This is amazing—emotional and powerful listening.  Incredible.

Half a Blue Pig is the second in a series of pieces depicting culturally significant Mancunian landmarks.
In 1880, a town on the outskirts of Manchester was demolished to make way for the construction of a large reservoir. The people were displaced and rebuilt their town next to this new body of water.
In 1990, part of this reservoir was demolished in order to build a motorway. During this process builders found amongst the rubble a stone pig, broken in half. A surviving artefact from the demolished town. 
They decided to cement it to a wall as a funny joke. 
A local named Allan "Brad" Bradbury with an unrivalled sense of humour painted this new monument blue, mirroring the name of the pub on the opposite side of the road, "Ye Olde Blue Pig".
This bizarre, easily overlooked monument is a story of change, displacement, discovery, humour, and loss.

First performed on 10th March by the Trinity Laban Shapeshifter Ensemble at Blackheath Halls.

Conductor: Jamie Philips
Soloist: Marika Tsuchiya

Half a Blue Pig

Antiphony - Recording 2

a little improv based on Arthur's Fuzzbuster #10 from Picture of Bunny Rabbit, which came out on 23rd ! new Arthur ! listen to the original !

Arthur Russell Fuzzbuster #10 improv

THE ILLUSION OF WITCHCRAFT

This soundscape delves into the dark history of witchcraft on the island of Jersey, creating an unsettling atmosphere that depicts the horrific trials and torture faced by the convicted witches. Manipulating sounds from the original sculpture of the same name, designed by Mike Woods in 2006; the soundscape portrays the unsettling journey of these accused individuals, evoking emotions of fear, injustice and mystery.

"...it is therefore strictly forbidden to all the inhabitants of this island to receive any counsel or assistance in their adversities from any witches or diviners, or anyone suspected of practising sorcery, under pain of one month's imprisonment in the castle on bread and water..."
"...i cannot say there are no witches, but since the difficulty of convicting them has been recognised in the Island, they all seem to have disappeared, as though the evidence of time gone by had been but an illusion..."

THE ILLUSION OF WITCHCRAFT

Performance on 9 June 2022 at Blackheath Halls as part of RECONSTRUCT, Nneka Cummins' final performance at Trinity Laban Conservatoire of Music and Dance.

Performed by Alex Lyon (Bb Clarinet, Bass Clarinet), Ashley Brand (tenor saxophone), Rebecca Burden (Cello), Marika Tsuchiya (Percussion). Clarinet Sampled from a performance of the piece 'Melody Please' composed by Nneka Cummins and performed by Alex Lyon.

Chip Away (June 2022)

Performance on 9 June 2022 at Blackheath Halls as part of RECONSTRUCT, Nneka Cummins' final performance at Trinity Laban Conservatoire of Music and Dance.

Performed by Ashley Brand (Clarinet in Bb) and Alex Lyon (Bass Clarinet). Clarinet Sampled from a performance of the piece 'Melody Please' composed by Nneka Cummins and performed by Alex Lyon.

Everyone's a Catfish (June 2022)

Somnic Phantasmagoria - A Waltz for String Orchestra (2022) for string orchestra.

Performed live by Trinity Laban String Ensemble on Oct 14th 2022, in the Great Hall of Blackheath Halls, London.
Conducted by Nic Pendlebury.

Somnic Phantasmagoria - A Waltz for String Orchestra (2022), live by Trinity Laban String Ensemble

04 La Sonn'nie D'clioches (The Sound of the Bells) by Emily de Gruchy

To mark the 80th anniversary of Liberation, this exhibition (“La Vie auprès la Libéthâtion: Lé c’min à l’èrgraiethie” (E: Life after Liberation: The road to recovery) exhibition from the 2 May 2025 - 31 December 2025 at the Jersey Museum and Art Gallery) examined the many challenges Jersey faced following its release from five long years of German Occupation. After the celebrations are over, how do you manage the transition from military rule to civilian administration? How do you unite a population divided by loss, separation, and suspicions of collaboration? And how do you return the Island to prosperity after five years of economic isolation and mounting war debts? The exhibition explored the years following Liberation, both the challenges, joys and opportunities, and traces the Island's long road to recovery. It also considers how we have remembered Liberation as the years have passed and asks what we can learn from this experience.

“As a little girl, my Poppa always used to recount stories about his time in occupied Jersey, the Liberation and the rebuilding of his motor business and familial life post-war. He used to tell me that the sound of cars honking their horns and bicycles chiming their bells filled the air across the Island, starting from town of course! You’ll hear both of these things, as well as many other auditory symbols of freedom - including the ringing of bells, and a subtle musical improvisation on the melody of Jersey’s (now official!) national anthem, Man Beau P’tit Jèrri. It has been an immense privilege to work with Jersey Heritage on creating this soundscape - I am extremely proud of my heritage, and I am grateful to share this joy with everyone visiting this exhibition.”
 
Composed by Emily de Gruchy
Double Bass Playing by Sam Pugh
Mixed & Mastered by Matt Norriss

La Vie Auprès La Libéthâtion - a Soundscape

If you are interested in working with Emily, please email degruchycomposer@gmail.com 🧩💭

Emily has worked with several ensembles & soloists, including the performer-composer Sam Pugh, Terra Invisus, the Carducci Quartet, Sandbox Percussion, the Riot Ensemble, the Hermes Experiment, Transitions Dance Company, the Manchester Contemporary Youth Opera, the Royal Holloway New Music Collective, and the National Centre for Early Music. She has also been commissioned by several cultural organisations, including Jersey Heritage, ArtHouse Jersey and Art for Guernsey.

Born and raised in Jersey, Channel Islands, traditional Jèrriais culture often influences her compositions, providing a unique amalgamation of French and British sonorities. In recent years, her career has moved towards sonic art and soundscapes, which has led her to collaborate with and compose for cultural heritage and charity organisations - something that she enjoys deeply, and has aimed to bring her prior experiences from working with many professional ensembles back home to Jersey.

La Vie Auprès La Libéthâtion - a Soundscape

Emily de Gruchy

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