The Magic That You Weave

When I Look Into Your Eyes

The Mosquito

Homeward Bound

The Cyber Prison of Tommy Zygote In the neon-lit corridors of Cyber Prison 3078, where the cries of the guilty echoed through digital walls, one figure commanded the darkness: Tommy Zygote, a time traveler from a band called Thrashing Zombies. He was not only a guard but also the architect of fear, the conjurer of terror dreams that haunted each prisoner in their electric confines. Each day, he danced between timelines and nightmares, weaving unique horrors based on the crimes that had brought these individuals to their fate. Tommy was a master of psychological manipulation, using advanced technology to delve into the minds of the inmates. At the time of arrival, he meticulously analyzed their backgrounds and transgressions. For a thief, the terror dream would materialize as a never-ending chase through a labyrinth of security systems, facing endless obstacles and guards, only to always be captured at the last moment. For a murderer, the nightmare transformed into a harrowing replay of their crime, relived with a growing sense of powerlessness as they witnessed the victim's face in their final moments, over and over again. Each terror dream was devised not only to punish but to break the spirit of the prisoners. The digital realm fed off their fears, manifesting scenarios tailored to their psychological profiles. Tommy Zygote had access to vast databases that cataloged every crime in detail, allowing him to combine facts and fantasies into immersive experiences that tormented the soul. He relished in the creations, knowing that each prisoner would wake battered and terrified, their resolve crumbling away with every cycle. The prison’s organ systems were meticulously designed to prevent shock and demise. When a prisoner entered their dream state, beta blockers were administered to control heart rates, ensuring that even the most fearful of their waking moments would not lead to a fatal event. Monitors scanned vitals constantly, feeding data to the system, which adjusted the intensity of dreams dynamically. If a heart rate spiked too high, the horror would fade into something less distressing, a cruel twist allowing them to survive the terror for another day. The feeding regimen was equally controlled and grim. Each prisoner sustained on a blend of macronutrients delivered through a gastro tube, thin and persistent, allowing for continuous nutrition to maintain physical health while simultaneously stripping away any dignity. A tracheostomy facilitated breathing, enabling the prisoners to inhale and exhale a sterile, filtered air that was devoid of comfort. The design was mechanical, emphasizing the inhumanity of their containment. Sanitation in this high-tech prison was handled with a strict regimen designed to minimize human interaction. An anal tube collected feces, ensuring that every biological need was monitored, while a catheter allowed for urine collection. The result was a clinical, dehumanizing environment devoid of physical autonomy. The prisoners knew they were reduced to mere subjects in a dark experiment orchestrated by an unyielding guardian. Tommy Zygote thrived on this power. To him, control of life and death was not just a task; it was an art form. Every terror dream had an audience, a public viewing option allowing anyone to log on and watch the horrors unfold in real-time. Spectators relished the grim entertainment as they observed the vibrant displays of angst, voyeuristic pleasure derived from the suffering of the condemned. Beneath the chaotic atmosphere, Tommy Zygote became an icon of fear, a living testament to the dystopian legacy of a society that had traded humanity for security. Yet, within Tommy’s intriguing persona lingered the soul of a musician—the Thrashing Zombies’ time traveler—haunted by the remnants of a shattering past. Each prisoner’s story echoed in his mind, a reminder of the thin line between performer and spectator, creator and destroyer.

Secret Empire

Cyber Prison

Game On

WECOME TO THE ATARAXIA MUSIC THEME PARK (NO AI Music) AI is only used in the making of video segments, edited and presented with the music by Ataraxia Music (John Voneiff).

Orlando, FL. Friday, October 28, 2024, Ataraxia Music releases “LOS ALAMOS REINVENTED DANCE VERSION - OFFICIAL VIDEO.” The new song is available @MIDNIGHT on Spotify, Apple Music, iTunes, Amazon, Deezer, Tidal, and many more. 

The Trinity Site is where the first atomic bomb was detonated. The side is open twice a year to the public, located on the White Sands Missile Range. 
Ground zero site is still radioactive. Trinitite, a radioactive mineral that was created when the first nuclear bomb was detonated can be found very easily all over the ground zero site. "Trinity Los Alamos," the song by Ataraxia Music was released on July 16, 2024 (the anniversary of the first atomic bomb detonation.

It took place on July 16, 1945, in the desert near Alamogordo, New Mexico, as part of the Manhattan Project. The test was conducted by a team of scientists led by J. Robert Oppenheimer, the scientific director of the Manhattan Project.

The bomb, code-named "Trinity," was a plutonium implosion device and had an expected yield of 20 kilotons. The test was conducted in a desert location to minimize the risk of injury or damage. The bomb was placed on a 100-foot steel tower and detonated at 5:29 AM. The explosion created a massive fireball and a mushroom cloud that reached 40,000 feet into the air. The blast was felt for over 100 miles and the light from the explosion was visible for over 200 miles.

The test was deemed a success and provided crucial data on the effects of a nuclear explosion. The results of the test were used to design the atomic bombs that were later dropped on the Japanese cities of Hiroshima and Nagasaki. The bombing of Hiroshima and Nagasaki resulted in the deaths of over 200,000 people, mostly civilians, and brought an end to World War II. The Trinity test is considered a significant event in world history and marks the first time nuclear weapons were ever used in war.

I learned that because the Trinity Test (the bomb was known as the Gadget) was close to the ground, it shot large amounts of radiation into the atmosphere, affecting thousands of people. Ranchers and cows lived only 13 miles from the test site and tens of thousand of people lived within 50 miles and were not even told about the test until after the bombings of Hiroshima and Nagasaki.

There also was some controversy regarding UFO sightings in the area. During the day of the bomb blast, two young boys were looking for their cow when they heard the explosion. Nearby, the ground was on fire and a weird avocado-shaped object was seen with a hole in one side and pieces of metallic debris surrounded the object. Of course all this was covered up by the military and there's a lot more to this story. 

I don't know about you, but I think if you're alive today, you've lived under the threat of complete annihilation by ICBMs, Nuclear Warheads, Bombs, whatever. It's now 79 years since the bomb was tested at Los Alamos. 

My point in writing this song was to create more awareness and ask the question, why can't humans evolve pass the Nuclear Annihilation Threshold? I don't have a solution, but I felt the need to at least raise the question, when will we be able to not live in fear of annihilation.

 NO Artificial Intelligence is use in the creation of my music and, as far as I'm concerned, AI will never enter "MY" music or I can't call my music "mine." (that's pretty much how it works ,too).

Regarding the music, I certainly hope you enjoy as much as I do. I think it's awesome music. It ain't a pop song, but it's different.

Los Alamos (Reinvented Dance Version)

🔥 Burning in the Rain – by Nexus Featuring Vanessa
1980s Power Ballads & Breakup Anthems

Drenched in neon heartbreak and synth-laced yearning, Burning in the Rain channels the raw emotion and drama of 1980s power ballads. 💔💡 With soaring vocals, wailing guitar solos, echoing snares, and heart-pounding keys, this album captures the ache of letting go and the fire that remains.

From smoky piano intros to thunderous chorus crescendos, every track plays like a love letter never sent — or a final goodbye screamed into the night. Perfect for driving alone under city lights or reliving the soundtrack of a love gone wrong.

Step into the storm. Feel the fire. Cry in the rain.
🔥🎹💔

Neon Wounds

who am i

Adoption

Two Falling Ribbons

Once again, has James ( Jimmy ) Rivas proved what a wonderful singer he is. Not only is he a wonderful singer, he's also an excellent lyricist. It is a great pleasure for me to work with James again and again. Thank you my friend for one more time......https://soundcloud.com/j-rivas

Break Of Day

Break Of Day   by James Rivas & Martin Hirsch

Thanks for visiting my page 🙏
Peace & love to all music makers & music listeners! ✌

The Magic That You Weave

Deep In Blue