Music producer from Frankfurt am Main, Germany

DEW ~ Dane Wilkinson ~ #spiritoftruth
@dontheorist aka DonFireFly ~  #spiritoftruth 
@LightCollective9 #spiritoftruth @dontheorist_spiritoftruth

producer-poet-singer-songwriter-rapper-visual artist-storyteller-lover-builder of worlds.


-not on any social media-


With intent to build a world from the rubbles of a white supremacist end-stage capitalist hellscape, Love, Builder of Worlds uses all the creative skills they have available to them to do so with the hopes that love and self-expression will build the decolonized solarpunk world they dream of. 

I'm part of an art collective:
https://ololufe-collective.ghost.io/ 

business inquires: lovebuilder@groupmail.com

LoveBuilderOfWorlds.blog

Formed in 2001, Fear 2 Stop consists of Billy & Dana Castillo, along with daughter Jaymie (b.2007) , cofounder Raymond Proseus, and friend  Dean Entwistle . Mixing influences as diverse as Brian Wilson, Clairo Skating Polly , hip hop, and new wave, Fear 2 Stop is unlike any group out there. 20 years and still going strong...and in fact better than ever...

Please follow us on Spotify
https://open.spotify.com/artist/73KKOSabTX4NzHfcvLhYHY?si=GUmoxTM4R-O9zTNYuddVUA&dl_branch=1

HOWQUE is a masked sound project exploring the space between shadow and soul.
A fusion of dark pop, cinematic rock, and emotional storytelling.
Each sound is a reflection — of freedom, control, instinct, and the quiet noise within.

Created by Hauke Wolff, HOWQUE stands for transformation through art —
where music becomes myth, and the wolf finds its voice.

New Single Rumour released on 31/10/25 
https://distrokid.com/hyperfollow/juliehicklinandalanelettronico/rumour
Pop-Dance, House, Pop-Noir, Cinematic, Melancholic, Melodic, songs/soundtracks for life. 
JULIE HICKLIN is a London based Singer/Songwriter with a gift for top line melody and hook lines. 
Julie’s voice is a sensual, versatile partner for many genres including Electronic Pop, Nudisco, House, Afro House, Indie and EDM. 
She has collaborated with numerous producers, musicians and writers and provided material for labels including Mutesong, Polygram, Botchit, ZTT and Warners, Julie has also written top lines for TV ads including Evian, Freshbrew and Fabergé, pitched for major ad campaigns and showcased on BBC Soundtracks. 
From slow burning, dancefloor friendly tracks to haunting ballads, they are soundscapes for film, TV and a sonic journey of life, love and human experience.
Julie regularly collaborates with Las Bibas Br. and Layykah.
Contact : info@juliehicklin.com

SE IL NOME DELLA BAND PUO’ SEMBRARVI  STRANO SIETE LE PERSONE GIUSTE ,ESSO E’LA FUSIONE DÌ DUE PAROLE BEN DISTINTE YOGY, IL MAESTRO IL GURU LA MENTE MA NON IL BENE E YETY LA BESTIA L’ANIMALE  L’ISTINTO UMANO MA NON IL MALE QUINDI LA FUSIONE  TRA LA RAGIONE E L’ISTINTO ANIMALE CHE E’ IN NOI.

LA LORO STORIA E QUESTA:

CRESCIUTI A LOADSTONE SI ERANO CONOSCIUTI DOPO CHE IAN AVEVA MESSO UN INSERZIONE PER FORMARE QUELLA CHE POI SAREBBE DIVENUTA LA LORO CREATURA, SCRIVENDO SOLO COSI: ”CERCO MUSICISTI PER TROVARE IL SUONO PERDUTO ALLA RICERCA DEL IL SUONO PRIMORDIALE DEL VAGITO DEL MONDO E VOLEVANO FARLO ATTRAVERSO LA LORO MUSICA”.

“LASCIATE OGNI SPERANZA O VOI CHE’ ENTRATE… “ ….A LOADSTONE, PICCOLA CITTADINA AI PIEDI DELLA CITTA FANTASMA DÌ RHYIOLITE NEI PRESSI DÌ ZABRISKIE POINT NELLA VALLE DELLA MORTE, TUTTI LA CONOSCEVANO, MA PIU’ CHE UNA SALA PROVE QUELLA DÌ IAN,JIN, MARS, E COSMOS  SEMBRAVA UN LABORATORIO ALCHEMISONICO, PREGNANTE DÌ RELIQUIE ROCK RINVENUTE COME ARCHEOSONICI RICERCATORI INTENTI A SCOPRIRE  L’ORIGINE DEL SUONO, DEL SUONO AUREO PERFETTO, IL SUONO FILOSOFALE DOVE IL SUONO NON SI CREA NON SI DISTRUGGE MA TUTTO IL SUONO SI TRASFORMA, E TUTTO TRASFORMERA NEL CORSO DELLE LORO VITE.

Indie, Acoustic & Psychedelic music from The Western Isles of Scotland.

From the windswept landscapes of the Outer Hebrides, flakebelly shapes songs that wander between psychedelic indie rock, folk-jazz, and the ever-changing soundscapes of imagination. His music evolves in style and texture with each project, guided by a self-contained ethos that allows sound, tone, and method to develop freely.

His track In Parks Of Tall Trees was a first ripple from an avalanche of ideas, finding its way to Tom Robinson’s BBC 6 Music Introducing Mixtape. From first picking up a guitar in the late 90s and stumbling through formative songs in the early 2000s, flakebelly’s path has been one of constant diversion and reinvention. Early singles collections - The Orkney Tapes (2022) and The Christmas Morning Outcome (2023) - were restless, experimental documents of sound-searching, sketchbooks where ideas were tested, broken apart, and pieced together again in pursuit of a voice. Those experiments fed directly into the indie-folk EP Behaviours (2022), the rough-edged Lo Fidelity (2024), and the kaleidoscopic album Apprentice Green (2024), described by SNACK Magazine as “like being Alice in Wonderland, transported through a maze of moments in flakebelly’s imagination.”

Next came The Boy In The Diving Bell, a 17-track reckoning with past ghosts, unfinished business, and fragments of memory that refuse to settle. It is a psych alt-folk soup of acoustic laments, fractured tape loops, and warped dreamscapes. Much of the sound was dragged through the teeth of a battered 1960s reel-to-reel, used not as a recorder but as an instrument - reels halted, jolted, rewound, coaxed into blurples, screeches, and ghostly echoes. Mistakes are left in, first takes are preferred, imperfections celebrated. The result is an antidote to the sterilised sheen of digital perfection and the creeping spread of AI-reproduced music: deliberately irregular, defiantly human.

A new project, reaching its final stages and due for release next year, moves further into abstraction, focusing on tone, atmosphere, and structure. Each track is built from rhythm outwards - drums laid down before anything else is written - then opened out through layered drones, modal washes, and experimental harmonies. Sounds are pushed through tape machines, junked mixers and vintage outboard gear with vinyl fragments, warped loops, and degraded textures folded into the arrangements. The compositions are shaped largely free from conventional chord structures, allowing tonal colour, texture, and physical sound to guide the music. Some tracks are instrumental, while others feature vocals that form a subtle, cohesive thread across the album, hinting at a psychologically connected narrative.

True to his solitary instincts, flakebelly writes, records, and produces everything from his home studio, Flaming Jangle Studios. The result is music that feels lived-in and handmade - always evolving, never fixed, and forever searching for new shapes in the sound. Each project is a self-contained exploration, a long-form investigation into method, tone, and emotion, allowing flakebelly to continually reinvent his approach and maintain a music practice that is as exploratory as it is personal.

All socials: @flakebelly //

"Extensive and wildly eclectic sonic adventures" - Tom Robinson, BBC 6 Music

"flakebelly is ultimately the sort of the artist we need more of – a genuine weirdo-auteur carving his own path purely for the love of the game." - Lewis Wade, Is This Music?

"Refreshingly individual and very likeable" - Neil March, Trust The Doc Media

Welcome! I'm Daniel, the man behind DVous Music. I'm an award-winning musician who started my music journey at 6. It's been quite an adventure, having performed in solo and band gigs. My first album, Intensity Project, was released in May 2021, and the second, Symphony Dementia, launched in 2023. Since then, I've released several songs that have been very popular in the pop, lo-fi, EDM, classical, and jazz scenes. 
 
I performed in a national competition that the late music great Marvin Hamlisch was judging, and my band came in 2nd. I have over 40 years of professional experience as a performer, composer, and producer with formal training in Jazz and Classical. Pat Metheny, Jean-Michel Jarre, Chick Corea, Tangerine Dream, and Mannheim Steamroller are some of my inspirations.
 
DVous is pronounced, "devious." My initials are D.V. and my style deviates from the norm. My music is available for syncing and licensing. Contact me directly at dvousmusic@gmail.com or call 724-998-7139. My website is www.dvousmusic.com.

Followers of Desai