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Rodion & Mammarella - Inner Outer (Toulouse Low Trax Radient Walk Remix)

DLM006 A1 Rodion & Mammarella - Inner Outer (Toulouse Low Trax Radient Walk Remix) PM 1644

Thank you, thank you, and thank you.
I'm truly grateful for everything you've done for me. Thanks to God mainly, he has turned my life around, and we still have more to do. This album embodies everything I've been going through.

Thank you @progresstheproducer, for participating in this. Thank you for your friendship and all the things I've learned from you.

Everyone enjoys this album, and may the lord bless you!

???//+++

https://youtube.com/@xsk8te
https://instagram.com/xsk8tee

FPS tracker

SEBASTIAN MULLAERT - ALL THE KEYS ARE HERE EP [APOLLO RECORDS]
Release Date: 23/06/17

“Close your eyes, open your hand, fall.. 
Rest in this Presence; See
And let the keys be played in the endless space of You”
- Sebastian Mullaert

Apollo proudly presents the ‘All The Keys Are Here’ EP, Sebastian Mullaert’s beguiling debut on the label following collaborations with Mathew Jonson, Eitan Reiter, Aril Brikha and Ulf Eriksson, as well as releases for Hypercolour, Drumcode, Mule Musiq and Kontra Musik. 
While most well-known historically for his widescreen melodic techno as one half of Minilogue, Mullaert’s compositions for ‘All The Keys Are Here’ draw on a lusher, more organic palette of sounds, thrumming with intimate inner vibrations. Originating from piano based improvisations, these four musical excursions embrace simplicity through repetition and sparse arrangements that make for an ecstatic, enveloping listening experience.

Sebastian’s studio sessions and live performances take influence from his Zen spiritual practices and meditative techniques, with inspiration provided by the serenity and simplicity of the forest close to his home studio in the majestic Röstånga woods (next to Söderåsen National park)

“I really believe that when someone is perceiving art, that person is in a way equally creative and part of the creation as a person playing an instrument, or performing or composing the song. Because it’s in this very moment in the consciousness where the experience of the art is taking place...” – Sebastian Mullaert 

Sebastian's strong desire to explore new sonic territories is rooted in his background as a classical violinist and pianist, which he had set aside to explore the deep and meditative potentialities of the dance-floor / techno music. 

A recent highlight of this evolution was his 2016 live collaboration with the Tonhalle Orchestra Zurich in Switzerland (known for their boundary pushing work on bridging the divide between classical and electronic). As part of this memorable event, a number of Mullaert's tracks were orchestrated and reinterpreted for a six-piece chamber group, (harp, piano, violin, cello, clarinet and French horn). Indeed two of the tracks featured on ‘All The Keys Are Here’; “Every Moment I Am” and “Earth Blossom” were part of the concert repertoire. 

‘All The Keys Are Here's shimmering sonic panoramas perfectly summarise this exciting new chapter in Sebastian Mullaert’s ongoing musical journey and partnership with Apollo.

LISTEN FULL EP HERE

Sebastian Mullaert - Every Moment, I Am [Apollo Records]

Khidja's newest offering to Malka Tuti comes in the form of a massive banger that is MICROB. An industrial heavy weight beat topped with steel drums, afro-synth lines and a bassline that will massage the inner parts of your body....
On the flip side one can find not one but two versions by Salon Des Amateurs very own Tolouse Low Trax.
"...1-1-7...1-1-8..."

Out 26/6/17
http://www.juno.co.uk/products/khidja-microb-feat-tolouse-low-trax-mixes/643451-01/

B2 Khidja - Microb (Tolouse Low Trax Version 118)

Kıran is the debut release of Rotterdam based DJ and producer Ruben Üvez aka Konduku. Coming from Turkish descent, Konduku’s sound is both deep and trippy. Though in a different way you might expect from a Nous’klaer release - the contagious grooves of Konduku are reached through a polyrhythmic approach. The tracks have a serious elegance, but the fun that went in making them is undeniable.
When I proposed a tracklist for the album, I had no idea Altın and Mavi Saat quite literally meant start and finish (Golden and Blue Hour). The two tracks form the framework of the trip, easing in and out of it with a 4x4 groove. The first one the energising and the latter the cooling down.
In between the opening and closing act Kıran is less straightforward. The polyrhythmic hybrid of Eastern Europe Minimal and UK Bass is a thread throughout. Güneş and Yeşil Ağaç are two of those twisted rhythm tracks. His knack for composing contrasting patterns is something he got from his father, who was a professional Jazz musician from Ankara.
Almost halfway Kızılırmak (Red River) takes the energy level up a notch, claps over claps building up to an intense but unexpected climax crafted by a snappy snaredrum. Kızı fits right in a trippy minimal set, whereas Yağmur probably leans most towards the bass driven UK sound Konduku loves.
The light drums and floating pads on Pembe Alan serve as the cooling down before the Blue Hour kicks in. The name Pembe Alan (Pink Area), and the album in it’s entirety, is a tribute to the area called Cappadocia where Ruben’s family originally comes from.
I hope you’ll enjoy this diverse album as much as we all do. We’ll be releasing more from this young talent in the near future.

Out now!

Label: Nous’klaer Audio 
Distributed by Clone Distribution

https://soundcloud.com/nousklaeraudio

LISTEN ON YOUTUBE

PREMIERE : Konduku - Altın Saat

Leipzig-based KANN Records may celebrate a lot of jubilees this year. Celebrating a decade of music with a label showcase tour and a magnificent 15 track “Family Horror X” compilation, KANN’s kaleidoscopic musical journey through 2018  culminates with another gorgeous mini compilation. 
Deliciously titled “Banana Split”, it’s an impressive sonic display of well-crafted gems featuring exclusive originals by the label co-founder map.ache and other immensity talented artists such as Falke, DJ Assam and His Master’s Voice.
Faithful to KANN’s aesthetic credo of dance-floor techno hypnotism and striking intelligence, the German artist Jaines Bomt, also known as His Master’s Voice, makes an outstanding contribution to the compilation with a colorful “Oma”. From start to finish, it captures the listener and takes them on the imaginative journey through lush, multifaceted sonic landscapes filled with blissful melancholy and nostalgic chill wave. Reminiscent to Boards Of Canada and Tycho, the whole composition is driven along by a dreamy, spacey harmonies and dynamic layers of fuzzy guitars that meld together organically with a great sense of groove. “Oma” is a beautiful continuation of quality and an elegant extension to KANN’s sophisticated sound palette.

va - Banana Split will be out on Friday, November 23 via KANN (https://soundcloud.com/kann)

write up by Irina Kotik: https://soundcloud.com/irina-kotik

His Master's Voice on SoundCloud: https://soundcloud.com/hismastersvoiceelf
His Master's Voice on FB: https://www.facebook.com/hismastersvoice666/
His Master's Voice on RA: https://www.residentadvisor.net/dj/hismastersvoice

FOLLOW FICTION LAB ON: 
✖ SoundCloud ▸ bit.ly/LabSC 
✖ Facebook ▸ bit.ly/Labfacebook
✖ Instagram ▸ bit.ly/Labinsta

Pre-Order

PREMIERE: His Master's Voice - Oma [KANN]

The River Experiment II

Rising Sun - The River Experiment II

03. when it comes

5 years after his first RSD release on the label, Berlin s Sven Weisemann is back on FAUXPAS MUSIK. Garden Of Fantasy is a re-release from the fantastic Essáy 7inch Label, run by Styrax. this EP comes as 180 gram Vinyl only Release and truly takes you on a journey somewhere far away from this world. the design comes from talented French Designer Freak Fabrik. vinyl tastes better..

Myrdal

Sven Weisemann - Myrdal (FAUXPAS031RSD)

Dial 2020 (IV)

Melting

For ages nighttime was said to be the time of ghosts and spirits. Creatures of the night were believed to gain special powers between 
midnight and dawn. In latin this shrouded in mystery lapse of time was called "intempesta" - time without time. 
Detlef Weinrich, alias Toulouse Low Trax, too, seems to have lingered in the irrational universe of frozen continuity quite frequently within the 
last two years. Everyone who drifts to the sound of his first solo album "Mask Talk" will soon sense the musical intensity boding a different 
dancefloor. 
Cool, atmospheric new-wave-sharpness, and a cushioned beat rate between 107 and 116 bpm call out a mechanical functionality that 
doesn't bow to any contemporary doctrine. "Mask Talk": urban music, club album. Big city lights in Africa. Chilly neon-sounds made in 
Dusseldorf. 
As a member of Kreidler, Weinrich just recently participated in the trio's newly found cosmic vibes, as well as in their album "Mosaik 
2014". Now, with his solo project, he is demonstrating that a MPC and a small synthesizer-ensemble are enough to bring alive futuristic 
dance music in the here and now. 
Bedroom-recorded under tense creative circumstances, the ten tracks invoke, mostly instrumentally, an eerie atmosphere that would fit in 
perfectly with an early John Carpenter movie. The tracks' volume sounds as if a whole band had been at work in Weinrichs own four walls. 
With plenty delay on the bass figures, compact analogue effects, percussive dabs and a rough blend of layers, Weinrich has, without any 
digital support, created quivering drum machine music, whose dancability he was able to test regularly as a resident DJ and co-owner of 
the Dusseldof-based club/ bar "Salon Des Amateurs". His new tracks breathe the hypnotic power of his DJ sets, where he arranges 
diverse rhythms between krautrock, cosmic, electronic and acid. They also remind of analogue-electronical pioneers such as Cluster or 
Peter Baumann. Also 1980s avant-gardists Cabaret Voltaire or Zazou Bikaye have left their mark, without Toulouse Low Trax explicitely 
referring to them. 
All tracks are committed to experiment. They leave room for every sound without neglecting rhythmical clarity. A dark, urban solanum, full of 
reverb, whose melodies are never prankish, but whose minimal nonchalance is sure to help not only the dark creatures through the night. 
"Form is essence brought to the surface" Victor Hugo wrote 150 years ago. "Mask Talk" is reasserting this theory as a destillate of an 
operating procedure seeking to subvert ingrained listening habits and to resharpen the contours of the audible. Electronic music beyond 
any categorisation, whose sounds and rhythmics grow to an emotional atmosphere that far exceeds the immediately hearable. 


Booking contact:
Booking Contaxct: meri@futura-artists.com

DLM006 A1 Rodion & Mammarella - Inner Outer (Toulouse Low Trax Radient Walk Remix) PM 1644

TOLOUSE LOW TRAX