Your tracks are getting more polished, diggin this one!

That's a great creation of sound derk! 🔥

The sound of the synth is working from here. It pleases the listener who expected good sound. I am happy too.

This is one of the dungeon tracks of the previous unreleased game Anthador.
I tried to create a desolate mood, referring to the desperation of the prisoners who have been captured or even died inside the dungeon's walls.

Ancient Dust

Revolution No Number

ein Auszug aus dem Hohelied in der Bearbeitung von Heinz Teuchert

Kol Dodi

Arcelexim

Signalling Depth

Mission Orange

A moment of your time please [96]

Such sights [4]

Never Saw A Pink Elephant B 4/Though/Just Saw A SoarN Flamingo

Sacred Dawn II – atmosphärische Synths, treibender Groove, hypnotische Energie.

Follow: @Gammelbear
Label: Schicksaal Records
More: https://www.youtube.com/channel/UCYwKrFXFUJRwVhCD1ocSghQ

Sacred Dawn II

[FRS013]

“Dark light”

Polish artist Butwho debuts on the label with a four-track EP carved from raw rhythm and shadow.
Dark, hypnotic, and functional — this release moves between tension and release, designed for deep rooms and late hours.
Each cut builds pressure through minimal structure and subtle distortion, revealing a producer focused on precision, groove, and atmosphere.
A debut built for the underground.

Pre-order now available on Bandcamp[LINK IN BIO]
Date release: 31-10-2025

Tracklist:

1.Venuse Pulse(Original Mix)
2.Cat Motor(Original Mix)
3.Deevoid(Original Mix)
4.BloomDani Duran Remix)



Mastering Freres Recordings

BUY NOW

Butwho - Venuse Pulse

I started playing around with digital music creation in my early twenties, but I have always been haunted by a quote from Theo Parrish who said that he is "not comfortable with convenience replacing artistry", meaning that you need to put effort into learning and mastering the skills in order to bring something good. I studied computer science and have a passion for logics and programming and somehow my lack of any musical background has kept me from publishing any of my works.

Many years later I got inspired by an interview with Thomas Fehlmann where he explained how the focus in his work is not on the result so much but on the process itself. How the process is a "source of expression" and something he just feels he has to do. This resonated with me and I realised that it's ok to be an autodidact in music and it's ok to make music just for the sake of making music. I make music for me and if you, dear listener, like it along the way I'm very happy about that.

I am inspired by nature, natural processes and the interaction we have with them. Organic asymmetric fractal patterns that are rooted in logic but unpredictable as they express. How a particular stormy night can affect the shape and growth of a plant for years to come.

I use Bitwig Studio to create my tracks.

(I don't always respond with "thanks" to each comment but I read and appreciate all. If you have a question or really need a reply send me a message)

(With a few artists we run a little group on discord to discuss ideas and what not. The link is below if you're interested in joining)

Signalling Depth

Derk Bell

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