For Luc and Wendelien: A Bench in the Fields  

Life can be cruel in its timing. It took Luc and Wendelien far too soon—two souls who brought so much color, warmth, and life to those around them. For those who knew them, a void remains, yet so does an abundance of cherished memories.  

They were dearly loved, and for good reason. Their interests were wide, their hearts open. They savored life in a way that drew others in: from meaningful conversations that could last for hours, pleasantly accompanied by a good drink, to simply being together with their wide circle of friends. Whether enjoying a night out for dinner, planning a new vacation, or relishing each other’s company—for Luc and Wendelien, what mattered was true connection, sharing joy and stories.  

Their love for life and their surroundings was profound. That’s why it’s so fitting that, even after their passing, they left behind a place of peace and gathering: the bench. It now stands in lovely Wenum Wiesel, overlooking a quiet pasture, nestled in the nature they so cherished. It’s more than just a place to sit; it’s a quiet witness to their presence—a spot to pause, remember, and perhaps share a conversation as they so deeply valued.  

And as if the universe wanted to honor how special this place and these people were, their legacy found a voice. Jaap de Ridder and Ron Jongepier wrote ‘The Bench’, a song that touches the soul. Its melody and lyrics capture the wistfulness, but above all, the love and enduring connection flowing from that simple bench amid the greenery. It’s a musical tribute perfectly reflecting the joie de vivre that defined Luc and Wendelien.  

*That’s why we dedicate this song, ‘A Bench in the Fields, to them—with deep emotion and heartfelt gratitude. For Luc and Wendelien: your laughter, your conversations, your friendship, and your love for life’s beautiful moments—they still echo. In the memories of many, in the quiet of the bench beneath Wenum Wiesel’s sky, and now in the notes of this beautiful song.  

Rest gently, dear friends. You are missed, but never forgotten. And your bench always invites us to sit with you a while. 

A Bench in the Fields

Harmonics Sparks a St Elmo's Fire...
High above Apeldoorn, Deventer, Amsterdam, Rotterdam, Malia and London...
As Sawtooth Booms, Telephoto Zooms...
Sonics Pitch as the Shutter Clicks...
Animated Miners climb into the Cathode Ray...
To Excavate the Silence inbetween the Frames..
Unearthing Glinting Gemstones left by
Gods of the Ohm...
Electro Plasma Mining, delves into the unknown...
Atoms Vibrate, Cosmic Microwaves Radiate..
White Light Transmitting Celluloid Archangels...
Learning from the Masters...
Damen und Herren..
From the other side of midnight..
Hier Komen de Broadcasters.

This soundtrack was made by RJ&HW: for the motion picture 'CHASE'. 

The director insisted that the leading lady should go to Laura Wicket [1941-1975] here present absentia was circumnavigated  by featuring her daughter Stella Winkleigh. Stella does not  resemble  her mother at all. She is therefore featured in most scenes from the waist down creating this  French black and white movie feel in full colour.

John MetCalf landed himself a Grammy nomination for his part as the brother of the antagonist. In itself  a major achievement as he is not even featured in this film. Also absent is Francesca Wedding; she refused the role of 2nd sister twice due to the lack of profound nudity.
The scenes of the ascending plane were shot in total darkness in favor of budgetary reasons.

The director, who was replaced by Franklin Dwight, lost the plot during the first two days of the shooting. Franklin came in fresh and did not have a clue which was just the touch of lightness  the film needed. The director and our male lead did their best to dislike each other. It gave  the movie even more tension. Filming 'The making Of'  might have made an even better movie due to general misconduct, the fighting and prop steeling.  

How did this movie came about? We don't know as all documents were lost after a night in a pub. By the way the executive producers car is still missing after the chase scene… nobody dared to tell him. Please don't mention it.
As for this movie; are we ever going to see it? Who knows, maybe we should ask Quentin Tarantino to step in. 

In the meantime you will have to picture the picture by the songs....

A Bench in the Fields

Deep Circuit Electro Miners