https://soundcloud.com/just-emma

https://soundcloud.com/wittmann

https://soundcloud.com/thomasatzmann

https://www.facebook.com/JustEmmaofficial

https://www.facebook.com/thomasatzmann

Sunshine

Sunshine feat. Matthias Wittmann (Thomas Atzmann Remix)

Beatport

Just Emma - Sunshine Feat. Matthias Wittmann (Thomas Atzmann Remix)

The first Moodfamily release brings co-founder and Belgian strong man AMyn to the table. 

The first track is the title track of the EP called 'Twisted River'. It’s a musical work that takes you a few years back combining a steady groove with an abstract melody that reaches beyond audible frequencies which will haunt dancefloors everywhere. It grabs and releases tension while it flows like a – you guessed it – twisted river.

Canson delivers a melancholic and deeply personal variation on the original twisted melody. While his piano hypnotizes, the main melody is cut, sliced and placed carefully, provoking subtle escapes from the main theme.  

The bassline brings more focus to this new mood which is created throughout the track by not grabbing the attention but rather fueling a sensitive groove. This brings the song into a completely new atmosphere fueled by a haunting synth which builds gently as the song evolves. 

The B-side, 'Gloam' might as well be the A-side as it requires somewhat more attention, but after listening to it for a few times it sticks to your mind. The melody is looming and it moves freely over a careless groove. It is a tad slower, but this allows a clear pronunciation of the musical phrases.

www.moodfamily.net

Twisted River (Canson Remix)

AMyn - Twisted River (Canson Remix)

Fink – Maker (Mario Aureo Acoustic Sunday Sofa Edit)

NOT AFRAID

Buy the full Ep: https://amselcom.fanlink.to/006

Remixes by @rafaele_castiglione and @dka
Artwork by https://instagram.com/hollyform

Lukas Koch Feat. Biljana Pais - Be With You

YokoO - Oneness

The topic of „Salome“ fits the two producers Kadebostan and Laolu from Switzerland perfectly. Just listen to their prior releases on Freude Am Tanzen, fenou or Clap Your Hands. The melodies sway back and forth - dreamy and full of peace. The rhythm group plays along and only the most necessary things. And even though the vocal phrases retain their own character, they blend into this musical structure as if they were made for these tracks. The A and the B face show a masterly crafted arrangement. It would be a mistake not to listen to the whole, as one would miss the feeling to let yourself go. As usual, the lovingly designed 10inch record is a limited edition and numbered by hand.

Kadebostan & Laolu "Salome (Laolu Version)"

DMC Review:
" ‘Guilty’ captures you in time and space as you survey its richly woven fabric in the sunlight, moved by the blend of beautiful colours and textures that thrill to the touch. It’s an master stroke with arpeggiated exotic keys, synth washes, definite chords and Kraftwerk-esque Tour de France cycle chain ripples just for fun. ‘Like Feathers’ is a delicate techno synth opus with crystal bell tones, percolating riffs, layered white and pink noise and suspiciously sexual squelches. Its infused with a smoky male vocal and intense, intimmate lyrics which turns it gently on its own crystal carousel. Beauty and synth deep."
(http://www.dmcworld.net/reviews/entry/house/douglas-greed-guilty-exploited.html)

GUILTY premiered by BIGSHOT MAGAZINE:
'Greed brings his vast talent to Shir Khan’s Exploited Records for the first time on “Guilty,” an utterly sublime two-tracker. We’re thrilled to world premiere the techy title track brandishing an emotive groove that subtly coaxes you into a state of somber euphoria.
“I made this track — or rather the sketch for this track — on a long train ride which took me almost through all of Germany on a south to north route from one gig to another,” he tells us. ”The time flew by — even though it was an almost seven-hour trip. I was just nodding my head and got caught in one of those special moments that I even forgot to pay for my coffee in the train restaurant. That’s why it’s called ‘Guilty.'”
(http://newsflash.bigshotmag.com/mp3s/stream/42321/)

LIKE FEATHERS premiered by KALTBLUT MAGAZINE:
(http://www.kaltblut-magazine.com/premiere-douglas-greed-like-feathers-feat-kuss/)

Catz N Dogs: "This EP is really nice."
Baikal: "Cute."
Ewan Pearson: "Very pretty indeed."
Russel Yallop: "Always great from Mr. Greed."
DJMag: "Guilty of really liking Guilty."
Acid Pauli: "Beautifull."
Droog: "Unexpectedly melodic turn for Douglas Greed on Guilty...it definitely works, like it. Will come handy at rave in a desert somewhere."

Excited to have Douglas Greed - from the Freude Am Tanzen Crew (next to Mathias Kaden, Robag Wruhme, Krause Duo) - with a guest release on our label.
In the past he has released tons of singles and remixes and 2 albums (1 on Freude Am Tanzen in 2011 and 1 on Bpitch in 2014). 
Douglas Greed is known for his melancholic, organic, emo techno tracks. Surrounded by hills and forests, crossed by a river, far from the extravagances of Berlin and mostly inhabited by students, Jena is the artistic home of Douglas Greed’s music. 
His versatile DJ skills cover every mood in a heavy weekend of partying. His musical output covers a broad stylistic range while retaining its own clear fingerprint and often bypassing the conventions of purely functional club music.
Douglas Greed has also been spreading more bass-heavy vibes for many years in his live set-up with Fabian Kuss on vocals (who is also featured on ’Like Feathers’) and Michael Nagler on drums.
Douglas Greed - ‘Guilty’ will be out February 15th on Exploited. 2016 will also see a new track from him on a compilation by Recondite. 

Artwork:
Photo by Nemanja.
Design by Neven Cvijanovic.

Artist: Douglas Greed
Release: Guilty
Label: Exploited
Cat: EXPDIGITAL117
LC: 15799
Published by: Exploited Ghetto Music Publishing

Releasedate Beatport: 15.2.16
Releasedate I-Tunes: 29.2.16

Guilty

Like Feathers feat. Kuss

Stream

Douglas Greed - Like Feathers (feat. Kuss)| Exploited

written and produced by: Mees Dierdorp 
percussion by: Kasper Jorissen 
mastered by: MarcoAntonio Spaventi 
artwork: Tommy Beemsterboer 
picture: Joost Korngold

Miso Propin

Mees Dierdorp - Miso Propin

My album INTO VOID released on BLA BLA records 2011

http://www.beatport.com/release/into-void/817638

IN A BLINK OF AN EYE

Stavroz - The Ginning EP - out on Délicieuse Records.
Stream ☞ smarturl.it/TheGinning

@stavroz
@powel
@d-licieusemusique-records

Ijsbrand & Gert had always wanted to create balkan inspired music, and hence came the duo Stavroz. Beyond just sharing the same musical tastes, these two buddies bond over both being sound engineers (live for Ijs, studio for Gert), which makes them real "goldsmiths" behind each and every production (such can be seen in this short clip which presents their title 'The Ginning'). 
Their music is imprinted with original inspirations while keeping to a jazzy/burlesque influence, leaving little to be left displeased. The bridge, so it seems, borderlines between minimal and jazz-house.

The first title of the EP, 'The Ginning' is constructed around guitarist, Max Honckelinx. The track’s instrumental harmony is skilfully constructed by the duo as they borderline minimal and deep house.

The second original title of the EP, 'The Finishing' is merely a dialogue between a rhythmic stratospheric universe and the sax of Nathan Daems, well preserved from the first studio recording. The end result leaves us with 8 minutes of lyricism soaked in sophistication and technicality.

In regards to the remixes, Felkon, who has been presented several times before on the Délicieuse, takes on 'The Ginning' by including vocals which create a more dance-like ambiance. 
Britta Arnold, a legendary pioneer from Bar 25 and Katerholzig, worked on 'The Ginning' as well with Sascha Cawa. They delivered a version more obscure yet wickedly effective.

As for the remixes of 'The Finishing', Powel continues to captivate us while executing his deep and melancholic twists. He entirely redesigns the piece’s structure by retiring the "voice" of the sax. 
And then there’s our man, Viken Arman, who spins his version of 'The Finishing' by refiguring the rhythm pattern and adding a new dimension to the bass.

Stavroz - The Finishing (Powel Remix)

Premiere requests: 
baptiste@delicieuse-musique.com

Stavroz - The Finishing (Powel Remix)

Délicieuse Musique

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