Featuring:

Nynke: @wichita-nynke

Collaboration with Nynke who did these fantastic layers and layers of vocals and wind sounds!

Used samples:

Title: S39-12 Original Star Trek Enterprise Electronic bridge sound.wav
Author: craigsmith
Link: freesound.org/people/craigsmith/sounds/675381/

Passing Through (featuring Nynke)

All images by Myrsky Kotilainen

sampling cheap old vinyl on a bad turntable
Also featuring old cassettes and movies cds and all kinds of digital files - sample anything that moves!
Check out Kanttiaalto for more of the same:
https://soundcloud.com/kanttiaalto
a collab project: https://soundcloud.com/polyterror-252280638


More here:
https://audiomack.com/polysormi
https://mikseri.net/polysormi/
https://www.youtube.com/channel/UCQB4jsNnKIs_TPMQ8Z7XKlw
https://soundcloud.com/licensesupportinstaller

you can now download my tracks too! i might have to take down some of them so download your favorites before they go!

Imperfect sound forever!

Hello :) 

Music gives me so much and is an integral part of my life. I love to share music and I truly love making music. 

I would like to highlight two important influences on my music and sound:

Ronny Pries has an excellent view of the foundations of sound and music: 
https://youtube.com/@rktic909?si=RTtumA1IS8pYG_lG

Variety of sound has opened up my ears to what I should strive to make my music sound like
https://varietyofsound.wordpress.com/

Music and art are my favorite puzzles :)

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

Welcome to my world! 
It's getting bigger everyday.

My music isn't very categorised. I have quite some categories I think. I just want to make everything I think of when I hear synths and sounds and even sing along when I feel like.

A lot of experimenting, f*cking around and finding out, getting happily lost in the world of sounds 🥰 Meanwhile trying to master the endless possibilities of digital music making. FL Studio, a midi keyboard and me.

I am building this world to give an extra dimension to my current (musical) reality as a piano teacher and choir conductor.
🌬 Life is demanding and I need a way out sometimes (often!).

This summer I'll try to share more of that world. With almost 200 tracks on soundcloud it's time to go next level! ☀️

A big, big, big thank you for all my followers, supporters and all the creators here on Soundcloud. It's very inspiring and uplifting to hear and to be in touch with so many amazing musicians!

The discord Music For Cars Collective has raised me up to new heights, happy and proud to be a part of that now as well! 

Being selected to NEW18 in 2024 has reassured me to proceed this trip into electronic music 😍

Music has NO LIMITS, which suits me very much.

Also, check these playlists!
SPOTIFY open.spotify.com/playlist/43nfteePVKuzBEiq2e59v1
APPLE music.apple.com/gb/playlist/elect…l.u-06oxrExuBx5DX
AMAZON music.amazon.de/user-playlists/28…a-0653-d657-e53d7
DEEZER www.deezer.com/us/playlist/11801863981

The wallpaper on my profile is the reflection of the moon in the water, somewhere in the NW of Fryslân, the Netherlands, where I grew up 🙂

https://twitter.com/derwildre333
Searching Gast Dj with Mixen for MUTE UNDERGROUND REC
Ab sofort.Dark .Techno und New Wave ,and Gothic

Progressive Metal Guitarist, Drummer, Bassist, and Keyboardist.

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.
© All rights reserved. No promoters—I handle all my own production.

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

I started playing around with digital music creation in my early twenties, but I have always been haunted by a quote from Theo Parrish who said that he is "not comfortable with convenience replacing artistry", meaning that you need to put effort into learning and mastering the skills in order to bring something good. I studied computer science and have a passion for logics and programming and somehow my lack of any musical background has kept me from publishing any of my works.

Many years later I got inspired by an interview with Thomas Fehlmann where he explained how the focus in his work is not on the result so much but on the process itself. How the process is a "source of expression" and something he just feels he has to do. This resonated with me and I realised that it's ok to be an autodidact in music and it's ok to make music just for the sake of making music. I make music for me and if you, dear listener, like it along the way I'm very happy about that.

I am inspired by nature, natural processes and the interaction we have with them. Organic asymmetric fractal patterns that are rooted in logic but unpredictable as they express. How a particular stormy night can affect the shape and growth of a plant for years to come.

I use Bitwig Studio to create my tracks.

(I don't always respond with "thanks" to each comment but I read and appreciate all. If you have a question or really need a reply send me a message)

(With a few artists we run a little group on discord to discuss ideas and what not. The link is below if you're interested in joining)

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

Playing keyboards from 80s / Recording music from 90s. CHRIS JUNOS, based in Alexandroupoli, Greece, is known for his DAWless, live-recorded electronic music with a Balkan/Mediterranean influence, as seen in his earlier work ΕΛΕΚΤΡΟ-ΝΙΚΑ (2022), which blends ambient, synth-pop, and ethnic Greek elements, suggesting GREEK DRAMA may continue this unique fusion.

https://chrisjunos.bandcamp.com

Passing Through (featuring Nynke)

Derk Bell