Die Cute Community ist ein Raum und Radiosender mit Sitz in Bochum. In ihrem Programm zentriert die Cute Community die verschiedenen kulturellen und künstlerischen Praktiken von BIPOC und FLINTA*.

DJ, turntablist and music producer Adri Malaki has been a purveyor of music and events for over 10 years from early projects and residencies in Switzerland to  Berlin, Hong-Kong, Manila and Palawan where he is now based.


Director and founder of Liberty Grounds events, owner of Before & After Nightclub and Artaplaya, SEA representative of Miniclic Records, Adri Juggles between his career as artist and various other ventures.


With a long list of festivals and other music and art related events under his belt, he has made a considerable impact on the Palawan and Philippines event scene.


Adri is a versatile Dj and has proven his crowd reading skill throughout his career, from underground festivals and venues in Europe to commercial events and venues in Asia. With a preference for underground House and Techno, he still enjoys, every now and then, playing eclectic selections of Hip Hop, Reggae/Dub, Drum & Bass and more. Groove remains a key element in his DJ or live sets, a few notable dancefloor staples from the likes of some of his favorite artists like Craig Richards, RobertHood, Minor Science, Ricardo Villalobos, Skee Mask and Simian Mobile Disco to name a few. 


As a music producer Adri has since released tracks on record labels such as Xtended Records (Miami), Miniclic (Paris/Switzerland), Asia Music (Philippines), Sound Nais (Philippines) and Hermine Records (France), tracks heavily influenced by his experiences in Berlin as well as the UK electro and breakbeat scene, ranging from micro/minimal to leftfield and techno with detours into more eclectic genres. His productions, like his sets are mostly rooted in groovy urban rhythms and sounds of the 90's "Golden Era", electro and disco. 


Shared bills with: Big Mountain, Deliquent Habits, DJ Premier, Kenny Glasgow, Endian, Rico Loop, Red Robin Tarsius, Boston Bun, Jabber-Wocky, Sniper, Greem (C2C) and Kartell to name a few.



Berliner Stimmen und ihre Musik.

Community Radio Berlin (das sogenannte "Freie Radio"), immer Donnerstag ab 6 Uhr auf UKW 88,4 MHz (Berlin) und 90,7 MHz (Potsdam). Oder DAB+ Kanal 12D in Berlin/Brandenburg und Kanal 7D in Berlin.

manila-based electronic music collective, club night, and label 

e: rexp@transitstore.co

We are an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”.

A meeting point for music freaks from Brussels and beyond. A tiny kiosk bar serving eclectic music and drinks. Sometimes, in sunny summer days, a safe space to dance under the trees.

For general questions: info@kioskradio.com
For music submissions: music@kioskradio.com

Hong Kong Community Radio
Limited uploads, please check our website for complete upload

Contact: hkcrlive@gmail.com

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Connecting club culture to the wider world, on screen and irl through parties, film and video.

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