sounds great! Would like to see it......a DVD coming up?

QILIN House Volume 8

Title : Day Has Ended
Artist : Aaron Martin / Christoph Berg
Label : Dronarivm
Release Date : September 23
Catalogue number : DR-14
Format : CD, ltd. 250
Release page : http://dronarivm.com/2013/08/28/aaron-martin-christoph-berg-day-has-ended/

Aaron Martin & Christoph Berg’s split called “Day Has Ended” is a piece of quiet, intimate music, interfused with daylight and covered by a soft mist of evening dreams. This album spans the course of a day until the point where night falls.

The first part, created by Aaron Martin, is a water-colour, cool and delicate. The twinkling sun reflected itself in a slow river, transparent silvery clouds sparkle and brush the heads of drowsy trees. The closer to the middle of the album, the lower goes the gentle shadow, saturating. In the second part - Christoph Berg’s one, water-colour turns into gouache. The sound becomes more full, more sensuous, it comes in waves, like breath of a sleeping man.

Just close your eyes, be all ears and you’ll feel – the night is not silent. Sweet tune of twilight and darkness full of echo, humming blue, vague voice of the strings and clear gleaming of bright stars in a velvet sky – that is the night.

It’s a perfect and severely sincere work, slightly bittered with melancholy.

Aaron Martin is a very talented multi-instrumentalist from Topeka, Kansas who has releases on such labels as Experimedia, Preservation, Under The Spire, Sonic Meditations.

Christoph Berg is composer and sound artist currently living and working in Berlin focusing on fragile acoustic chamber music compositions. Also writes electro-acoustic music as Field Rotation. He has releases on Facture, hibernate, Denovali Records, Fluid Audio.

Curated by Bartosz Dziadosz (Pleq)
Cover painting "Where The Sea Once Was" by Richard Moult
Designed by Dronarivm Art

pre-order CD

Aaron Martin - Slow Wake (taken from 'Day Has Ended' split CD)

Exclusive new track from our new album The Unified Field. 
Out on Denovali Records on October 25th on Vinyl / CD / Digital

Cross Hands

A WINGED VICTORY FOR THE SULLEN - 'ATOMOS VII'
12"/digital out on Erased Tapes/Kranky (US) on April 28, 2013

PRE-ORDER: 
http://www.erasedtapes.com/store/index/ERATP056 (worldwide excl. North America)
http://www.kranky.net (North America)
http://www.awvfts.com (band shop)

Erased Tapes and Kranky are pleased to announce the release of A Winged Victory for the Sullen's 'ATOMOS VII'. April 28 sees the first installment leading up to the release of the second full length studio album 'ATOMOS', and score for choreographer Wayne McGregor's long form dance piece. 

McGregor was heavily influenced by the duo's 2011 self-titled debut, playing it repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam & Dustin to see if they could write the score for his new oeuvre. 

The duo recorded more than sixty minutes of music over a four month period during the summer of 2013 in Brussels, Berlin and Reykjavik with the help of their longtime collaborative sound engineer Francesco Donadello. This EP also sees the involvement of Ben Frost, who composed the music for McGregor's previous work 'Far'.

McGregor, mastermind behind the Random Dance Company and resident choreographer at the Royal Ballet since 2006, is known in popular culture circles for serving as movement director for the film 'Harry Potter and the Goblet of Fire'. He has also choreographed the Radiohead video 'Lotus Flower' and 'Ingenue' by Atoms for Peace.

"While we were re-amping guitars at Greenhouse studios, Ben expressed interest and admiration in the sounds we had created. We were planning for the B-side to be a metamorphosis of part VII, and Ben seemed the obvious choice. With the multi-tracks transformed, it follows a trajectory that we had not felt comfortable with before. But with Ben's involvement and influence, it was a painless entrance to this crooked, distorted world." - Adam Bryanbaum Wiltzie

"We never imagined 2013 would be such an explosively creative year. The first record took us 2 years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating." - Dustin O'Halloran

'A surprisingly emotional score' ★★★★ The Telegraph
'Intense, reflective, occasionally threatening and wholly enveloping' ★★★★ Times

TRACK LISTING:

A1 Atomos VII - taken from the upcoming full length album ATOMOS
A2 Minuet For A Cheap Piano Number One - outtake from debut album sessions
B1 Atomos VII (Greenhouse Re-Interpretation) - with Ben Frost

LIVE DATES:

24.05. KORTRIJK (BE) – Festival van Vlaanderen Kortrijk
29.05. BARCELONA (ES) - Primavera Sound
20.10. LONDON (UK)  - Milton Court (Barbican)
25.10. ANTWERP (BE) – De Roma

awvfts.com · erasedtapes.com · kranky.net

A Winged Victory For The Sullen - Atomos VII

from 'Skeylja' [CD|LP|DIGITAL]
Denovali Records · den184
available on all formats at [http://denovali.com/thealvaretensemble]

--- "Skeylja" An invented word combining the Frisian word for Terschelling, "Skylge", and the Icelandic word for island, "Eyjan" ---

Skeylja is an international multimedia project, based around the ideas of improvisational music and the coming together of musicians from different countries and musical backgrounds to create a spontaneous sonic landscape. The project started when The Alvaret Ensemble (Greg Haines, Jan & Romke Kleefstra, and Sytze Pruiksma), who you may know from their eponymous debut on Denovali in 2012, travelled to Iceland to try to find a shared music language with the Icelandic musicians Ingi Garðar Erlendsson, Kira Kira, Borgar Magnason and Eiríkur Orri Ólafsson . They were joined by the 33 1/3 Collective, a group of visual artists from the Netherlands, who began to collect footage that would later be used as source material for the visual side of the performance.

Some months later, after a successful week of traveling to beautiful locations and playing music together, the group met again, this time during the Oerol festival on the island of Terschelling in the Netherlands, for a series of nine sold-out shows in an old church, all of which were being recorded. Each artist "curated" a rough plan for one evening, which could be anything from hand-drawn images to be interpreted musically to more precise plans of structures and combinations of musicians to be explored. Never were the notes, or the content of the music itself, discussed - this was instead left up to chance and developed through listening intently to each-other, trying to create an atmosphere where each player was vital, but where everyone always worked towards the whole.

After ten intense days on the island, all that was left were the memories of the audience and, luckily, a hard-drive with over ten hours of recorded music. After everyone had had a chance to listen back to rough mixes of each night and make comments, the material was taken to Greg Haines' Electricity Works studio in Berlin, where the long process of selecting, editing and mixing began. Finally, almost two years after that first initial meeting in Reykjavik, the album is complete and ready to be released into the world. We hope you enjoy it.

Participating musicians (in alphabetical order):

Ingi Garðar Erlendsson (Tuba, Trombone, Thranophone)
Greg Haines (Piano)
Kira Kira (Voice, Electronics)
Jan Kleefstra (Voice, Poems)
Romke Kleefstra (Guitar)
Borgar Magnason (Contrabass)
Eiríkur Orri Ólafsson (Trumpet, Electronics)
Sytze Pruiksma (Percussion)





Skeylja

Preorder / Buy

The Alvaret Ensemble, Kira Kira, E. O. Ólafsson, I. G. Erlendsson, B. Magnason - Borgarvatn

"Craco", from Hauschka's latest studio album, 'Abandoned City'. Get it today at www.smarturl.it/abandonedcity

Hauschka - "Craco" (Live from 89.9 KCRW — 4/22/14)

from 'Walizka' [CD|LP|DIGITAL]
Denovali Records · den201
available on all formats at [http://denovali.com/johnlemke]

Working across a variety of media John Lemke explores all things sonic through live performance, sound design and his work as a documentary film composer. The Walizka EP is his latest solo release on Denovali Records.

Three items in a suitcase, a clarinet, a looper and a microphone - is how it all started. 

A free improvisation with friend & collaborator Łukasz Bernacki (on clarinet) sparked John’s desire to bring his compositional and production approach back down to the most basic elements. Creating simple, yet distinctive rhythms only through tapping contact microphones run into noisy guitar amps became the base for the EP’s three tracks, consequently inspiring its live, lo-fi feel. Written and recorded between John’s native Berlin and his adopted home of Glasgow, Walizka (Polish for ‘suitcase’) somehow absorbs the defining atmospheres of both cities in its core.

Previously released digitally as a teaser for John’s debut album, the Walizka EP actually presents newer material, progressing the electro-acoustic nature of ‘People Do’ towards more dub drenched territories. Refining John’s blend of prepared piano and field recordings with hand crafted beats and swampy bass lines, this deeply moody and danceable release bends genres with refreshing ease.

The EP is furthermore enhanced by a second half of remixes by fellow Denovali artists Piano Interrupted, SaffronKeira and Petrels and the ever elusive Everyday Dust. Far from conventional remixes, these pieces fall more in the category of re-imaginations, complementing the EP’s first, more rhythm anchored half with a coherent ambient counterpart.

Written, performed, recorded & produced by John Lemke in 2013
Mastered by Alex Gámez at Störung Studio
Artwork by Łukasz Bernacki

Walizka

John Lemke - Walizka (Piano Interrupted Remix)

Buy Infinity Pools EP: http://smarturl.it/buyipools

Debuted on Stereogum here: http://bit.ly/1DAC8ZQ

What does the future of peace and quiet look like? Is it possible for someone to find serenity in a world where population mushrooms and buildings continuously jockey for the best possible view? With Kael Smith’s (Mombi, Khale) Mute Forest this dichotomy is at the epicenter of his 'Infinity Pools EP' due April 7th via Lost Tribe Sound. 

To coincide with visuals courtesy of Gregory Euclide (Bon Iver, Erased Tapes), Smith’s debut EP fuses acoustic sounds, mangled electronics and provocative lyrics across four meditative yet mesmerizing tracks. 

Serving as a companion piece to his expansive and sonorous LP, 'Deforestation', due later this year, Smith’s 'Infinity Pools EP' was actually written as a reaction to that material but will be released first.“ 'Deforestation' will in a sense be a prequel to the EP,” explains Smith. “And for listeners who follow along, should provide an interesting reverse narrative,” he concludes. 

“Crypt,” the EP’s opener, contains oscillating vinyl-sampled rhythms, chiming electric guitar and gently struck nylon guitar. Following that is the sparce and haunting “Volcanoes Flowing,” which traces a melancholy beat and slow, lovely piano crescendos to its heartbreaking conclusion. 

Darker in tone, title track "Infinity Pools" has a commanding presence using ominous electronics and damaged samples of Le Creuset pots being struck. Heavily processed and featuring vocals from Smith’s longtime girlfriend Kelly O’Brien, the track unfurls into a hypnotic groove over the chilling words “You’ll feel like an ember trilling/out in space.” 

Washing over the listener to conclude the EP, “Eat the Skin” originally started as an A Winged Victory for the Sullen remix of a song off of their recent LP, 'Atomos'. As the track progressed though, all of the layers performed by AWVFTS were eventually stripped leaving only acoustic guitar and Smith’s voice. “I like to pretend we wrote that song together, hopefully someday they will hear it” desires Smith. He uses the big, cavernous sound of acoustic guitar as base for unhurried, dulcet vocals and airy electronics. “I’ve always loved the big, acoustic sound of Seafood’s “Desert Stretched Before the Sun”“ explains Smith. “I really tried to emulate that deep resonate tone where the acoustic sounds like a tidal wave.”

All songs written, performed, recorded and mixed by Kael Smith (http://kaelsmithmusic.com) 
Kelly O'Brien backing vocals on "Infinity Pools."  
Mastering by Taylor Deupree at 12k Mastering 
Production assistance on "Crypt" & "Volcanoes Flowing" by Matthew Herron 

Original artwork by Gregory Euclide (http://gregoryeuclide.com) 
Copyright 2015 Lost Tribe Sound (http://losttribesound.com) 
Published by Settled Scores 2015 (ASCAP)

Buy EP

Mute Forest - Infinity Pools (from Infinity Pools EP)

Beyond l'appel du vide - 0tumn
2025

Carpe diem, peoples!

Beyond l'appel du vide

DORT UNTEN

Max Cooper live at Radialsystem on 6 March, 2015.

Space for experiments and special encounters: We are happy and excited about a night to remember at the sold-out hall of Radialsystem and the German premiere of Max Cooper's stunning audio-visual performance "Emergence".

Many thanks to Max Cooper, to a fantastic audience and our great staff for beautiful lighting and amazing sound.

Special thanks to Carlo Grippa for mastering this tune.
Recorded at Radialsystem, Berlin.
Published with permission of the artists.
Photo: Markus Werner.

If you like what you hear, support the artist!
www.maxcooper.net

Visit UM:LAUT on Facebook: www.facebook.com/umlautberlin

Max Cooper @ UM:LAUT - Origins (Live)

Buy / Stream Album: https://lnk.to/wsmsettlers

Follow WSM on Bandcamp: http://westernskiesmotel.bandcamp.com
 
'Settlers' is the new album from Western Skies Motel in a limited edition of 170 gatefold 180gram vinyl, CD and digital formats.  'Settlers' was mastered for vinyl and digital by Taylor Deupree, with master lacquers cut by Roger Siebel at SAE.  The first 50 Vinyl & CD's ordered come with a bonus EP, 'Generations' mastered by Kirk Marrison of Kiln.

In the dry desert of Arizona that Lost Tribe Sound calls home, a letter is received from guitarist René Gonzàlez Schelbeck who’s eager to share a collection of intimately composed songs, titled 'Settlers'. Upon listening, we are immediately enthralled. There’s a timeworn, arid, and almost badlands quality to Schelbeck’s hypnotic, cyclical guitar style. It seems to perfectly capture the lonely, barren landscape of the American West. 

Yet, there are curious dynamics at play here as Schelbeck, who makes music under the alias Western Skies Motel, is from Denmark and far removed from any upbringing in the rough-hewn Americana style of folk guitar. Conceivably, his music has more in common with the lonesome, calculated tone of Berlin's modern classical scene or the rainy day folk of the UK. Those are intriguing parallels, since the collective mood of Western Skies Motel's music would adapt so well to either environment. 

Words hardly do justice to the rich, immersive experience of 'Settlers'; yet a few may help to set the stage. Schelbeck is a remarkably well rounded instrumentalist, who spent his early days losing his hearing in local punk rock bands. This youthful love for walls of sound and discordant guitar squalls survives in his modern sound palette. However, a more mature approach to these techniques brings moments of palpable tension, adding in uneasy waves of guitar feedback and droning harmonium. 

But ultimately, the truth of what Schelbeck hopes to convey through his music may rest rmly in his subconscious. In hindsight, 'Settlers' is about moving between worlds: not in the dimensional sense, but more as a constant change in form. Each influence and sound Schelbeck incorporates into his music feels native to the delicate ecosystem of these songs and each turn feels as organic and nuanced as that of the natural world. Just as a tree’s leaves wither and fall; a fire sparks and expands only to expend its last bit of fuel, extinguished and left for ash. So true are the parallels we find in our own existence, the complex ritual of growing old and returning to dirt. Decay is inevitable for all life, yet through this it becomes the rich soil for all things proceeding. Western Skies Motel's weighty instrumental mantras may root in this and other meanings yet to be culled. One thing is clear, this music contains signicant power, and, regardless of our conceived themes or geographic locations, it tells a story that is lasting and instantly familiar. 

'Settlers' sees a 180-gram heavy weight gatefold release very similar to the recent Mute Forest debut, 'Deforestation'. The acetate and test pressings were scrutinized for anomalies on world-class vinyl setups at Arizona’s esteemed audio dealer, Arizona Hi-Fi.

Western Skies Motel is building upon a busy year in 2015, having released two very different full-length albums 'Prism' (Preserved Sound) and 'Buried and Resurrected' (Twice Removed).

Settlers

Whirl

Buy Album

Western Skies Motel - Whirl (from Settlers)

A piece to represent the perception of the acceleration of time as we get older

Summer

21 to 21

Jim Perkins - 21 To 21

Andrea Belfi live at Radialsystem on 16 April, 2016.

Enoy this great souvenir of Andrea Belfi's visit to the UM:LAUT stage. Back in April 2016 he opened two sold-out evenings with a solo show before supporting Nils Frahm and his Nonkeen band for their release tour kick-off at Radialsystem V. 

Special thanks to Andrea for the great performances, and for mixing and mastering this tune. And cheers to Carlo Grippa for the amazing sound and the recordings.
 
Recorded at Radialsystem, Berlin.
Published with permission of the artist.
Photo: Markus Werner

If you like what you hear, support the artist!
www.andreabelfi.com

Visit UM:LAUT on Facebook: www.facebook.com/umlautberlin

Andrea Belfi @ UM:LAUT - Live Snippet

Bugge Wesseltoft & Christian Prommer live at Radialsystem on 08 August, 2017.

Two extraordinary live musicians with a shared passion for experimentation and club music: Back on 08 August 2017, we had the honour to welcome Norwegian pianist Bugge Wesseltoft, a pioneer of electronic jazz, and the renowned drummer and producer Christian Prommer for an exclusive live session on the stage of UM:LAUT. We are happy to share one track of this amazing concert at the mighty hall of Radialsystem.

Special thanks to Bugge and Christian for the great performance, shout-outs to Sven Fobbe for making it happen, and cheers to Jan Gieseke for the amazing sound and the recordings.

"Lac"
Written by Bugge Wesseltoft
Performed by Bugge Wesseltoft and Christian Prommer
Recorded at Radialsystem, Berlin
Published with permission of the artist.
Photo: Markus Werner

If you like what you hear, support the artists!
www.ohsotrue.de/wesseltoft-prommer

Visit UM:LAUT on Facebook: www.facebook.com/umlautberlin

Bugge Wesseltoft & Christian Prommer @ UM:LAUT - Lac (Live)

múm is back in Berlin in February: After their celebrated performances in the last two years, the Icelanders return to the stage of UM:LAUT right in time for Berlinale. Get your tickets now: http://umlautlive.de/menschenamsonntag/

múm (Gunnar Örn Tynes, Örvar Smárason & Samuli Kosminen) live at Radialsystem on 12 February, 2017.

Together with the percussionist Samuli Kosminen, the founding members of múm, Gunnar Örn Tynes and Örvar Smárason, returned to the UM:LAUT stage to once again perform a splendid live score to “Menschen am Sonntag”, a masterpiece of silent film.

Special thanks to the artists for a great performance, to Carlo Grippa for the amazing sound and for mastering this tune.
Recorded at Radialsystem, Berlin.
Published with permission of the artist.
Photo: Jacob Hansen

The Alvaret Ensemble, Kira Kira, E. O. Ólafsson, I. G. Erlendsson, B. Magnason - Borgarvatn

Denovali

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