Cogito ergo sum is a previously unreleased instrumental demo by DestKorn, created in June 2024. The piece is built on the intimate interplay of cello and piano, carrying a melancholic and almost fragile atmosphere. It was never released anywhere – only here, exclusively on SoundCloud, you can listen to it.
Please forgive if the pitch or sound quality isn’t perfect in every detail – this demo is a raw glimpse into my creative process, capturing the unpolished essence of that very moment.

The instruments were created using EastWest and Spitfire Audio libraries, capturing the distinctive character of cello and piano.

The title Cogito ergo sum translates to “I think, therefore I am.” It was chosen because this work is more than just an instrumental – it is a thought, an existential truth transformed into music. Each note is part of that thought, a silent dialogue without words. By listening, you give life to this thought and carry it forward.

Cogito ergo sum ist ein bisher unveröffentlichtes Instrumental-Demo von DestKorn, entstanden im Juni 2024. Das Stück basiert auf der innigen Verbindung von Cello und Piano und trägt eine melancholische, fast intime Stimmung in sich. Es wurde nie veröffentlicht – nur hier, exklusiv auf SoundCloud, könnt ihr es hören.
Bitte verzeiht, wenn die Tonlage oder die Soundqualität nicht in jeder Nuance perfekt ist – dieses Demo ist ein direkter Einblick in meinen kreativen Prozess und spiegelt genau diesen rohen, unverfälschten Moment wider.

Die Instrumente wurden mit Libraries von EastWest und Spitfire Audio umgesetzt, um den besonderen Klangcharakter von Cello und Piano einzufangen.

Der Titel Cogito ergo sum bedeutet „Ich denke, also bin ich“. Er wurde gewählt, weil dieses Werk für mich mehr ist als nur ein Instrumental – es ist ein Gedanke, eine existenzielle Wahrheit, die in Musik verwandelt wurde. Jeder Ton ist Teil dieses Gedankens, ein stiller Dialog ohne Worte. Durch euer Zuhören wird dieser Gedanke lebendig und weitergetragen.

Credits
Music, arrangement, mix & master: DestKorn / Lyrics : 
Vocal rendering: 
Artwork: DestKorn
℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
SenneRecord 2025
Unauthorized use, reproduction, or distribution is prohibited.

Cogito ergo sum Demo

Music | Remixer | 


https://youtube.com/@dramanticmsc?si=CHKw4MoGhfK2LVQd

The piano is not just an instrument; it is a storyteller. My lifelong companion. Each piece holds the memory of a moment in time, of a period in life. Here, I share my personal journey—one miniature, one experiment, one story at a time.

I’m Konrad Spittelberg, 52 years old. Though I’ve always called Vienna my home, I have pursued various interests, building an interdisciplinary background that spans education in Latin and Greek, studies of Mathematics, Physics and Economics and a carreer in Consulting and Risk Management. Sometimes, you might also find me immersed in games of Go, Chess or D&D. 

But only when I’m not making music. Of course. Still then, all of my interests have shaped the way I think — and, in turn, the way I compose.

The instrument of my life is the piano. I play it since the age of six, the first 16 in music school with my dedicated teacher Margarete Gerlach (and also thanks to the city of Vienna to the incredible publicly funded music schools!). My piano playing saw multiyear interruptions due to travel and workload. But in recent years I’ve found the time to pursue my passion again—with renewed joy. I devote many of my evenings to developing, refining and rehearsing my piano miniatures. 

I inhale music wherever I find it. In the echoes of Renaissance motets or contemporary cluster music with my local choir, which I joined 30 years ago. In music running in the background of a fashion store which I Shazaam for later enjoyment. Or live concerts - there are so many gifted artists in the world! 

My music is a dialogue between tradition and exploration. Rooted in classical and romantic traditions, it ventures into jazz, rock, and pop.  I love to experiment—playing with unexpected tonalities, syncopated rhythms, and dynamic contrasts. My compositions often evolve through shifts in tension, rhythmic complexity, and harmonic modulations, sometimes venturing across the circle of fifths. I’m also diving deeper into the art of mastering, an area where I still have much to explore.

If my music speaks to you, I’d love for you to follow my journey. Follow along, share your thoughts—whether in appreciation or in challenge. Music, after all, is meant to be a conversation—and I’d love to hear your voice in it.
Enjoy your time with my music! 
Contact: konrad.spittelberg@gmail.com
Spotify and Youtube: https:\\konrad-spittelberg.carrd.co

Thanks for the support on my main page DestKorn!
Vielen Dank für die Unterstützung auf meiner Hauptseite DestKorn!

Ionut Mirel Udrea (Member Of APRA/AMCOS) is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

Hi & welcome.
thx for visiting & listening to my music.

i jump between genres depending on my current mood, so don't wonder if you find some different and weird tunes 😂

I don’t create my songs with AI.
For me, every track has to grow through its own process, and that simply takes time. That’s where my soul flows into the music.

That doesn’t mean my songs are better or more sophisticated – I’d rather you form your own opinion.
As for vocals, I have to rely on loops, since illness keeps me from singing myself. Often, I discover a vocal line first and build the song around it. This means I sometimes have to compromise on the lyrics, so they don’t always mirror my personal outlook, mode of expression or poetry. Still, it’s important to me to share this truth.

Some various loops and most vocs from loopcloud.

All tracks composed, edited,
arranged, mixed @ mastered by J O R D I .
____________________________________________

I come from a musical family and was introduced to different instruments at an early age. The one that stuck with me were the drums. Various bands, gigs in small clubs. Even though, for lack of time, I didn’t actively make music for many years, music has always been one of the few constants in a turbulent life.

For the past few years, I’ve been seriously ill and slowly but surely on the home stretch. Since I can no longer play drums (I’m connected to a ventilator 24/7)
i started working with a DAW in 2024. It has become an important part of my life, my way of still creating something when my hands no longer can.

Here on SC there are so incredibly many amazing artists and people from all parts of the world … for me, it’s my universe. And the certainty that something is always possible, no matter how bad things get.

"In the midst of the deepest winter, I finally realized that within me lay an invincible summer…"
A. Camus


Stay strong - Fight fascism!
STOP TRUMP ❗️

Michael - 2024

Hello and thanks for visiting my page. I am a lyricist who enjoys collaborating in multiple genres.

I've been fortunate to work with several talented musicians and vocalists. I hope you enjoy the songs we have created.

Hit me up if you would like to collaborate. I typically write lyrics first but can write to music as well. My preferred genres are rock, metal, pop, Americana and country, but I am open to other genres as well.

1/3 of Hell Feeder  https://soundcloud.com/hell-feeder
AKA Babalon Anon https://soundcloud.com/babalon-anon
https://soundcloud.com/babalon-anon-spoken-word
Additional Audio Tweaking https://soundcloud.com/rexoid-1

Experimenting with rhythm and sampled sounds. 
Moody Industrial grooves and dark soundscapes.
Direct message regarding remixes. 

Reposting:
Dark Ambient, Industrial, Hip Hop, Spoken Word, Trap, Dubstep, Classical, Soundtracks, Ambient, Dark Folk, Future Garage, Hardcore Techno, Drum & Bass, Breakcore, Drumstep, Speedcore, World, Contemporary Classical, Miniatory, Martial, Electro, Electronic, Ska, Dancehall, Electro-Swing, Experimental, Lo-Fi, Soundscapes, Old School Jazz & Blues, Noise, Trip Hop, Rap, Alt Rock, Baroque, Bassweight, Drone, Downtempo, Gypsy Swing, Ritual, Orchestral, Choral, EDM, Dub, 8-Bit, Operatic, Doom Metal, Grime, Afro-House, Chamber, Filth, Krump, Duduk, Bhangra, Breakbeat, Tribal, Mixes, Turntablism, Found Sound, Field Recordings, Post-Rock, Cloud Rap, Gabba, Schranz, Musique Concrète, Hauntology, Mash-Ups, Screwed N' Chopped, Bro-Step, Witch House, Glitch, Ragga, Atmospheric, Cinematic, Chip-Tune, EVP (Electronic Voice Phenomena), Piano, Prepared Piano, Lindy Hop, Latin, Plague Wave, Jungle, P-Funk, G-Funk, Jeep Beat, Performance Poetry, Slam Poetry, Storytelling, Podcasts, Moombahton, Reggaeton, Rare Groove, Dungeon, Drill, Big Beat, Modulation, Dream Pop, Drift Phonk, Neo-Classical, Halftime.

"The spectator views that which you have created.
The artist perceives that which you sought to achieve."
Babalon Anon

.
International Vermin Consortium
.
.
The vermin will outlive your grand children's grand children.
Like Mickey Mouse the vermin is immortal.
: )
Antifa is my cousin.  I heard some people were looking for her.  Since I like to be helpful when I can, she was in Alexandria last time I talked to her, three weeks ago.  I think she mentioned going to Zurich in the near future.
.
...
Is it 1984 already?!?!
...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Bristol Born And Dread,
Producer , Composer , Artist . I do not use AI to generate my music
This is my music please enjoy 

XXXX

Cogito ergo sum Demo

Harmonic Echo⚡Repost⚡