Peter Irock, was born  1959, but has lived for many years in Tessin, Switzerland. At age 16 approaches as a self-taught in music with an emphasis on keyboards and synthesizers; immediately understand that from now can not do without of the world of sounds always innovative.
In those years, however, is determining the influence of big names in the electronic music world, such as Vangelis, Tangerine Dream, Klaus Schulze, Isao Tomita, Wendy Carlos, Jean Michel Jarre, have Peter, who is very fascinated by their compositions and sound , from which it will seek to maximize learning possible.
In 1977 Peter bought his first synthesizer with whom he began to approach to electronic music, made ​​at the time of analog keyboards, sequencers, cables, knobs and switches. Acquire a good knowledge and experience, and began performing in concerts as a soloist until the meeting with the Swiss musician Lionel Ferrazzini; with him will create the duo "Fairlight" to their audience by presenting concerts of electronic music with cosmic clear stylistic references to the various Jean Michel Jarre, Tangerine Dream and Klaus Schulze. After some time, Peter returns to perform as a soloist and his artistic
leads him to meet with Gianni and Vittorio Nocenzi, composers and keyboardists of the historic Italian group "Banco" (better known as Banco del Mutuo Soccorso) .Peter will have at that time the opportunity to play as a supporter during some dates of their tour.
Later, he wrote several music, and commercials for some companies and television documentaries. Among his teachers, Peter loves to remember also the great authors of scores of the past and present as Piero Piccioni, Armando Trovajoli, Ennio Morricone, musical guides that have always accompanied by emotionally and musically 'childhood to today.

In the 2010 he made a CD , "The Return" where he made all the arrangements on the music of the musician from Locarno, Mr. Fiamm, in electronic key. In 2013 he wrote the music and recorded the album in the company of navigation on the Rhine, "The Schaffausen Boat" presented at Schaffausen during the inauguration of an important ship of the fleet. He has collaborated with musicians and recording studios especially in the Canton Ticino, Switzerland, as a composer, arranger and realized musics "on demand" for any theme or event, thanks to his skills and knowledge of his instrument : THE SYNTHESIZER.

Spiritual, Electronic, Fusion, Pop, Jazz, Cinematic, Soundtrack, Ambient Music 

There really is NO RULE to making music. It's Artistic and Imaginative. I create experimental expressive compositions of many "genres" of music that mesmerize and stimulate your soul and spirit with precise workmanship of synthesizer technology fusing orchestral elements, electronic rhythms, classical motifs, ethereal atmospheres, synthesized backdrops and forayed vocals. This music is unique and diverse.  It is head bopping, exhilarating, emotional and uplifting.                                

She’s a skilled and sought-after collaborator at her core, sharing countless stages and recording credits with some of Canada’s best-known artists since her teens; now, PEI indie pop powerhouse KINLEY has adapted that approach into her solo work – and is delivering the most compelling material of her decorated career as a result.
Daylight, her third full-length release, is something of a masterclass in musical dynamism, drawing obvious influence from past projects but with a newfound energy and earnestness. As for where those fresh components come from, put simply, KINLEY isn’t afraid to wear her heart on her sleeve.
“Songwriting is an important outlet, almost like a form of therapy for me,” she shares candidly. “It really feels like I’m writing in my diary, but it comes with rhymes and melodies. And I guess now, another difference is I don’t care if I don’t come across as the cool kid.”
Admittedly, a global pandemic offered plenty of emotional fodder for the album – especially since, for KINLEY, it was laced with a breakup; a sometimes comical, others tragic dip into the dating scene; and ultimately, a new romance. As such, the spectrum of themes covered is wide and diverse, but what’s more, the same can be said for the soundtrack that anchor it and its list of contributors.
Daylight flows effortlessly from tropically tinged indie pop to affecting folk to driving dance music and much in between. Of course, as a multi-genre multi-instrumentalist, she can capably cover that ground, but KINLEY is at her best when collaborating with others – and she knows it.
“I’ve been super fortunate to be a part of a lot of different projects, and I love reciprocating that and bringing other people into my workflow,” she explains. “I like working with people that I vibe with or that I’m a fan of, and always happy to give them creative control of their parts. I think that makes for the best results.”
While she worked most closely with Paper Lions guitarist and award-winning studio maven Colin Buchanan, Daylight features additional co-productions and co-writes with country music kingmaker Jason Barry, songstress and composer Steph Copeland, East Pointers guitarist Jake Charron; and Juno-nominated genre-bender Maïa Davies.
Evolving and expanding on her heralded 2016 debut Letters Never Sent and its self-titled, statement-making follow-up in 2020, KINLEY’s fresh sounds on Daylight coincide with a fresh approach to her music career.
“I really embrace the title of ‘recording artist.’ I love writing songs and being in the studio, then marrying music and visuals,” she explains. “The live part isn’t as important to me.” As a result, KINLEY is focused more on choreography, content creation, and sync opportunities in movies and media than touring her solo material.
After all, she put in her time as a member of beloved East Coast collective Hey Rosetta!, her later pairing with cousin Liam Corcoran of Two Hours Traffic as The Express, plus stints and studio sessions with the likes of Kathleen Edwards, Fortunate Ones, Rose Cousins, Jenn Grant, Laurent Bourque, Madison Violet, David Myles, and Matt Mays, to name a few.
Since her solo breakout, she’s earned multiple ECMA and Music PEI Awards, had songs propel major ad campaigns, and used her growing popularity and platform to draw international awareness to causes close to her heart – particularly those focused on women’s rights and prosperity, becoming a community leader and revered public voice in the process.
“Advocacy is a big and important part of my life,” says KINLEY. “I’m someone that can speak out. I’m my own boss, and if I can use my music or words to amplify a message and be a voice for someone that needs it, then I feel like I have to.”
She got to this point lending her touch to dozens of landmark albums and performances with other artists, but in 2016, KINLEY took a microphone all to herself. Now, she has a growing faction of followers eager to hear any music or message she might send through its capsule, and Daylight does right by them all.

Canadian singer-songwriter Rachel Beck’s sophomore record, Stronger Than You Know, is an echoing cry-out from a forest, a chilling dance upon a grave, an arrow shooting straight to the heart of what is, a call to strength. Intimate and close, the six-track EP, produced by Daniel Ledwell, is sonically decorated amidst compelling electronic rhythms and dreamy synth layers. Beck’s vocals float across the vivid, harmony-laden, ethereal soundscape for which she has become known.

Stronger Than You Know follows Rachel Beck’s self-titled debut, which garnered​ two ECMA nominations, two Music PEI Awards​, and a SOCAN #1 Award for single Reckless Heart (#1 on the CBC Music Top 20 Chart in March 2018). Tour highlights include performing for Their Royal Highnesses The Prince of Wales and Duchess of Cornwall, appearing twice at the legendary Stan Rogers Folk Festival, opening the 2019 ECMA Gala Awards Show, and playing beautiful festivals and stages across Canada, from the Rogue Folk Club in Vancouver, BC to the Imperial Theatre in Saint John, NB.

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"A big sound from a little island."
(Raina Douris, Mornings on CBC Music)

"Another graceful set from the P.E.I. singer-songwriter, with more of the electro-pop sheen courtesy of producer Daniel Ledwell. Beck's rich, haunting vocals always deliver an emotional punch, something ethereal and uplifting and a tiny bit mystical. The songs range from empowering to romantic, with gorgeous, piano-based melodies. Lead single 'Warrior' is a showcase for Beck's songwriting skills -- danceable, beautiful, but filled with strength -- a modern feminine anthem."
(Bob Mersereau, Top 100 Canadian)

"Captivating and dreamy vocals"
(Ottawa Life Magazine)

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