember the day
She moved away
And we kissed one last time
She said good luck, don’t forget me


[Chorus]
Once in a while
Thinking of her
What it be like
Life together now

[Outro]
Now I’m living with someone else
It’s good but I think
If I was still with her now
Would it be the same?

Once In A While (Demo)

A big THANKS to the great contribution from Ian Collins: @ian-211 !!
Vocals of the other guy in the stroy, trumpets, percussion and production by Ian.
A story about an "old friend" entering the house of an "old friend" but the latter doesn't remember him at all...

LYRICS:
________________________

"Hey Marvin, Is that really you? I can't believe I really see you in person after all these years"

I happened to be just around the corner
I thought I’d just drop by
We could have a cozy cup of coffee
I haven't seen you quite a while

At first I hardly recognised you
But I guess that I look older too
Look at your house, look at your garden
You seem to have changed your point of view

And I see the pictures on your walls
Faces I don’t know but they seem to mean a lot
And I remember who you were
Frightened of the crowd, never in the spot

Then it's Marvin turn: 
"Oh no....It's that guy. Thought I'd never see him gain. What's his name?"

We don't have a thing in common
I don't remember where we met
Weren't you that guy at every party
Trying to bum a cigarette?

Telling tales and selling stories
Breaking hearts with what you say
Finding ways to make your world more complete
But hurting others onthe way

Yes I have pictures on my wall
Faces you don’t know but you don't have a role
And I remember who you were
Profit from the crowd, never had a heart

Visitor: 
I leave now but we must meet again
We got something good that needs to be maintained
Marvin:
Go now, close the door behind you
I wish you the best but I'm not your old friend...

Together:
I see the pictures on your walls / I have pictures on my wall
Faces I don’t know but they seem to mean a lot / Faces you don’t know but you don't have a role
And I remember who you were / And I remember who you were
Frightened of the crowd, never in the spot / Profit from the crowd, never had a heart

Cellar Aged Wines

Old Friend

Old Friend (with Ian Collins)

Nancy is a sensitive girl, probably too sensitive for this cruel world.
https://youtube.com/shorts/D6OYurY7vgE?feature=share

Many many thanks to Ian Collins @ian-211 for helping producing, the drums and bridge arrangement as well as Jörg @joerxworx for the great sax and trombone!!
____________________________

Nancy says: It’s all yours and mine, all the birds in the the sky
Nancy says: All yours and mine
Nancy says, It’s there for you and me, every leave on every tree
Nancy says: For you and me
Nany says: Don’t you understand, all that breathes goes hand in hand
Nancy says: We belong in timberland

Nancy says: Don’t you hear the call
The universe knows it all
Nancy says she feels so small
Nancy says: I love you so much
I’m losing ground, losing touch
That’s what Nancy says to me
Nancy cries: can you live with lies?
I’m amazed that I still try
Truth replaced by compromise

Why? Why?

Nancy says: This big mean world tries to beat Nancy girl
Nancy weeps she softly weeps
Nancy cries one more silver tear, she’s living in a world of fear
Nancy weeps she silently weeps

Nancy says: it’s the moon that lights my night, a little hope, a tiny light
Nancy says: so pure and bright

Then Nancy cries: See how Nancy flies, like a bird in the sky
Then Nancy says: Goodbye
Goodbye. Goodbye. Goodbye.

Nancy Says (with Ian Collins and joerxworx)

They told me the words would just arrive
But I'm still searching for a line alive
I stitch together threads so thin
Hoping to craft what's never been

A melody loops, a thought returns
The candle flickers, the midnight burns
A mirror of a mirror-so avant-garde
But no one's clapping in the avant-garde!

Is it derivative, or self-aware?
Does the art reflect, or just despair?
The tighter I hold, the more it slips
A song dissolves upon my lips

When do I get to write that song?
The one they'll hum, they'll sing along
Not someone else's shadowed trail
When do I get to leave my grail?

When do I get to carve my name
On sound itself, on the notes of fame?
Will they remember? Will they move?
When do I get to prove my groove?

Am I a genius? A cliché machine?
Caught between fresh and what's already seen
Every rhyme's been claimed before
I knock, I knock-an unopened door

It's like I'm Sparks pretending to be me
A ghost chasing ghosts in a parody spree
How deep can recursion go, I wonder
Before it tears itself asunder?

The echoes mock, the halls repeat
Every step's another feat
The tighter I hold, the more it slips
A song dissolves upon my lips

When do I get to write that song?
The one they'll hum, they'll sing along
Recursive lyrics, my head spins on
When do I get to write this song?

When do I get to carve my name
On sound itself, on the notes of fame?
Will they remember? Will they move?
When do I get to prove my groove?

If "My Way" is someone else's way
Can I ever say I've had my say?
If every note's already been sung
Am I chasing shadows all along?

When do I get to claim my place?
To feel the warmth of their embrace?
Will they remember? Will they care?
When do I get to take them there?

When do I get to write that song?
The one they'll hum, they'll sing along
Not just a voice lost in the crowd
When will they hear me, strong and loud?

When do I get to carve my name
On sound itself, on the notes of fame?
Will they remember? Will they move?
When do I get to prove my groove?

When Do I Get to Write That Song?

This is the musical journey accompanying the harrowing events of Book 3 of "Hinter uns das Land" ("Behind Us The Land"), a poignant novel by Frank Talmon l'Armée. As the war closes in, the Feyerabend family, along with countless others, is forced to make the heart-wrenching decision to flee their beloved home in East Prussia. This collection of 16 tracks captures the emotional turmoil and the perilous journey that unfolds, painting a vivid sonic picture of a family caught in the midst of historical upheaval.

Book 3 plunges the listener into the chaos and fear of the final days of the war in East Prussia. The once-familiar streets of Danzig (now Gdańsk) become a haunting labyrinth of desperation and uncertainty as Inge and her family navigate the treacherous path to the harbor. The music reflects the growing tension, the ever-present threat, and the agonizing choices forced upon those seeking refuge. You will sense in the music the desperation of many refugees, but also their determination to survive.

The journey culminates in the boarding of the "Lappland," a vessel overflowing with refugees, all carrying their own stories of loss and hope. As the ship embarks across the vast and unforgiving Baltic Sea, the music evokes the vastness of the ocean, the precariousness of their situation, and the uncertain future that awaits them. You can hear in the sounds the inner turmoil of the characters: the children who do not yet fully comprehend what is happening and the adults who try to hold on to hope in the face of unimaginable fear.

From haunting melodies that echo the emptiness of a lost home to surging orchestrations that mirror the turbulent sea, this soundtrack captures the full spectrum of human emotion in times of war. Moments of quiet reflection are interspersed with powerful, driving rhythms, reflecting the resilience and determination of those who refuse to give up hope, although they know their lives will never be the same.

This musical collection offers a unique and immersive experience, drawing the listener deeper into the world of "Hinter uns das Land." It's a testament to the enduring power of family, the unwavering human spirit, and the search for peace amidst the ravages of war.

Discover the musical soul of "Hinter uns das Land"!

Follow us for more music from "Hinter uns das Land"!

Life’s Uncertain Path Leads Us

First go at a Shoegaze-esque song. Let me know...

Passages

song that I composed in 2024 and was very short, barely without a decent ending....... so I decided to fix it and put together an ending as the song deserves with a longer version and some melodic changes.

https://www.youtube.com/watch?v=FAfEwb8UwTc

Treading the road

Treading the road - Version Long 2025

Watch the video trailer: https://www.youtube.com/watch?v=5Q-58t7gvyg.

We worked a bit longer on this one, starts as a gentle love song but there's a little snake in the grass. A big thank you, Ian Collins @ian-211 for the string arrangement, drums, helping producing and the choir singing!

Lyrics
____________________________

I want you to be the first thing I see
When I wake up from dreaming about you
Sweet sleepy head your warmth in my bed
Your yawn when my arm glides around you

I make you some tea and egg toast with cheese
And arrange it solemnly on a sheet
"You smile at me lovingly, you care for me touchingly", you say when I kiss you in Mandrake Suite

Man I’ve been lonesome before I
finally dared to ring at the door
at Leicester Square 34
I discovered a natural beauty I couldn’t ignore, nevermore

Oh my god I fell back asleep till I heard the door-sweep
While you already showered and look fully dressed
You tell me it’s a crime but we ran out of time
And a client is waiting, I hope he’s the last

Man I’ve been lonesome before I
finally dared to ring at the door
at Leicester Square 34...

Aah, you’re the first thing
Aah, let me be the last thing

First Thing

First Thing (with Ian Collins)

Warrant (demo)

The Dragonfly has flown the Earth for 300 million years.
It is a symbol of our ability to overcome hardship.

Ambient
Atmospheric 
Relaxing

Tanglewood Acoustic composition with recurring vocals.

Artwork cover my own.

In This Life.

“Left Behind” is a dark and emotional metalcore track about loss, internal collapse, and the slow process of letting go. Inspired by the raw sound of Caliban and the emotional weight of post-hardcore, it blends harsh vocals, melodic tension, and haunting lyrics.

Written, recorded, and produced independently by Aleh Adler.

Available now on Bandcamp and releasing on all streaming platforms May 30, 2025.

💀 Follow for more:  
https://open.spotify.com/artist/72DDskr88TncEyULAdgSkK?si=uWdCbEdtTOmS2OrjPO_BeA
www.youtube.com/@Aleh_Adler
www.instagram.com/aleh_adler/
www.tiktok.com/@alehadlermusic?is_from_webapp=1&sender_device=pc

Left Behind

Tracy Byrd/Johnny Paycheck Cover
Recorded top-lining a backing track using Cakewalk.
Instrumental version provided by https://www.karaoke-version.com/custombackingtrack/tracy-byrd/someone-to-give-my-love-to.html


Someone To Give My Love To - Tracy Byrd/Johnny Paycheck Cover

the man & the myth

Thanks for visiting my page 🙏
Peace & love to all music makers & music listeners! ✌

Black & Blue

Deep In Blue