Right on. Stuff like this makes me glad I use what I have. I could shell out for a bunch of expensive gear, but why would I when my $20 field-recorder can get an oldschool sound like this?

This is great - nice work. Is the cover an homage to the Black Sabbath album Never Say Die?

Oh thank you thank you, I needed this badly = )

This has a slightly darker tone than what I've heard from your before, great work!

Great noises and vocals... Lend themselves well to the track feel

What a wonderful use of my and other tracks. Nice composition.

Mini album based upon the Bristol Hum phenomenon.
Korg Volcas, Moog Theremini and guitar.
All compositions and art by peter wessell.

The Humming part one

Meditation For Door, Gate And Strings

Indiesyme Yogurtin

The sound is inspired from the 80s. All situations, unfortunately, are personal experiences.

Makes Love Like A Dude

Out of the Box November 2022
She taught me how to yodel...

Elusive World #1

Mmm how to describe... a 130bpm experimental electronica techno track with a kind of 1980s Japanese influence.

FieldS

Fields

Tomorrow will bring something new, so leave today as a memory

Used samples:

Title: underwater ship propeller 3.45 PM 220920_0532.wav
Author: klankbeeld
Link: freesound.org/people/klankbeeld/sounds/680037/

Title: opening_shed_lock_5.wav
Author: strangehorizon
Link: freesound.org/people/strangehorizon/sounds/680217/

Used presets:

Title: Iterate Sample Slicer
Author: Andrei Olenev
Link: bitwiggers.com/presets/e4cf272b-b6ab-4787-805c-c51cc581d804/

Decompression

Quantum Supremacy

Francois Emmanuel Fodere Washington DC Metro Center Station Waiting

Metro/ waiting

ANOMALY

I started playing around with digital music creation in my early twenties, but I have always been haunted by a quote from Theo Parrish who said that he is "not comfortable with convenience replacing artistry", meaning that you need to put effort into learning and mastering the skills in order to bring something good. I studied computer science and have a passion for logics and programming and somehow my lack of any musical background has kept me from publishing any of my works.

Many years later I got inspired by an interview with Thomas Fehlmann where he explained how the focus in his work is not on the result so much but on the process itself. How the process is a "source of expression" and something he just feels he has to do. This resonated with me and I realised that it's ok to be an autodidact in music and it's ok to make music just for the sake of making music. I make music for me and if you, dear listener, like it along the way I'm very happy about that.

I am inspired by nature, natural processes and the interaction we have with them. Organic asymmetric fractal patterns that are rooted in logic but unpredictable as they express. How a particular stormy night can affect the shape and growth of a plant for years to come.

I use Bitwig Studio to create my tracks.

(I don't always respond with "thanks" to each comment but I read and appreciate all. If you have a question or really need a reply send me a message)

(With a few artists we run a little group on discord to discuss ideas and what not. The link is below if you're interested in joining)

Decompression

Derk Bell

Recent comments

klankbeeld

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Trevphonic

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