Permanent Vacation 
ℒaut und ℒuise 


comfortingly displaced
快適に移動
النازحين بشكل مريح

say hi / yorkultura@gmail.com
booking / bookings@the-other-side.nl

Australia Tour 3.2.-12.2.2023: Booking closed, details soon
23.07.22 Fitzroy Berlin w/ Hashman Deejay, Jank Inc., etc
04.06.22 Renate Berlin
14.05.22 BinarySound Paris @ Le 6b 
15.04.22 Temuco, Chile Oculto
14.04.22 Santiago, Chile TectonicaMag
09.04.22 UNDERGROUND REUNION @ NICETO Buenos Aires
25.03.22 Tandil Argentina BeirutBar
20.03.22 Avant Garten Buenos Aires
23.04.22 Berlin Tbc

14.05.22 Paris BinarySound
28.08.21 Christa Kupfer (ex-Loftus Hall) Berlin w/ Estimulo, Mr. Fonk, Andi A
11.09.21 Motif Berlin w/ Estimulo & Flørist
24.09.21 Winterthur CH Kornhaus w/ Estimulo, Dan Piu, HBEM
25.09.21 Zürich CH Kasheme w/ Estimulo, Dan Piu
02.10.21: Paloma Bar (postponed)
16.10.21 Zukunft Zürich CH
24.10.21 EstimuloShow w/ Repeating Path
27.10.21 Crack Bellmer Berlin w/ Estimulo & Cleymoore / Feedback Waves
05.11.21 Paloma Bar Berlin 
06.11.21 D59B Berlin
19.11.21 Strasbourg FR Ordinaire
27.11.21 Aarhus DK Super
25.12.21 KitKat Club
15.08.21 EstimuloShow w/ Enchanted Rhythms
24.07.21: La Ferme Du Bonheur Paris, La Mamie's
10.07.21: Suicide Club Berlin, Alles Paletti Open Air w/ DJ Sotofett, Estimulo 
09.07.21: Club der Visionäre Berlin w/ S Moreira, Indizone, Quest, Estimulo (Mudd show party)

02.07.21: Flørist, Nathan Melja @ EstimuloShow
12.03.21 The MUDD Show Fitzroy Berlin
29 Nov EstimuloShow w/ Huerta (Leizure)
18 Sep Club der Visionaere w/ Dan Piu, Hitekjaz, Cecilio etc. (Childhood Intelligence)
17 Sep The MUDD Show Hoppetosse - 
My South American Tour is cancelled
21 Mar LaCura @ La Plata Argentina w/ Diamin, Franco D (cancelled)
17 Apr Underground Reunion @ Levitar BsAs Argentina w/ Diego Perrisson (cancelled)
20 Feb EstimuloShow w/ Flørist @ Arkaoda
13 Dec: P Relief, Estimulo @ Digital Garden, Ziegrastr 11 Berlin
28 Nov: EstimuloShow w/ Urulu @ Arkaoda
24 August 15:00 Radio 80000
24 August Rote Sonne Munich w/ Hamsa Int
26 August IPSE Hallo Montag (Arte Concert)
7 Sept: Secret Private Rave @ RosenthalerPlatz

Bio: down since forever etc blah blah.
bookings n stuff: estimulo@gmail.com
show related requests/holler: estimuloshow@gmail.com (please note that estimuloshow is a live show with guests, so usually pre-recorded mixes can't be included).


30 April 2019: Mayday Intenational @ Ziegra 11
21 Feb 2019: Arkaoda / Cashmere Radio
20 oct: Hamsathek w/ ManooZ, Pegasuz, PJOTR, Estimulo @ Ziegra 11
3 oct: TanzVersammlungRosenthaler w/ Dr Motte, Makarov, DJ Pegasuz, Estimulo
14 sep: Club Sounds @ Sofitel Kurfürstendamm Berlin (Le Faubourg)
Upcomin' 25 aug: Hamsathek w/ Deep88, PJOTR, DJ Pegasuz @ Ziegra 11

05 August 2017: Madrid, ES w/ Downbeat
25 August 2017: OHM Berlin w/ Benoit B / Banlieue / Nummer / etc
21 Oct 2017: Schrippe Hawaii Bln w/ Hamsa Intntnl
11 Nov 2017: Klunkerkranich w/ Bigote / RITMO
25 Nov 2017: Golem, Hamburg w/ Orbit Sessions
8 Dec 2017: Paloma Bar w/ 206, Epikur (Lehult), etc
16 Dec 2017: Amsterdam BRET w/ Klokwerk, Gropina
12 Jan 2018: Arkaoda Berlin
26 Jan 2018: Arkaoda Berlin & Cashmere Radio
3 Feb 2018: Tresor Berlin w/ Snuff Crew, Violet etc
23 Feb 2018: Arkaoda Berlin & Cashmere Radio
23 Mar 2018: Arkaoda Berlin w/ Still Deep (Cashmere Radio)

New album 'Night Creature' OUT NOW!
https://MJC.lnk.to/NightCreatureFA

Listen to all Maya Jane Coles releases here 
mjc.lnk.to/profiles 
Listen to all Nocturnal Sunshine releases here 
ns.lnk.to/profiles

In 1988 Dimitri obtains his first residency at club Richter in Amsterdam and starts spinning at the legendary RoXY. He is one of the first DJs to mix a house records with breakbeats: not only mixing those two records together by tempo and rhythm, but also by melody,  creating real-time compositions, which was groundbreaking at that time.
By 1991 he spins at all the major (warehouse) parties in the Netherlands, Belgium and Italy. He releases his first record and starts his own label Be.S.T. (Beautiful Soul Techno). From 1992 onwards he continues to take over the club world with gigs from Tokyo to Australia, Paris to Peru and residences at Twilo in New York and Ibiza. He starts his famous ‘Hi-Tech Soul Movement’ club night in RoXY on Thursday nights.
Dimitri takes a 3 year sabbatical in 2007 (after playing non-stop for 23 years), trading the club scene for life on a farm and voluntary work with children with learning disabilities. In 2010, he returns with a residency at Club Trouw in Amsterdam, one of the best dance venues in Europe. In 2013, he suffers from a life threatening bacterial infection, but is back at the decks at Club Trouw in only 5 months, proving that music has the power to heal, one of his strong inner beliefs.
Today Dimitri plays in clubs and at festivals all over Europe.
At Thuishaven, the number one venue in Amsterdam, Dimitri finds his new residency for his famous 10 hrs dj sets. As a producer Dimitri is always working on new music, his own typical Hi-Tech Soul sound. He releases on labels like Planet E communications, KMS Records and Metrohm.

Mathew Jonson really is one of a kind.  
 
He's developed one of the most distinctive voices in electronic dance music: when you hear one of Jonson's tracks, you almost immediately know it's his. And yet there's no mistaking any given track for another. 
 
His music offers a rare fusion of populist intensities and nuanced musicality. With a keen understanding for the needs of the dancefloor and the universal laws of house and techno, he's thrown out the rule book time and time again, sneaking tricks learned from electro and even drum'n'bass into minimal clubs, and loading up his B-sides with tracks that do what they damned well please. (No kick drum? No problem.)
 
His standards for sound and presentation are exacting. Both on stage and in the studio, Jonson's fealty to analog equipment and real-time play—as opposed to mere playback—serves as a standardbearer for a kind of electronic music that goes way beyond the drag 'n' drop world of digital composition. Jonson has always been eager to get his hands dirty, and the music reflects that in gnarled bass sequences and long, intuitive lines. His sounds have serious teeth.
 
And despite his quick ascent through the ranks of the techno elite, Jonson hasn't just stayed personally grounded. He's devoted much of his energy to supporting his own close musical family, both in the groups Cobblestone Jazz and the Modern Deep Left Quartet, and with his Wagon Repair label, which he cofounded with Jesse Fisk, Graham and Adam Boothby, Frank Meyerhofer and Konrad Black.
 
He studied classical piano as a kid, plus jazz drumming, and played drums in a marching band —thus laying both the melodic and the rhythmic cornerstones of his music today. (Plenty of musicians claim to be "classically trained," of course, rendering the phrase all but meaningless. But here's something you might not have known about Mathew: he's actually begun studying piano again, which suggests a musical seriousness that's rare in the world of auto-didact button-pushers.
 
Thanks to his father's work with sound technology, he also got his hands on synthesizers at the age of 9. By the time he discovered hip-hop as a young teen, he was recreating its electro-based beats on his own rudimentary setup at home.
 
It was in Victoria, when he was 19, that Jonson met up with the crew that would help guide his musical trajectory: Tyger Dhula, Danuel Tate and Colin de la Plante, who were playing and DJing parties around the area. The four started playing in clubs together, an early version of the group that exists today as Cobblestone Jazz and the Modern Deep Left Quartet. (The Modern Deep Left Quartet was the original name for the foursome; after de la Plante moved to Montreal, the remaining trio carried on as Cobblestone Jazz.)
 
"It was all improvised," says Jonson of the group's early days. "We never really worked in the studio, we would just meet at the nightclub and jam. That's how it started. We did that for quite a while, and then it morphed into a residency at a club, once every two weeks." To keep it interesting, they would invite other musicians—on trumpet, violin, bass, sax, and rhythm sections—to join them.
 
After de la Plante left town, Cobblestone Jazz began focusing its efforts more squarely on the dancefloor, moving away from purely improvised sets to include composed and rehearsed passages. And Jonson gradually began honing in on his own sound, both in his productions and his DJ sets, inspired by a deeper, weirder sound that had begun filtering into the city's techno parties.
 
His first record, in 2001, was the first release on the B.C. label Itiswhatitis, appropritately titled "New Identity." Another followed in 2002, and in 2003. That year, he also made his first appearance on Perlon, "Alpine Rocket"—a track he recorded alongside Luciano during his first trip to Europe. And then, suddenly, Jonson was everywhere: Itiswhatitis, Sub Static, Arbutus, Kompakt, M_nus—and every track an anthem.
 
"I had all that music kind of saved up," says Jonson, "and then, just by chance, released it all at the same time. People criticized me for it, said that it wasn't a good idea. But it worked out for me. All the tracks did well. I wasn't saturating the market with bad music." He's right there.
 
In 2005, Jonson co-founded Wagon Repair, and it's been a blur since, a nonstop series of tours and recordings, solo and with his bandmates. Crucially, he moved to Berlin. Here, he and de la Plante—who moved over at the same time—have set up Cobblestone Jazz' European headquarters, providing not only the launch pad for European tours but, more importantly, the control center for the group's recorded activities. The studio is jawdropping, frankly: a semi-circle full of gear, from old workhorses like the 808 and 909 and SH-101 to unique beasts like their Cwejman and Roland System 100m modular system. Tate's Rhodes piano anchors one corner of the horseshoe, and everything feeds into a massive desk where tracks are mixed and recorded in real-time. Jonson makes his own music essentially the same way—only with two hands instead of eight.
 
Those two hands have come up with some remarkable material. Having perfected his brand of earthshaking epic with tracks like "Marionette," "Return of the Zombie Bikers" and "Symphony for the Apocalypse," Jonson has increasingly turned his efforts towards more personal, introspective music. He hasn't left the clubs behind—his new album, Agents of Time, features a number of tracks that are as hip-windingy wily as anything he's produced yet, full-on tracks like "Girls Got Rhythm" and "Thieves in Digital Land." But he's also taken advantage of the longplayer format to stretch out and indulge darker moods and slower tempos.
 
"I like to have phrases that sound like they're major, but then they go minor when they turn around," explains Jonson. "You think that you're in a happy place, but suddenly you're not. I like playing with that tension. When I look at the music I've made, the best music is always music that can stimulate any kind of emotion. It's more like a key, towards opening up whatever is inside of you -a gateway"
 
You can expect him to be unlocking even more emotions soon—ones you may not have even known you had—when he ramps up with Midnight Operator, a collaboration with his brother Nathan Jonson, aka Hrdvsion. With Nathan also based in Berlin, the two are finding common musical ground, expanding upon the platform they established with their lone, 2007 EP for Wagon Repair as they begin work on an album.
 
"Obviously, you can look at what I do with my label and the bands I have, to see what's important to me," says Jonson of keeping it in the family, so to speak. "I'm lucky because I have so many friends who are strong musicians. We can all feed off of each other.  You know, when you're doing music, it's such a personal thing. To have an outlet with the labels to be able to release our music, and be able to all stay together, I think there's a lot of strength in that. Everybody is stronger as a group." – Philip Sherburne


For bookings contact: booking@making-patterns.com | www.making-patterns.com

This is the Dimitri From Paris official Soundcloud page. The purpose of this page is to act as a showreel for my skill as an artist, producer, remixer or editor. 
Please note that due to the host's strict copyright policies NO DOWNLOADS will be possible unless I have a written authorisation from copyright holders.

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