Stunning work. I want to live in a world that feels the way this music does.

Gorgeous, free, flowing, renovating, energising, caressing, liberating.......

From the album, 'Public Flowers,' out now on Second Language Music  : http://www.secondlanguagemusic.com/


Robin Saville - In Konik Mokkin

Videoclip: https://www.youtube.com/watch?v=n9AwSow5MOU

Rainy Day

Taken from 'Collected Pieces' by Mary Lattimore, out April 14, 2017.

Order Links:
The Ghostly Store: https://goo.gl/xXKSXW
Retailer of your choice: https://Ghostly.lnk.to/ml-collected-pieces

Collected Pieces

Mary Lattimore - Wawa By The Ocean

Taken from 'Collected Pieces' by Mary Lattimore, out April 14, 2017.

Order Links:
The Ghostly Store: goo.gl/xXKSXW
Retailer of your choice: Ghostly.lnk.to/ml-collected-pieces

Mary Lattimore - The Warm Shoulder

from the "Labyrinth" LP / CS (NNF340)
Not Not Fun / 2017

MAP THE LABYRINTH: 
https://xyrmusic.bandcamp.com/album/labyrinth
https://midheaven.com/item/labyrinth-by-xyr

X.Y.R. "False Angel Lullaby"

From Joseph Shabason's debut Aytche available August 25th from Western Vinyl

Pre-Order Aytche:
Bandcamp https://josephshabason.bandcamp.com
iTunes https://itunes.apple.com/us/album/aytche/id1245245891?ls=1&app=itunes
WV http://westernvinyl.com/shop/wv165

Joseph Shabason
Twitter https://twitter.com/JosephShabason
Instagram https://www.instagram.com/josephshabason/

Saxophonist and composer Joseph Shabason’s debut Aytche builds a bridge off of the precipice his forbears established, skirting jazz, ambient, and even new age with the same deliberate genre-ambiguity that made their work so interesting.

Aytche is a document of exploration both inward and outward. Every step taken in sound-design mirrors a stride in emotionality, as Shabason employs a variety of effect pedals to coax rich moody textures from his instrument.  He explains, "I feel like robbing the sax of the ability to shred by effecting it and turning it into a dense chordal instrument really helps the instrument become something that it's not usually known for."  Aytche deals with themes of degenerative illness and assisted suicide with eloquence that instrumental music rarely achieves regarding any subject, much less such difficult ones.

Album highlight “Westmeath” approaches Aytche’s subject of inspiration head-on. Here, the album’s only verbalization appears in the form of an interview with a man discussing his father’s trauma and eventual suicide after surviving the holocaust.  Though we only hear a few obscured words and phrases from the interview, the impact is powerful.  For Shabason, whose grandparents survived the holocaust, this selection is anything but frivolous.

Aytche

Joseph Shabason - "Tite Cycle"

This EP was recorded around a documentary film "Papa Hédi", that looks at the life and legacy of celebrated Tunisian musician Hédi Jouini. 
We started writing the score in the summer of 2011 as specific cues for the film and using short samples from Hédi's music. 
In the autumn we decided to develop the cues to make full tracks and the results are on this record. 

Hédi

from the album 'semblance' available on kranky 07/20

semblance

forma 'new city'

One of the pieces I wrote as part of the score to the 2012 documentary film, "Outliers Vol. 1: Iceland".

More info here: www.outliersiceland.com

Black Beach (Outliers Vol. 1)

The Space Between

Golden Cloud Layers

Edited Version of You'll Be Fiiinnne, taken from The Withdrawing Room LP (Pathway006)

Seek solace. Be still and drift. Withdraw and be there. There. Inside. A chair awaits. A beginning built from an ending, from leaving, from afar. In times such as these, The Withdrawing Room is a safe haven to leave behind all that weighs heavily and surrounds us. We remark how comfortable the chair is, how exquisite the view is outside the window, the aroma, the breaths to be taken as you become aware of the minutia all around you and the sounds emanating from Mary Lattimore’s harp, warming your feet, your hands, your heart. Breathe. Previous collaborations have seen Mary matching wits with such esteemed luminaries as Thurston Moore, Meg Baird, Kurt Vile, Ed Askew, Fursaxa, and Jarvis Cocker. But for this debut work, Mary sequestered herself in a room, much like this one, to kindle three distinct works for keeping the listener company as he or she enjoys the view. The nuanced notes of the harp strings sing and reverberate amid subtle electronics courtesy of Jeff Zeigler on the 24-minute long piece “You’ll Be Fiiinnne;” “Pluto the Planet” meanders at a slow and steady pace as the sun makes its way across the sky and the gentle plucks of the silk and steel resonate within, beyond; the closing chaos of “Poor Daniel” charts a recklessness that embraces the listener as he or she quietly makes their way out of the room to tackle the world anew.

CREDITS + INFO

Recorded and mixed by Jeff Zeigler at Uniform Recording
Mastered by James Plotkin
Artwork by Becky Suss – 76 Meadow Woods Road, oil on linen, 72 x 120 in
Design by Chris Koelle
Mary plays a Lyon & Healy Style 30 harp and Line 6 looper
Jeff plays the Korg Mono/Poly on Track 1

Mary Lattimore - You'll Be Fiiinnne(Edit)

desire path recordings

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