RG21

radiogibo

Global Underground: Dancefloor

Tracks der Woche 2021 (New Music Friday) TONSPION

It’s time for your weekly dose of the best new music currently in rotation at Twistedsoul HQ. Listen to the selection and follow us on our website, Mixcloud, and Spotify for more music.

www.twistedsoulmusic.org
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Playlist: Today's Current Rotation

Release Radar

RAPETOKAL

Fluke Radio

This track is from the album The Devil is Loose and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/puthli1

Space Talk

808 State ‘Pacific State’ (greg wilson electric chair edit)

130 bpm

Never previously shared.

Madchester anthem from 1989, which, along with ‘WFL’ by the Happy Mondays, ‘Voodoo Ray’ by A Guy Called Gerald and ‘Fools Gold’ by the Stone Roses, encapsulates the time when the rainy city was at the epicentre of the dance universe.

Twenty years later I included it as the closing track on my Essential Mix (http://soundcloud.com/gregwilson/essential-mix-greg-wilson-mix-for-bbc-radio-1), and, as with the opening track, the Dimitri From Paris edit of ‘Down To Love Town’ by The Originals, it features Jesse Jackson’s invocation from the 1972 Wattstax festival (which had previously been used to such great effect by Andrew Weatherall in his remix of ‘Come Together’ by Primal Scream).

However, I originally put this together not for the Essential Mix, but to open my appearance at the Electric Chair Last Supper on December 29th 2007. A number of previous guests had been invited to play for half an hour each, as the decision had been made to close this Manchester institution whilst it was still at the height of its popularity. As things worked out, I was the final guest to deejay at this cherished club night - only the residents played after me. I wanted to pay my respects in a proper manner, evoking the spirit of Manchester past, back through the halcyon late 80’s days of The Haçienda to my own time there in ’83, and at Legend beforehand, via a handful of track selections that reflected the spirit of this great music city, for which the Electric Chair, soon to be no more, had written a further chapter. You can stream / download the mix here: http://soundcloud.com/gregwilson/electric-chair-last-supper-29

The purpose of this edit was purely to extend the intro of the ‘Pacific 707’ version to suitably build into Jesse Jackson's poignant words before the beats kick in, whilst adding some subtle ambience to add to the overall atmospheric of this wonderful track, which always struck me as a ‘Stranger On The Shore’ for the Rave generation (the evocative 1961 single by clarinettist Acker Bilk, the first British recording to reach #1 in the USA).

Greg Wilson – July 2011

808 State 'Pacific State' (greg wilson electric chair edit)

Do Yourself Some Good

Bleach

Blew

Ace of Spades

Fluke - Zion

Audioslave Cochise

Deathconsciousness

Bloodhail

Freedom's Goblin

And, Goodnight

Raw As F**k

Push Up

The Black Crowes - Waiting Guilty

Artist: Public Memory
Album: Demolition
Label: felte 

https://publicmemory.bandcamp.com
https://www.instagram.com/public.memory 
https://www.facebook.com/thepublicmemory
https://twitter.com/public__memory
https://soundcloud.com/publicmemory

Demolition

Public Memory - The Line

Lover 4 Now (feat. Todd Edwards)

Lover 4 Now (feat. Todd Edwards) (Edit)

Terra Firma

Blame It On Society

Ritchie Sacramento

Buy/stream: https://kompakt.fm/releases/videosphere

Videosphere, the debut album by Kompakt’s latest signing, the London-based artist Lake Turner (aka Andrew Halford), swoons into focus with “The Sunbird”, a teasing drift of lilting, ambient tones, riding out a submerged piston-pulse rhythm. Across its brief 109 seconds, it manages to traverse evocative terrain – something mythopoetic, something both humble and grandiose, a glimpse of the other behind the sky’s curtain. “I wanted to conjure up something resembling an ancient ceremony or death procession,” Turner nods. “Like a hymn to the surroundings of a faraway hill.” It’s both sky-bound and earthen, a ritual incantation to call in the music of the spheres.

Turner was introduced to the Kompakt family by his sometime collaborator Yannis Philippakis of Foals. He’d previously made music in post-punk and indie groups Great Eskimo Hoax and Trophy Wife, but Videosphere is the first time he’s fully articulated his own vision of electronic music, aside from one limited lathe-cut 12”, 2018’s Prime Mover EP, on Algebra. The lush ambient-disco-techno dreams of Videosphere were constructed and completed in his London studio and at his parents’ arable and sheep farm in Worcestershire, which might help explain the hazy, unhurried pastoralism of the album.

“There was a slight bittersweetness in finishing the record (in Worcestershire) as my parents were in the middle of selling my childhood home,” he sighs, before quipping, “on the plus, I ended up shearing a lot of sheep over the summer.” A student of archaeology and ancient history, Turner is no doubt carefully attuned to the twisting cogs of history and memory, and it’s no surprise that Videosphere has a nostalgic, melancholic cast; much of its beauty rests in the way it tugs, gently, at the heart strings – see the tear-stained cheeks of the lush, dappled “Honeycomb”, or the sweetly sad electro-roundelay of “No Way Back Forever.”

It’s not all drift-dream hypnosis, though – Videosphere is very much grounded in the now. ““No Way Back Forever” is a nod to the linear nature of time,” Turner explains by way of example, “and the tipping point of the world climate crisis that scientists have now declared.” Jayne Powell’s vocals are sent spinning through the song, wound like candyfloss; she takes centre stage on the techno hymnal title track, too. Throughout, there’s a sense of forward movement, despite the life stasis we find ourselves collectively bound by in mid-2020; there’s also a yearning for the communal, for community, that’s captured in the album title, a nod to an object Turner encountered at London’s Geoffrey Museum, “a television set in the shape of a spaceman’s helmet from the 1970s.”

“The vision I loosely had was to make an electronic record that had a communal warmth and almost ceremonial or ritual feel. I wanted to examine the relationship of our archaic minds in the trappings of the modern world,” Turner concludes. “What the Videosphere also symbolizes for me is the oneness of humanity and community, prevailing.”

Lake Turner - Outland

estella//

Making her debut Belgian-Japanese artist Aili teams up with one of Eskimo Recordings' most exciting new Belgian acts Transistorcake for the mesmerizing ‘Dansu’. Sung in a mixture of Japanese and English, ‘Dansu’ is a hymn to dancing the night away, the track’s taut Motorik rhythms and lambent washes of synths blending perfectly with Aili’s hushed vocals to create a hypnotic, languorously funky, track with echoes of artists like Can or Stereolab. 

With love from Gent, approved by Soulwax, Bill Brewster, Tom Barman, Pitchfork and more! https://soundcloud.com/ailimakesmusic https://soundcloud.com/transistorcake

"I left Tokyo for Belgium when I was 7 years old. In many ways my Japanese stayed at that level. When I sing in Japanese it puts me into this naive, almost childlike mindset that allows me to express what I feel right away. You don’t need to understand the words just the feeling that they convey." - Aili 

こんにちは、アイリと申します。7歳のときに東京からベルギーに引っ越しました。何くれとなく私の日本語はそのレベルにとどまりました。 日本語で歌うと、子供の頃のように自分の気持ちをすぐに表現することができます。皆さんに、言葉が分からなくても伝えたい気持ちを理解してもらいたいです。

http://www.eskimorecordings.be

Artwork by Emma Verhulst.

Buy / Stream

Aili x Transistorcake - Dansu [Eskimo Recordings]

Prosthuman

Chords4 / Kurz Vor

Oliver Schories is returning to 8Bit Records after a year -  with the Monza EP. 

Hamburg-based Oliver has been a welcome addition to the Germany house community for more than a decade now. After his latest album, Paradigm, and a collaboration with Jan Blomqvist in the summer of 2020, new original music will be out in January 2021 on Gorge’s and Nick Curly’s 8 Bit imprint.

Opening with the title track, ‘Monza’, a stab-led groove evolves organically adding nuanced layers and a rubbery bass. Warm and inviting, the piano in the first break creates a welcomed tension against the muted vocal ad libs. On the flipside, ‘Levo’ begins with more low end grunt. Melodics develop with time and form the main groove hypnotising the listener before chord sweeps and whispered vocals add warmth and musical depth.

beatport/spotify/vinyl

Oliver Schories - Levo

A Hero's Death

A Hero's Death (Soulwax Remix)

New Single Out Now on Winged Feet - https://smarturl.it/Comfort-Me

Written and Performed by @pintymc
Trumpet by @emmajeanthackray
Produced by @tomosmp3
Published by Copyright Control
Mastered by Matt Colton at Metropolis

Tomorrow's Where I'm At

Comfort Me (feat. Emma-Jean Thackray)

La Religion - Qué Bonita Mi Tierra / 2020
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La Religion - Qué Bonita Mi Tierra

Purely Educational

Free from Gravity

Free from Gravity (Busy P Remix)

Variation sur 3 bancs

Variation sur 3 bancs (DESTIINO Remix)

The Who Sell Out

Pictures Of Lily (Pete Townshend Demo / New 2018 Mix)

Not Your Muse

In The Summer Of My Life

@dombrance - Pollona Azul 
Label - @kaputtwav

Release Date - 05/02/2021

♫ Info + Buy ♫ :https://www.sinchi-collective.com/premiere-dombrance-pollona-azul-kaputt-wav/

Kaputt.wav Vol. II - Reserva/Voz Terra

♫ Info + Buy ♫

PREMIERE - Dombrance - Pollona Azul (Kaputt.wav)

Peur des filles

Peur des filles (Montmartre Remix)

Eli & Fur - Otherside (Nils Hoffmann Remix) is out now!

Get it here: https://spinnindeep.release.link/otherside-remixes!SC

Otherside (Nils Hoffmann Remix)

Download / Stream

Eli & Fur - Otherside (Nils Hoffmann Remix) [OUT NOW]

El Invento

https://fanlink.tv/SYMMLP009 Dusty Demos takes us back to the earlier days of Break’s productions when the tracks were made using outboard equipment and a mixing desk. 
Due to this setup, at the end of a day in the studio a demo version of the track was recorded since the settings on the desk and gear would be changed when mixing a new track, so often these demos ended up being the version released. This collection of demos are tunes that for various reasons fell through the cracks and never saw the light of day. The tracks are listed in chronological order for a journey through a decade of DnB, and have been subtly mastered to preserve the analogue sound.

02 - Break & Mark System - Super Blue (2004)

2 Far Gone

2 Far Gone (Vocal Mix)

numb

'To celebrate 20 years since inception, Sven Väth’s Cocoon Recordings is serving up a special 15 track collection that brings together new and exclusive music from artists that have been a huge part of the journey....'

Read More: https://whenwedip.com/2021/02/premiere-solomun-cocoon/

Follow: @solomun // @cocoonrecordings

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
FB >>> facebook.com/wwdofficial
IN >>> instagram.com/whenwedip/
TW >>> twitter.com/WhenWeDip

20 Years: Cocoon Recordings

Premiere: Solomun - We'll Never Have Today Again [Cocoon Recordings]

Song on the Beach

Do the Vega

Do the Vega (Dillon Francis Remix)

Will be released this Friday(19.2.21) on Rose Avenue Records!!!

Colyn - Bridges in the Sky

Anteprima di Here Comes The Shock dei Green Day

Green Day - Here Comes The Shock Preview

Sand

Leaving Antwerp

Underneath the Pine (Instrumentals)

Still Sound (Instrumental)

Proud to present the first single in our 25th anniversary series: A brilliant 2-tracker from BCee featuring deep groove 'The Great Scorer', and uplifting anthem 'Run' w/ Dynamite on the flip - both out now. Stream / download here: https://ffm.to/bcee-dynamite-run.pbt

BCee:
Facebook → https://www.facebook.com/bceespearhead
Instagram → https://www.instagram.com/stevebcee/
SoundCloud → https://soundcloud.com/spearheadrecords
Twitter → https://twitter.com/stevebcee

Drum&BassArena:
Join the family → www.family.breakbeat.co.uk/
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Music news → www.breakbeat.co.uk/
Subscribe to our weekly newsletter → breakbeat.co.uk/#modal

The Great Scorer

OUT NOW

BCee - The Great Scorer

Dam Swindle return to Aus music with their first EP under their new moniker. The duo retain their knack for soulful house grooves on ‘Get Together’

More info: https://djmag.com/music/premiere-dam-swindle-get-together

Premiere: Dam Swindle ‘Get Together’

www.death-pact.com
www.deathcord.com
917-283-2750

STREAM: https://x.death-pact.com/opiuoremix

Twitter: twitter.com/deathpact
Instagram: instagram.com/deathpact
YouTube: youtube.com/deathpact 
Facebook: facebook.com/Deathpact

Twitter: https://twitter.com/OPIUO
Instagram: https://www.instagram.com/opiuo/?hl=en
YouTube: https://www.youtube.com/channel/UCKamE2E1mDtyRWJi721MKBQ
Facebook: https://www.facebook.com/opiuo/

Cover Art by NUMOSIS - instagram.com/numosis

STREAM

ID (Opiuo Remix)

London based band-Johnno Casson,Stuart Dace,Charlie rabicano,Vince Gibbs ,Chad Page

Do Yourself Some Good

Deep Joy