More on this 101st Disquiet Junto project (Make a phase composition based on the sounds of three switches) at:

http://disquiet.com/2013/12/05/disquiet0101-analogbinary/

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Associated image found via:

http://goo.gl/vn82Dv

Disquiet Junto Project 0101: Analog Binary

Decided to keep this weeks Junto simple, so I recorded three instances of switching on / off 
First sound to be heard is my ceiling fan
2nd. is my electric kettle 
3rd. is the on off switch on my electric piano 
Duplicated each sound onto two different tracks panned each hard L & R timestreched one side of each "stereo" image slightly to create a phase shift kinda beat...then I thought of Mandela and wanted to create an uprising towards the end, so I duplicated everything a couple of times and displaced the new tracks a little more with long fades....to let the whole thing end with just two beats - it all falls back to the beginning... coming and going on your own.


Disquiet Junto Project 0101: Analog Binary

Record the audio of three objects in your home or workplace that have on/off switches. Capture the unique sound of them being turned on and off. For each of the switches, record several seconds of this on/off action so you can create loops of a steady pace. Then create an original piece of music that employs phase shifts — that is, in which the tiny distinctions between loops create noticeable patterning as time progresses. You can use some light processing, but the sense of "switch-ness" of the source audio should never be lost.

Deadline: Monday, December 9, 2013, at 11:59pm wherever you are.

Length: Your track’s length should be between two and five minutes.

Information: Please when posting your track on SoundCloud, include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Title/Tag: Include the term “disquiet0101-analogbinary” in the title of your track, and as a tag for your track.

Download: Please consider employing a license that allows for attributed, commerce-free remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, be sure to include this information:

More on this 101st Disquiet Junto project (Make a phase composition based on the sounds of three switches) at:

http://disquiet.com/2013/12/05/disquiet0101-analogbinary/

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Associated image found via:

http://goo.gl/vn82Dv

“disquiet0101-analogbinary” Mandela

Disquiet Junto Project 0101: Analog Binary.

I recorded 3 switches (Light/Coffee Machine/HiFi) then I sampled them and I applied some reverbs, delays, resonators, while playing with the samples. It was quite fun ...

More on this 101st Disquiet Junto project (Make a phase composition based on the sounds of three switches) at:
http://disquiet.com/2013/12/05/disquiet0101-analogbinary/
More details on the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

LINEAR BELLS - Disquiet0101-Analogbinary - HiFi Furry

The three sounds are ones I had recorded a few years ago at a bakery I was making bread at. One is a Vitamix blender, the other is a 30qt mixer, and the last one I can't remember. 
I only added a little effect to the vitamix: Bode Frequency Shift. 
The others I left raw. In the spirit of this assignment, I used fade in fade out, through out the piece.

More at: http://subversiveintentions.wordpress.com

More on this 101st Disquiet Junto project (Make a phase composition based on the sounds of three switches) at:

http://disquiet.com/2013/12/05/disquiet0101-analogbinary/

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Associated image found via:

http://goo.gl/vn82Dv

Life/Death Machine (disquiet0101-analogbinary)

I left work early as I have a ton of personal time to take before the end of the year and then I recorded my light switches with a Zoom H2 recorder. After importing the recordings I built a small dub send/return network to apply lightly. The deep droning sounds are created through micro loops one of the more interesting switches in my new apartment is the one that controls the garbage disposal after introducing the garbage disposal loop I began micro looping it to create a granular sounding pad and then towards the end layered several of them all in different spans of time off the original loop.

Hope you enjoy.

disquiet0101-analogbinary

Recorded three sounds as directed: A microwave, a kitchen sink (not strictly a "switch" but it does go on and off), and a small battery-powered hand drill.

In Ableton Live, loaded the sounds and made a few permutations of each, both in length and pitch.  They are brought into and out of the piece throughout. 
-=-=-=-==-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
Disquiet Junto Project 0101: Analog Binary

Record the audio of three objects in your home or workplace that have on/off switches. Capture the unique sound of them being turned on and off. For each of the switches, record several seconds of this on/off action so you can create loops of a steady pace. Then create an original piece of music that employs phase shifts — that is, in which the tiny distinctions between loops create noticeable patterning as time progresses. You can use some light processing, but the sense of "switch-ness" of the source audio should never be lost.

Deadline: Monday, December 9, 2013, at 11:59pm wherever you are.

Length: Your track’s length should be between two and five minutes.

More on this 101st Disquiet Junto project (Make a phase composition based on the sounds of three switches) at:
http://disquiet.com/2013/12/05/disquiet0101-analogbinary/

More details on the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

For Whom The Boole Tolls [disquiet0101-analogbinary]

In this piece I used the on/off switches of an MC-505, Casio Rapman and cassette recorder. Each item's on/off switch was performed, recorded and turned into a short loop. Each loop has a different tempo and rhythm sequence. From each raw loop, further loops were created whereby each item was modulating another at double and 4x the original tempos. Some granular and phase effects were added to create a sense of space and texture.

--------------------------------------------------------------
Disquiet Junto Project 0101: Analog Binary

Record the audio of three objects in your home or workplace that have on/off switches. Capture the unique sound of them being turned on and off. For each of the switches, record several seconds of this on/off action so you can create loops of a steady pace. Then create an original piece of music that employs phase shifts — that is, in which the tiny distinctions between loops create noticeable patterning as time progresses. You can use some light processing, but the sense of "switch-ness" of the source audio should never be lost.

More on this 101st Disquiet Junto project (Make a phase composition based on the sounds of three switches) at:

http://disquiet.com/2013/12/05/disquiet0101-analogbinary/

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Accent Stream Amps - [disquiet0101-analogbinary]

Further information: https://bleep.com/features/bleep-mix-231--brainwaltzera

“I don’t consider myself a DJ, though I’ve always loved the art form. Other than the very few occasions I have played records for an audience, I usually approach mixes like I would have private mixtapes back in the day: my tapes were always themed and included selections of music I was listening to, both old and new, as well as a few of my own tracks. I would often make a short track specifically for the mixtape, after I had already put most of the playlist together. I have done so for this mix too (as well as for my first mix I did for you guys by the way). Hope you enjoy and many thanks.” - @Brainwaltzera

Bleep Mix #231 - Brainwaltzera

TIME digital available now!
https://mnlth.bandcamp.com/album/time-2

MNLTH - Time EP 12"
WeMe Records Belgium
Release: 02/02/15

Silver Vinyl:

www.mewelesite.be/index.php?page=s…uemart&Itemid=28

Black vinyl the rest of the world

07_MNLTH_Headlight_MNLTH101_MP3

A live recording of a track from my future release "Touch Me"
Recorded 04/07/15 @  Madrid
*recording crunched by club limiter/compressor*
https://mnlth.bandcamp.com/

Livetrack_Madrid_Track_04/07/15

Aphex Twin "Lush Acid" (Roskile live version, aka 'Crappy')

This is one of my favorite AFX tracks!

FLAC at http://303.nu/afx/Aphex%20Twin%20-%20Lush%20Acid%20(live%20@%20Roskilde%20festival%201997).flac

Carefully recreated by combining the short SoundCloud-version (as posted by Aphex Twin) with 2 different bootleg recordings of the Roskilde live version.

At the points the Soundcloud-version differs from the live version - starting after the first 'couplet' - the (subjectively) best-sounding fragment is choosen from both bootleg recordings. 
For each fragment levels and EQ were matched in such a manner that the end result sounded (subjectively) as much as possible as the Roskilde-performance.

The starting point is the Lush Acid (SoundCloud-version), which is a 48kHz FLAC.

Bootleg versions were 320kbps and VBR 190kbps mp3 @44.1kHz.
As both were apparently recorded from a radio broadcast, the frequency spectrum of these recordings is limited to about 16.1kHz. Small traces of the FM 19kHz pilot tone are visible in a frequency graph, but hardly audible thus I didn't filter them out.

Both live bootleg-versions had some strange stereo phasing going on causing mono compatibility issues as certain points. I decided not to fix these to have the remake sound as close to the Roskilde-performance as possible (when played back in stereo this is audible as a widened stereo-field)

At 2 points I deleted a small part (fraction of a beat) compared to the Roskilde-version. The reason is that I wanted to create a DJ-friendly version of Lush Acid, but the live-version progressed off-beat at these points (by 1/4 and about 3/4 beat) making it impossible to mix properly with other records.

Editing was done in Ableton Live @ 48kHz using the Pitch-mode (to avoid artifacts resulting from Ableton's pitchshift/timestretch) and rendered to WAV.

Uploaded to SoundCloud as AAC Q=127 (because of my terrible internet speed) but FLAC is available upon request.

Lush Acid (Roskilde high quality version)

Recorded this with a mic round my neck onto a minidisc, recently found it laying around.. aint perfect sound but, enjoy :0

2003-11-06 - UK - Scotland - Glasgow. Transmission Henry Wood Hall, 73 Claremont Street. (as DJ Smojphace). Event organized by "Glasshouse Transmission".

Aphex Twin - Live 2003 @ The Henrywood Hall, Glasgow, Scotland.

my set for hyper focus/ index 18th of may 2019


01.Splenetic.Ruby My Dear.Phlegm EP
02.Kozmic Flush.Skee Mask.Compro
03.So Unloved.Bop.Not Your Cup Of Tea
04.Savareen.Roel Funcken.Semtinal convex
05.Track XL.Andrea.Forse
06.Drones.Cesco.Edition 2
07.Visional.Sytrjv.Visional
08.Pykes Kessler (Generate Remix).Roel Funcken.Semtinal convex
09.Black Spheroid.DET.Bad Feelings
10.152 Bepis Per Minute.Cabasa.Unreleased
11.Baulein Froze.Roel Funcken.Newt Scamander ep
12.Ferm.The Fear Ratio.Refuge of a Twisted Soul
13.Find Another.FLO.Emeria EP
14.Ghoul.Kursa.The Magic Returns
15.Armament.Silk Road Assassins.State Of Ruin
16.Eros 404.Kareem El Morr.Bias Jams - 3 (Munich Edition)
17.Flyby VFR.Skee Mask.Compro
18.Thorn Cacti.Roel Funcken.Semtinal convex
19.Theres my clippy.Oddlogic.Soundcloud
20.Constant K.Deft.Cracks
21.Sapper Morton.Roel Funcken.Sapper Morton
22.Cessation; Summation.Syndrone.Salmataxia
23.Nebula Messir.Roel Funcken.Semtinal convex
24.Semtinal convex.Roel Funcken.Semtinal convex
25.Newt Scamander.Roel Funcken.Newt Scamander ep

RoelFuncken Hyperfocus Djset 180519

Pre-order >> https://fanlink.to/amenandrews

You know we are in for a treat when Luke Vibert, exponent of electronic beats and breaks since the dawn of rave, delivers not one, not two, but three new album projects, each with a specific musical theme and thread.  A set of three long players, collect them all like bubble gum stickers and annoy your neighbours by playing at high volume!

Vibert’s previous album projects for Hypercolour, both as Kerrier District, and under his own name, have always excelled, not to mention his ground-breaking and brain scrambling long players for Warp, Rephlex, Rising High Records, Planet Mu and Ninja Tune.

Vibert revives his Amen Andrews moniker after over a decade lying dormant.  Squarely aiming the sound at the ‘Amen break’, ‘Luke Vibert presents Amen Andrews’ brings together 14 slabs of raucous breakbeat bangers, riddled with cool as fuck samples and bass bin shattering sub!

Luke Vibert presents Amen Andrews

Luke Vibert Presents Amen Andrews (HYPELP015) [clips]

Pre-order >> https://fanlink.to/modernrave

Part two in his trilogy of what seems like an aural romp through dance music’s key components, Luke Vibert follows up his ode to the ‘Amen break’ on the sumptuous ‘Luke Vibert presents Amen Andrews’, with a pretty damn thorough modelling of rave roots, in ‘Luke Vibert presents Modern Rave’.

When it comes to bashing out creative, highly complex, yet seemingly simplistic rave bangers, Luke Vibert certainly has the chops for delivering the goods in spades.  As an innovator in the field for labels like Ninja Tune, Warp and Rephlex, Vibert digs deep into his floppy disc collection for a glorious ride through familiar samples and hooks, breakbeats and funky basslines and earworm melodies for an indispensable collection of feel good modern rave.

Luke Vibert presents… Modern Rave

Pre-order

Luke Vibert Presents Modern Rave (HYPELP016) [clips]

Pre-order >> https://fanlink.to/ravehop

The third, and final part, of Luke Vibert’s entertaining and infectious cavort through some of dance music’s key motifs, delivers a singular collection of tracks that the creator defines as Rave Hop.

‘Luke Vibert presents Rave Hop’ finds the British producer and musical trail blazer kick back on a bunch of lazy hip hop breaks and breezy samples.  Soulful vocals, suave raps and buoyant riffs are expertly infused with dope as fuck beats and booming basslines.

‘Rave Hop’ concludes Vibert’s trilogy of albums for Hypercolour that has gifted us absorbing musical dispatches from the breakbeat and rave frontlines.  With an enviable recording career that has taken in countless projects for labels like Ninja Tune, Warp, Planet Mu and Rephlex, Luke Vibert still holds the crown for king of the beats!

Luke Vibert presents Rave Hop

Luke Vibert Presents Rave Hop (HYPELP017) [clips]

/ˈvɔɪs.ləs/mix001 : PLAID
August2020

----------------
TRACKLIST
----------------
01. Bewwip - SQUIDGYCID4 [AF027] 
02. µ-Ziq - Drocovums [AF015]
03. RTR - UEFI (BlackEnergy mix) [AF034LP]
04. Kettel - Alacasa [AF008]
05. Roel Funcken - Borgon Cray [AF017]
06. Pye Corner Audio - Industrial Rituals [AF010]
07. Endfest - Poppenkast [AF005Z]
08. James Shinra - Upp [AF029]
09. Rolando Simmons - Thirsty Garden [AF019.1]
10. Cignol - Quest [AF005Z]
11. Echo106 - Myrtle Acid [AF004]
12. Anodyne - Gone [AF003]
13. Pye Corner Audio - Solar Waves [AF025]
14. James Shinra - Pinwheel [AF006]
15. D’Arcangelo - Contented Ego [AF001]
16. James Shinra - Runn [AF012]
17. Morphology - Karma Flies [AF020]
18. ScanOne - Smoke Machine [AF016]
19. D'Arcangelo - Mentoin [AF033]
20. Microlith - Another Way [AF005X]
21. Guavid - Zuber67 [AF009]
22. Dwaallicht - Sigil 118 [AF005X]
23. Brainwaltzera - ten ton fénix [unchosen] βκ [AF007]
24. Brainwaltzera - nessova [AF014]
25. Daed - H2FSbF6 (Dwaallicht remix) AF030LP
26. Bot1500 - Password [AF013]
27. Bot1500 - Spring Track 2 [AF026]
28. James Shinra - Ghost in the Machine [AF018LP]
29. Voiron - Crazy Voiron [AF031]
30. Gareth Clarke - Smoke [AF005Y]
31. Daed - Voidal [AF024]
32. Brainwaltzera - maramu [still dry/no outboard] [AF021]
33. Mause - Tharksithe FM [AF023]
34. Dwaallicht - 32614 [AF002]
35. Bewwip - Finally Early 2 6b 1 [AF027]
36. dgoHn - Rayon [AF032]
37. Ruby My Dear - Jit Thin [AF022]
38. James Shinra - Bubborn [AF018LP]

/ˈvɔɪs.ləs/mix001 : PLAID

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Accent Stream Amps - [disquiet0101-analogbinary]

denleschae

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