Mixes

Der Plattenkoffer auf detektor.fm – jetzt auch als Podcast auf allen Plattformen verfügbar. Dieses Mal mit Dj Balduin (@dj-balduin), Betreiber des Labels GLYK (@glyk-musik).

Tracklist: detektor.fm/musik/plattenkoffer-mit-dj-balduin
Spotify: open.spotify.com/show/2ipm1qxlJ23Qx6xmdQmDI5
Apple Podcasts: podcasts.apple.com/de/podcast/plat…er/id1537111367
Deezer: www.deezer.com/de/show/1911602
Google podcasts.google.com/feed/aHR0cHM6Ly…GF0dGVua29mZmVy

Beim Plattenkoffer spielen uns DJs und Musiker ihre Lieblingstracks vor und erzählen die Geschichten, die sie mit den Stücken verbinden.

Alle Folgen vom Plattenkoffer auf einen Blick: detektor.fm/serien/plattenkoffer

Plattenkoffer: Dj Balduin

CHRIS LIEBING on:
- Instagram: www.instagram.com/chris_liebing/
- Facebook: www.facebook.com/chrisliebingofficial
- SoundCloud: @chris-liebing

HOW I MET THE BASS on:
- Instagram: www.instagram.com/howimetthebass
- Facebook: www.facebook.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

3 QUESTIONS to CHRIS LIEBING:

Q: Let's talk about your mix. Why did you choose these tracks?

A: Because in the old days they made me realize the importance of bass and what kind of mood it can create. Because it also made me understand how important low frequencies are for our mood. They meant a lot to me back in the days and still mean a lot to me nowadays.

Q: How have you experienced the pandemic over the past two years and how do you reflect this period today?

A: That was a break that none of us DJs would ever have done for fun. Since it was forced, I practiced acceptance and tried to make the best of it. I was recovering from traveling and doing streams because I wanted to keep DJing. I thought to myself: Before I do this alone at home, people can also experience it. That's why I prefer to hang up a few cameras and let them participate. I did a lot of music production and studio work and used the time to check my status quo. During this phase, I also decided to move away from Germany, which probably wouldn't have happened so quickly without the pandemic. Anyway, I can say that since the pandemic is over and we're back on tour, I'm enjoying my job and techno almost even more than I ever have before. So this break did something good for me.

Q: What projects are you working on right now and what's coming up?

A: I re-started my label CLR and I'm currently working on a lot of remixes and own productions that will be out soon. And I have a collaboration going on that I don't want to say anything about just yet, but it's something to look forward to. I'm also working on new material for Mute, for example another EP that will follow my "Another Day" album. In 2023 I'll be working on a new album again.

Chris Liebing - HOW I MET THE BASS #219

Here is my Berghain 01 mix that I release back in 2005. Enjoy!

André Galluzzi - Berghain 01 - (Ostgut Ton) 2005

Mit 'Da Float' erschien von DJ Balduin bereits Ende 2022 eine EP, die uns aus der jahresendzeitlichen Lethargie riss und mit ihrer nostalgisch-verwaschenen Euphorie mal wieder zeigte, dass die Bestenlisten nie zu früh fertig geschrieben sein dürfen. Jetzt folgt - ebenfalls auf dem Leipziger Kultlabel KANN - 'Concrete Mimosa', verquickt dabei verschiedenste süßsaure Wohlfühlelemente elektronischer Musik auf Albumlänge und legt damit direkt nochmal einen drauf. Wir haben deshalb bei DJ Balduin angerufen und mit ihm über Ironie in der Kunst, Blockaden beim Produzieren und dem "Dazwischen" gesprochen.

Interview: https://www.dj-lab.de/interview-dj-balduin-das-dazwischen-ist-fuer-mich-ein-grosses-thema/
DJ Balduin auf SoundCloud: https://soundcloud.com/dj-balduin
DJ Balduin auf Instagram: https://www.instagram.com/djbalduin/

DJ LAB / 029 / DJ Balduin

A Mix of some stuff i like..

Circle Traps - Fjord
Facta (feat Hodge) - Tungsten
Minor Science - Hapless
Jonas Woehl - Stockholm
General Ludd - Burning Mack
Jamie XX - Sleep Sound (Edit)
Dark Sky - IYP
Sam Matters - Weight Off My Mind
Margot - My Sisters (Edit)
Calibre - Getter Go
Yasuharu Motomiya - Niigata
Radioactive Man - Gugs (Christopher D Ashley Morphine Remix)
Nubian Mindz - Hacker Wacker
DynArec - Safe Scouting Guide (RadioNasty Remix)
Invisible Conga People - Can't Feel My Knees
Baba Stiltz - Transit
Wesley Matsell - Bismuth

Extrawelt is "Not A Deejay" Mix1

We have been admiring DJ Balduin’s music for a while, which is why we are very happy that he took the time to create the next Far Blue concept. 

Apart from his stellar productions, Balduin is recognized for his profound and creative DJ sets, and this one is certainly no different.

‘I wanted to be anything, but I am haunted by old spirits of my own’

ᐁ ᐁ ᐁ ᐁ ᐁ ᐁ 
@dj-balduin

Instagram.com/farblue_ 
Facebook.com/farblueconcept

A Far Blue concept by DJ Balduin - 'Haunted By Old Spirits Of My Own'

Next one on the list is @submod

Recorded on the 20th of October at our pop-up store at Amsterdam’s Vrij Paleis for ADE 2023.

Thanks for being part of this Christoph!

DJ Balduin @ Inch By Inch Pop-Up Store (Amsterdam Dance Event 2023)

OLIVER DEUTSCHMANN @ DISTILLERY LEIPZIG

Gregor Tresher - Live at Berghain, July 2011

1. Shadow Layers (Intro)
2. The Heartbeat Orchestra
3. Lights From The Inside
4. Unfold
5. Anti
6. Through The Shadow Glass
7. Echelon
8. Sidewinder
9. Kingdom Of Light
10. Leaving

All songs written, produced & performed by Gregor Tresher.
Recorded live at Berghain Berlin, July 16, 2011

Buy Album on CD:
http://www.amazon.de/Lights-Inside-Gregor-Tresher/dp/B004YI98GQ

Buy Album on Beatport:
http://www.beatport.com/release/lights-from-the-inside/371530

Gregor Tresher Live at Berghain Berlin, July 16 2011

Fresh off the heels of his highly anticipated double EP ‘Wuzzelbud FF’ - a “stylistic follow-up” to his 2004 debut album ‘Wuzzelbud KK’ - Robag Wruhme has thrown together a wonderfully elaborate mix for the next installment of our In Session series.

Speaking on the mix he's delivered, Wruhme explains: "To me, it's really boring to simply mix one track into the next one because you can't to convey the energy of a specific situation from a club into the living room. Therefore, I put the ladder really high when I do mixes. Ever since the first one back in 2005 for the festival 'Sonne, Mond & Sterne,' I used additional sample fragments and layers. In addition, I only use some parts of a track and not the entire thing. The result is a symbiosis of sounds and moments."

More exclusive music

In Session: Robag Wruhme

Boiler Room Berlin 1st Birthday w/ DJ Hell, Tevo Howard, Scuba b2b Jimmy Edgar, Cosmin TRG b2b Efdemin, Christian Löffler & Mano Le Tough

[Broadcast on 29th August 2012]

Tracklist & video at http://boilerroom.tv

DJ Hell 65 min Boiler Room Berlin DJ Set

KITTIN on:

- Facebook: www.facebook.com/misskittin
- SoundCloud: @misskittin

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Instagram: www.instagram.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

QUESTIONS to KITTIN:

Q: Let´s talk about your mix for HOW I MET THE BASS. How did these tracks have an impact on your career? So: how did you meet the "bass" once?

A: I met the bass in our local New Wave club in Grenoble who hosted the first Electronic Music party in 1989. It was very bad music, spanish Bacalao by a group of DJs on tour. But how I really „met the bass“ was shortly after at our first rave party in a small town near by, first time we had a flyer in our hands too, Rave Virus. We all went with The Hacker in the same car, same group of friends today. That night had a huge impact on my life. We went to an after hour, and when I came back home, I packed my things and left. I remember saying to myself: how are you going to cope with so called „normal life“ after that? I knew I had to work very hard to write my own path, I knew I would have to make choices that would hurt my family, but I was determined to be free. The same freedom I felt dancing non stop that night on such music. My mix is based on these early rave years memories. The excitement and freedom of each rave, each trip, each DJ, each record. It’s impossible to summit it in a one hour mix, but for example, the track from The Hypnotist (“Pioneers Of The Universe“) in the middle of the mix, the longest too, really brings me back to a special party, the Docks in Marseille in 1993. CJ Bolland played live, among Robert Liner (The Source Experience) and huge Belgian DJs like The Fly or Yves de Ruyter. I also included tracks I listened to before and after a party, at home with friends, like LFO, Aphex Twin, Lhasa or B12. I was massively influenced by the early Warp stuff, and the Artificial Intelligence compilations I still listen to today. When I started DJing, I was playing very hard, Acid Core, but I always tried to bring a left field tune in the middle such as Autechre, Boards of Canada, or The Prodigy. A challenge I kept all along. One hour is really too short, I wanted to play early House tracks too but I am definitely a rave kid. I could have include Gat Decor too, always in my bag, but as a lot of DJs play it back, I focused on more forgotten ones. To meet the bass in my case means „I understood music“ for the first time. I analyzed sounds, closed my eyes and saw shapes, colors, stimulating my intellect. I LIVED the sound. I was not a passive listener anymore, for the first time. What struck me, talking about it, is: many people don’t have that relationship to music. They just play commercial stuff from the radio but don’t feel deep inside this incredible sensation. So I feel very fortunate. Nevertheless I never wanted to be a musician or DJ, but it did change my life. Big time.

Q: In now 25 years of DJing you´ve been playing all over the planet. Which places and experiences were outstanding for you?

A: It’s an impossible question. Too many to say. It happened that I cried out of emotion, in Barcelona, in the big Razzmatazz years, people chanting so hard I had to stop the music and hear them sing. Or lately playing B2B for 6h with Marcel Dettmann at Panorama Bar. Never thought I could live that again in my career. I also had my best experiences out of rage, live with The Hacker, at Benicassim when I nearly missed the show trapped in traffic, had to run on the side road in the heat with biker boots, arrived on stage nearly fainting, threw my boots in the audience as my feet hurt so bad and did the whole show barefoot, full house. Love Parade 2001, at the Siegessäule, one million people, they say your name on the microphone „Miss Kittin, Grenoble, France“ and my dad saw me playing for the first time, this was quite life changing for him, acknowledging I did pretty well for a raver.

Kittin - HOW I MET THE BASS #150

We are glad to have @dj-balduin on Podcast 22. Last Friday, the Leipzig-based DJ and producer released his debut EP on Kompakt, titled "Lost Cat". Besides, he runs his own label @glyk-musik, which put out amazing releases which were on heavy rotation - not only in our office.

Follow him here:
Instagram: https://www.instagram.com/djbalduin/
Facebook: http://facebook.com/djbalduin/

KOMPAKT PODCAST #22 - Dj Balduin

Read our interview with @markussuckut and check out this mix's track list here: bit.ly/SCKPod

Groove Podcast 228

Groove Podcast 288

Tracklist

Groove Podcast 228 - Markus Suckut

Leipzig's very own @dj-balduin is up next on the mix series with 60 minutes worth of deep, ambient and meditative house selections for the mind, the body and the soul.

Dj Balduin

Gestalt Records with Dj Balduin

This podcast is devided into two separate mixes: 

00:00-61:00: Thomas
61:00-end: Tassilo

PAN-POT on:
- Facebook: www.facebook.com/PanPotOfficial
- SoundCloud: @pan-pot

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass
- Instagram: www.instagram.com/howimetthebass

3 QUESTIONS to PAN-POT:

Q: Let's talk about your past and your mix. How did you get to know each other and later found each other musically? 

Tassilo: We both studied at the SAE in Berlin and got to know each other there. Due to the fact that we were both the only two people who liked Techno and House, the first connection was already done and successful anyway. At that time Thomas listened to a lot of Plastikman, Richie Hawtin and Robert Hood - the beginnings of Minimal Techno - and I came more from the Electro Clash / Gigolo corner. That was also our musical exchange, for which I am very grateful. We found our common passion pretty quickly after spending a lot of time in the studio, also with Marco Resmann. We developed our preference for reduced but also complicated beats in combination with sound effect structures. The time was awesome because we worked on individual track moments so long until the respective point in the track was perfect. That then changed to more linear production, which we still do today. The track selection for my mix includes important musical companions for me from around the age of 15. There were a lot of quieter things. 

Thomas: Back then I was listening to Hardcore (Thunderdome, Terrordrome) and Jungle. That was my electronic beginnings. My style was something between cheese and chop wood. The Techno mood came sometime later, when I was mobile and could go to Berlin to celebrate my first raves there. I've been falling into the whole thing pretty hard since then. 

Q: 2020 kicked us all out of our dreams. How did you deal with the shutdown of the entire industry and how did you use the time instead? 

Tassilo: I became a father in July 2020 and I am grateful that I was allowed to spend so much time with my wife and daughter. Otherwise it pretty much tore the ground under our feet. We had some financial saves, which we now have lost and we are quite disappointed with how little help there is for our industry. The question is also what we should learn from 2020. I'm not yet sure what the consensus will be here. Of course we used the newly gained time and worked on many new projects. 

Thomas: I was on a big trip in early 2020 and got stuck in New Zealand with my whole family (wife and two children). The lockdown came almost simultaneously all over the world. I found the time there very nice and I noticed which things are really important to me when work isn't there. Apart from the financial aspect, I don't think the Corona time is that bad. You get closer as a family and everything slows down. I kind of like that. This fast life as if in the fast lane no longer appeals to me. I'm curious how I will feel when it all starts again. 

Q: What are your plans for 2021? 

Tassilo: We are building a VR / XR show with which we can get back into social interaction with our crowd. And of course, we were in the studio a lot and produced a lot of music. But on this point we noticed how much we miss the feedback from the crowd and that unfortunately has a quite demotivating effect. We hope that from the beginning of 2021 something will return to normal and that we will be able to go out to the club pasture again. Furthermore, we are currently bringing Thomas' passion for gaming together with music and studio talk. But more on that later. 

Thomas: #letsplaywithdjs

Pan-Pot - HOW I MET THE BASS #192

Idiot of love, creator of things, head and heart of record label GLYK and the other half of Feuerbach.

booking@glyk-musik.de

09.03.24 / Heinrichs Club, Gera
22.12.23 / Capri, Überlingen
16.12.23 / Conne Island, Leipzig
02.12.23 / ???, Leipzig
22.11.23 / Groovestation, Dresden
18.11.23 / Kantine, Konstanz
23.10.23 / Kiosk Radio, Brussels
18.10.23 / ADE, Amsterdam
02.10.23 / mjut, Leipzig (live)
27.08.23 / KFPNYX x extc, Erfurt
18.08.23 / Conne Island, Leipzig (live)
05.08.23 / sunny forest sleepover, Hohenleuben
14.07.23 / Städelschule, Frankfurt
16.06.23 / about:blank, Berlin
10.06.23 / Neue Welle, Leipzig
26.05.23 / Renate, Berlin
20.05.23 / Secret Location, Leipzig
19.05.23 / Inch By Inch, Leipzig
06.05.23 / Strand22, Jena

Das ist das musikalische Soundcloud-Profil vom Podcast-Radio detektor.fm.

http://detektor.fm

This is the music-profile of the German podcast radio detektor.fm.

Plattenkoffer: Dj Balduin

detektor.fm Musik

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Tibi Dabo

yet unseen

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