Used samples:

Title: 35 minutes of Port activity (almost)
Author: Ha Kékong
Link: soundcloud.com/user-957729823/35-minutes-of-port-activity-almost

Title: Vlissingen Coast Area Marine Radio NL 220221.ogg
Author: klankbeeld
Link: freesound.org/people/klankbeeld/sounds/626963/

Title: Gas1.wav
Author: Godowan
Link: freesound.org/people/Godowan/sounds/240462/

Title: rickety_mechanism_7.wav
Author: strangehorizon
Link: freesound.org/people/strangehorizon/sounds/680602/

Jettisoning Oxygen

I love creative music.  Music helps us to have good times, so necessary in the day to day. I hope my music fulfills that end.
  

i just love the creativity,its so rewarding in its self, myself being a work in progress/ I also consider my music to be the same...Love & ☮️ peace

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

Psych sounds, dub vibes and a whole bunch of FX in operation
SoundCloud collabs most welcome. Remixes, guitar bashing, conceptualising (a big word for a guitar player, I know) or whatever you have 😎

Member of the transatlantic music machine that is The Eclectic Collective

Member of Mid-Wales’ premier cheezepunk band The Recursives - watch us get down and boogie!!

https://youtu.be/f0CnN7FsIzM?si=4yCzlCMsylbIjKLx

https://youtu.be/E_tYwc83XPs?si=MjmQbwNeRpNXRhQS


Logo and cover art by Marianne

You may wish to check out my older dub based stuff here 
https://soundcloud.app.goo.gl/TwJYv9QgWsDdKNvu9

Main DAW :  Studio one pro 7    Mixcraft pro 10 studio    Ability pro 5

Hello dear Soundcloud listeners,

I'm still determined to continue producing music, the music of Pier Will, which can only be heard on Soundcloud and which can also be recorded... for now.

The world of music is rapidly moving towards a huge upheaval where the true musician will very quickly become "rare," or even more and more of a shadow, a peculiarity, a memory. This time is not so far away, as AI takes a predominant place in everything that touches us and surrounds us and in Music, this can already be heard very clearly!

Apparently, everyone is taking this lightly, and the few diehards are being sneered at as anti-progress terrorists, for now. I already have two work computers disconnected from the internet, which house my software and everything I need to work. No more updates for them to work properly... updates are only necessary if you need to connect! Another computer is dedicated solely to internet connection and will be used exclusively for streaming the tracks.

This decision has serious consequences for my production, as there are no more options to add anything to it. It's a gamble, but for me, it's an obligation to remain completely independent and free from AI.

Pier WILL - ❤️🕊️🙏

________________________________________________________________________

Bonjour chers auditeurs Soundcloud,
Je suis toujours déterminé à continuer à produire de la musique, celle de Pier Will, que l'on ne peut écouter que sur Soundcloud et qui peut aussi être enregistrée… pour l'instant.

Le monde de la musique s'achemine rapidement vers un bouleversement majeur où le véritable musicien deviendra très vite « rare », voire de plus en plus une ombre, une singularité, un souvenir. Ce temps n'est pas si lointain, car l'IA prend une place prépondérante dans tout ce qui nous touche et nous entoure, et en musique, cela se voit déjà très clairement !

Apparemment, tout le monde prend cela à la légère, et les quelques irréductibles sont méprisés comme des terroristes anti-progrès, pour l'instant. J'ai déjà deux ordinateurs de travail déconnectés d'Internet, qui hébergent mes logiciels et tout ce dont j'ai besoin pour travailler. Plus besoin de mises à jour pour qu'ils fonctionnent correctement… les mises à jour ne sont nécessaires que si vous avez besoin de vous connecter ! Un autre ordinateur est dédié uniquement à la connexion Internet et sera utilisé exclusivement pour le streaming des morceaux.

Cette décision a de graves conséquences sur ma production, car il n'y a plus aucune possibilité d'y ajouter quoi que ce soit. C'est un pari risqué, mais pour moi, c'est une obligation de rester totalement indépendant et libre de toute IA.

Pier WILL - ❤️🕊️
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A./No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________
*** Visit the collaborators' websites:

Kaerian @kaerian-1
E.P.Beats @lala-land-361191160
Special CECILIA @spacialcecilia

Yoshimayo’s music is characterized by a dreamy, experimental, and introspective fusion, blending soft electronic sounds with acoustic and organic elements. Although he remains relatively under the radar in mainstream circuits, what makes his music unique can be described through several dimensions:

🎼 Musical Characteristics of Yoshimayo:
Delicate and deep sound textures:
He creates highly immersive atmospheres, sometimes bordering on ambient music or electronic post-rock. The sound layers evolve slowly, producing an almost cinematic effect.

Emotional minimalism:
Few elements are enough to express a great deal. His music plays with the unsaid, with space and silence, often evoking an inner poetry.

Fragile and nostalgic melodies:
Melodic lines are often simple, almost childlike, yet always tinged with subtle melancholy. They evoke memories, daydreams, or meditative states.

Organic-electronic fusion:
Yoshimayo manages to blend synthetic elements (pads, drones, glitches) with classical instruments (piano, strings, soft percussion) without sounding artificial.

DIY / artisanal aesthetic:
The production sometimes intentionally sounds "handmade," yet with great care. This brings an authenticity that contrasts with the industrial standards of electronic music.

✨ What Makes Yoshimayo Unique:
A sonic identity that is recognizable within the first few seconds, without being showy.

An ability to evoke gentle, intimate, and contemplative emotions, far from mainstream conventions.

A rejection of the spectacular, which gives his music a quiet strength.

A coherent artistic direction, often accompanied by minimalist and poetic visuals.

https://www.instagram.com/yoshimayo317/

I started playing around with digital music creation in my early twenties, but I have always been haunted by a quote from Theo Parrish who said that he is "not comfortable with convenience replacing artistry", meaning that you need to put effort into learning and mastering the skills in order to bring something good. I studied computer science and have a passion for logics and programming and somehow my lack of any musical background has kept me from publishing any of my works.

Many years later I got inspired by an interview with Thomas Fehlmann where he explained how the focus in his work is not on the result so much but on the process itself. How the process is a "source of expression" and something he just feels he has to do. This resonated with me and I realised that it's ok to be an autodidact in music and it's ok to make music just for the sake of making music. I make music for me and if you, dear listener, like it along the way I'm very happy about that.

I am inspired by nature, natural processes and the interaction we have with them. Organic asymmetric fractal patterns that are rooted in logic but unpredictable as they express. How a particular stormy night can affect the shape and growth of a plant for years to come.

I use Bitwig Studio to create my tracks.

(I don't always respond with "thanks" to each comment but I read and appreciate all. If you have a question or really need a reply send me a message)

(With a few artists we run a little group on discord to discuss ideas and what not. The link is below if you're interested in joining)

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
MUSIC FOR FILMS & TELEVISION
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

As a kid starting play keyboards for fun. Then I played live piano in piano bars and restaurants. During 90s also compose and recording my first audio tracks. After a 20 years break I came back with more love for music creation especialy for electronic sound.

Bedroom producer since 2021. 
I try to avoid boundaries and blend all styles I like (indie rock, acoustic, prog, metal, ambiant, trip-hop, jazz, and also classical and even a bit of trad). As long as it sounds...

What I write today is ambiant / downtempo / ethnic tracks with a taste of darkness, and I'm also preparing something more energetic later... but that's a different story.

Working with Ableton and VSTs, this is mostly MIDI, only the guitar is (sometimes) real.

Please enjoy and comment what you like or not!

I'm also open to collaborations with other people, singer, instrumentalist or MAO producer like me, first being with my friend guitarist Thak Ghitar
https://soundcloud.com/thak7
Or XX roses that wrote the poetry: 
www.tiktok.com/@maux.damour

Jettisoning Oxygen

Derk Bell