Ambient / Drones

Val Clipp ╚═ Future Intel ═╗ 03 - 18 - 2021

Tracklist :

Plus Faible Ce Soir : La lumière qui inonde le jour (Etang Brulant 2020) 
Black To Comm : Lethe (Thrill Jockey 2019)
Fujako : Wolves of Babylon calling (unreleased 2016)
Lumpex : Black peak (Lost Dogs Entertainment 2020)
Hermann Kopp : Gilles de Rais (Ultima Ratio 2021)
SRS : Growing (Bokeh Versions 2020)
All Times Now Nothing : Television ii (Avon Terror Corps 2020)
Camecrude : Mesure de la souffrance (Cioran Records 2018) 
The Body : A pain of knowing (Thrill Jockey 2021)
Purba & Tatyana Mikheyeva : UR (part 1) (Black Mara 2020) 
4LLP4 CH1N0 : Hollow men (New York Haunted 2020) 
Prairie : Cut me open (Denovaki 2020)
Maninkari : Organ Viola #1 (ferme-l'oeil 2016)
Puce Moment : Esquelbecq (Vert Pituite La Belle 2019)
Christoph Waelkens : Bad moon rising (VLEK 2020)
Anna von Hausswolff : All thoughts fly (Southern Lord 2020) 
Teleplasmiste : Come ! Vehicles of light (House of Mythology 2020) 
Jericho : Alleluia (La Nòvia 2020)

Mix by S.Y.D

http://www.bruitsdefond.org 
https://bruitsdefond.bandcamp.com 
https://www.instagram.com/bruitsdefond https://www.mixcloud.com/BruitsdeFond 
@ : bruitsdefond [@] no-log.org

Artwork by Nicolas Berger 

https://www.instagram.com/nicolasschlafer https://www.behance.net/nicolasschaffer 
@ : nicolas.schlafer [@] gmail.com

Podcast réalisé pour Vizir Radio au coeur de l’hiver 2021 dans une période d’intense noirceur intérieure.
Looking for light throughout the darkness.

SYD Inondé De Lumière VIZIR RADIO 2021

Stephan Mathieu
To Describe George Washington Bridge (2011)
10"/Download
Dekorder 051

Stephan Mathieu "To Describe George Washington Bridge" (Dekorder 051)

String Machine 2 entailed the commissioning of new recorded works for stringed instruments from Donal Lunny and Leopold Hurt. These works were then used as the sole source material for digital re-compositions by David Dohohoe & Eamonn Doyle and Stephan Mathieu. All sounds in the re-compositions were generated exclusively from the bouzouki and zither using various digital processes. 

Stephan Mathieu - Re-composition from bouzouki [excerpt]

Excerto de "Strings", vinil gravado num só lado de David Maranha e Stephan Mathieu, com a gravação do concerto realizado em Julho de 2011 no Ténis do Parque de Serralves. Lançamento em breve numa edição limitada e conjunta entre a Fundação de Serralves e a Crónica. 

Excerpt from “Strings”, single-side vinyl by David Maranha and Stephan Mathieu, with the recording of the concert played at the tenis of the Serralves Park.
Soon to be released as a limited edition by Fundação de Serralves and Crónica.



David Maranha & Stephan Mathieu - "Strings" (excerpt)

https://soundcloud.com/vaagner

https://vaagner.bandcamp.com/album/surging-waves

memento mori [Vaknar]

Strasbourg, Stuttgart, Avenue Felix Faure, Strasbourg again, Leipzig, rue des mûriers, Nantes, Vichy, Strasbourg again,

Advices couldn't help what needed to be done alone, still public today for mental needs.

Lyrics heard but inapprehensible
unpleasant symphony but offensive beats
hic et nunc but distant  from our mores.

Readings inspired by L'ombilic des limbes d'Antonin Artaud.

Hic & Nunc

axaxaxa #41 by @reymour – Vomi De Velours

axaxaxa #41 by Reymour – Vomi De Velours

Since we started our Sound Postcards feature earlier this year, we’ve had a lot of fun in sharing with you our Field Recordings, Auditory Portraits and Creative Phonography. Recently we have invited a group of your favorite artists to contribute to the project, and submit their own creation. Here are some of the entries from Stephan Mathieu, Lawrence English, Autistici, Marcus Fjellström, Richard Chartier, Yann Novak, Clem Leek, Scanner, Loscil, Simon Scott and many more to come!

For more info and detailed descriptions of each entry, please visit headphonecommute.com

Stephan Mathieu – Two Clocks

notime funktion

LISTEN or BUY: https://mappa.bandcamp.com/album/natursymphony-no-1-spring-music

The overlap between the organic and the synthetic is Vlad Dobrovolski’s stomping ground. Digitally organised sounds melt into squalling melodies that grow and stretch over and under each other like the fractal leaves of a fern, spiraling inwards and outwards into a tesseract of connective tissue. “The more carefully you listen, the more you hear,” explains the Russian-born sound artist. “No two moments are exactly alike in nature. The song is always changing. I find myself listening in ways I never have before. The scale of my perception has changed. Small, subtle sounds have become singular events. The space around me seems larger than I had realized.”

“Natursymphony No.1 — Spring Music” compiles fleeting waves of thought and feeling into sonic networks that embody the sinew shared by a sprawling forest, the patchwork quilt of human memory, or the post-organic logic of digital collage. Rays of rising sun and fresh air buoy this audio landscape, brimming as it is with synthetic tones and bitcrushed rhythms emerging from surrounding computer caverns. Field recordings are organized in harmony with processed acoustic instrumentation; gongs, flutes, and distorted percussive rhythms.

Probing our consciousness – or perhaps self and spatial awareness – propel forward the seven opuses of “Natursymphony No.1”, like the experience of an awakening itself. Stemming from an awakening of sorts for the artist himself, suddenly alivened in his ability to perceive his surroundings and create musical ecosystems, the nature to be found in this music is a parallel reality in miniature, with its own dusks and dawns, its own blossoming and extinctions, all delicately nurtured by an artist stumbling into a creator role.

Over two decades, Vlad has explored improvised and generative music, sonic collage, and released solo music under a variety of monikers and in various collaborative projects — such as his cassette tape soundscaping duo with Vasiliy Stepanov, S A D. The “Natursymphony” series comes following his personal landmark album, “Non-Deterministic Polynomial Poems” (@Klammklang). Vlad has also participated in residencies and performances throughout both Russia and Japan. 


released August 18, 2020

Music by Vlad Dobrovolski
www.dobrovolski.net

Cover art by Ramon Keimig
www.instagram.com/ramon_keimig/

Mastered by Alexander Pustynsky

Risograph print by HIBERNANT.NET

Words by Tristan Bath
www.tristanbath.com

Photography by Leontína Berková
www.leontinaberkova.com

Released by mappa as MAP019 in 2020

MAP019 / Vlad Dobrovolski - Opus 2, Laguna Fosforescente

Mix originally made for Fat Out Fest 2020

Tracklist:
Tati Au Miel - as someone who truly loves and expresses
Zuli - Bombardino 
Core Self - Suspiria 
Thoom - Hadiqa 
Aho Ssan - Ondl
Eye Measure - White Wine 
Arash Moori - Invert 
UKAEA - Vampire Moth (with AJA) 
Temp Illusion - Construction of Insomnia 
Clemency - Mimic Animals That Are Easy to Love (Jennifer Walton Remix) 
Slikback - Pull Up
Rosaceae - In a Field 
Cam Deas - Drift Through
SITOI - Kyyhky 
Abadir - XLR@T 
Hamilton Scalpel - Two Bladed Spear Thistle
Tygapaw - Scene 1: Unseen 
Prison Religion - Metal Mouth
Zoe Mc Pherson - Learn Your Language Faster feat. Elvin Brandhi 
Exploited Body - The Lake 
Feu St-Antoine - L’eau par soif 
Medical Negligence - Gods, Drugs and Water 
Kry - Spit on My Face 
Bonebrokk - Lightning 
Sully - Poison 
Hyph11e - Get Out from Under

Stephan Mathieu "To Describe George Washington Bridge" (Dekorder 051)

Dekorder

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