classical

Toccando L'anima

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A seasonal track to wish all our fans a fantastic Festive Season and thank you all for your generous support.

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Bilde er tatt av satyamkurmarpe fra Pixabay

1959

بداهه‌ای از تعبیرِ یک خیال، یک رویا.

A Conceptual Reality

They become real family

Sheet Music: https://sebastianmorawietz.bandcamp.com/album/passage-of-time-free-sheet-music
Video: https://youtu.be/A-NPT_9SKG4
Hey, it’s me again!
This piece has a long history. I wrote it many years ago, back when I was living in Liverpool. The original title was Waterloo – named after the small seaside town just outside the city. I often took the train out there, just to walk along the shore and gather my thoughts.

The sea has always had a deep, humbling power to me – vast, strong, timeless. It teaches you humility. Being near it felt like standing next to something ancient and wise.

Recently, I rediscovered this piece and played it again. It felt like a quiet conversation with the sea – me asking, the sea answering. That’s how I shaped the sections of the piece: a dialogue between the searching and the still, the questioning and the calm.

The visuals in the video are simple – I’m still learning and experimenting – but they’re meant to hint at that inner process, that silent exchange with something greater.

Thank you for listening.

Yours truly,
Sebastian Morawietz

>> Video <<

Passage Of Time (Notes From The Shore)

A Crowded Room

Hey, it’s me again.

Today’s post is a quiet snapshot from a rainy afternoon in the studio. I was sitting at the Bechstein, playing around with textures and loops, and this short improvisation just happened — simple, moody, and full of echo.

It’s part of an ongoing shift I feel in my work: towards more atmosphere, more grain, more space. The setup is still evolving, but this recording captures a moment of transition — somewhere between felt piano and layered soundscapes. A loop emerged, and I followed it.

If you’d like to see the video version of this moment, you can find it here:
👉 https://youtu.be/p80XGK_ycoE

And as always — if it resonates, feel free to leave a like or share a thought. Thanks for listening.

Yours truly,
Sebastian

Another Loopy Rainy Day (Studio Diaries, Day 148)

Bach Violin Concerto No. 2 in E Major, BWV 1042: II. Adagio

The Restaurant

Select your favorite platform: https://ampl.ink/Tangible

"Minimal, elegant, graceful. The beautiful simplicity of ‘A Child Hugging The Tree’ is augmented by a sense of wonder and joy, stirring deep emotions; the sustained notes and elongated pauses allow the music to soak into every pore"

“The album Tangible was composed towards the end of the Covid lockdown. It’s inspired by personal reflection about real and virtual experiences; society has been forced to evolve in terms of how we relate to each other, and to spend a large amount of time staring at screens. However, as the poet Pedro Salinas reminds us: “You always live in your actions. With the tips of your fingers you press the world, you tear off auroras, triumphs, colors, joys: it's your music. Life is what you touch”. 
In this way, the album aims to evoke the strength and purity of the tangible – the experience of hugging, touching wet soil, or getting gently wet from a fine drizzle, arms open and looking up at the sky” B.S

“Right from the start, Bruno Sanfilippo’s Tangible is a blissful, serene dream. The record’s songs blossom gently, like an autumn sunrise, and convey a profound sense of joy and euphoria. Combining piano, strings, and minimalist electronica, there’s real beauty here too; fragile piano lines woven with soaring strings and soft synth washes. Yet Bruno doesn’t merely evoke deep emotions – his work is playful in places, imbued with a little mischief. It’s what gives Tangible its heart and humanity. Sinking into these twelve tracks is wondrously life-affirming, and confirms Sanfilippo as one of the best, most soulful pianists and composers in the world” Derek Robertson, freelance journalist and music writer: Guardian, Independent, NME, VICE, Timeout, The Quietus, The Face.

Recorded by Bruno at Onix II Studio · Barcelona · spring 2020
Analog Mastered by Ian Hawgood
Cover photo and layout CD by Ximena Contreras
Music Video by Aleix Font
Violin in ‘Amapola’ by Laura Masotto
Cello in ‘Amber Light’ by Antonio Cortesi
© ℗ ad21 · under exclusive license to Believe

www.bruno-sanfilippo.com

Tangible

A Child Hugging the Tree

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A Child Hugging The Tree

Cellist, composer, procrastinator.
I work with my other half, @dan-cullen writing music for sync libraries, film, TV and for the consumption of those who love a bit of cello in the mix.

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Deryn Cullen - Cellist

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