A party and label from Ariane V, Ben Gomori and Gaucho. 
Next: Jan 17 @ brilliant corners, London >> 2nd Birthday | 27.02.26 @ Distillery N17, London w/ Stella Zekri https://ra.co/events/2317203

record label :
https://www.discogs.com/fr/label/1119605-yoyaku
owning yydistribution
http://www.yydistribution.fr

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

bookings/mgmt: 
💌 general inquiries → letsmelt@itsallgooey.com

https://soundcloud.com/azul-recs

“House of Roman Truth, Sphynx People and all his studio-only pseudonyms or music projects and his record labels Nocturnal Hazard, Mystic Vision, Esfinge Edits and Magick Numbers.”

Mexico City and Costa Rica based DJ, music producer, disco editor and label owner of @nocturnalhazardrecords and it's sub-labels Mystic Vision and @magicknumbersrecords. 1/3 of Sphynx People and label co-owner of @esfingeedits. Music releases on Toy Tonics, Nocturnal Hazard, Mystic Vision, Disco Mind Records, G&D Records and many more. Music releases supported and played by DJ Harvey, Hunee, Motor City Drum Ensemble, Idjut Boys, Jesse Saunders, Demuja, Tim Sweeney, Horse Meat Disco, Mark Grusane, Rune Lindbæk, Todd Terje, Daniel Wang and many more. Find here all the music released by Roman Truth and under his all studio-only solo aliases and side music projects in collaboration with another artists. 

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For promos and booking inquiries please sent an email to: romantruthmusic@gmail.com

House, Tech House, Deep Tech, Minimal Tracks & Mixes.

Our release premiere series are all selected by @ronmexicodj for consideration please email hello@datatransmission.co

For our TRACK REPOST service, please submit them to here - https://datatransmission.co/submit-your-repost/

For label submissions please head to our in-house label at @63brecords

The Online Dance Music Authority.
Dancing without prejudice since 2008.

I started DJ'ing in 1987, am 50% of Optimo (Espacio) and I also run the Optimo Music record label.


“We are here to help each other get through this thing, whatever it is.”
Mark Vonnegut

Email - kmcivor@me.com

Optimo Music Soundcloud here - https://soundcloud.com/optimo-music

DJ bookings (worldwide) - caroline@spunoutagency.com



Press - optimopr@mac.com


Discography - http://www.optimo.co.uk/discography/

Montreal based balearic dj
New mix series: "série de mixe"

DELCO is following