2nite #swag (struggle meal)

At The Ends Of The World

On the Precipice

Composed by Roberto García.

There is a place where only emptiness resides.

Enjoy all of Roberto's music and much more content on www.garciabrothers.es

All rights reserved (2025) ©

Kenoma

pandi - [ @p-a-n-d-i ] + [ www.facebook.com/www.pandi.it ]

check also our music blog -> vk.com/hello_strange

pandi - hello strange podcast #150

Mix of the Week #109: Hatchback - The Most Beautiful Sound Next To Silence

Follow and ID requests @hatchback
On DreamChimney http://dreamchimney.com/tracks/profile/mother

Hear other Hatchback other Dream Chimney mixes
Hatchback - Japanese Love Boat
Hatchback - Goin' Upcountry
Hatchback - Unimpressed By Your Fairlight
Hatchback - Wasted Brain (Hatchback Sessions 1999 - 2009)

https://soundcloud.com/search/sounds?q=dreamchimney%20hatchback



Mix of the Week #109: Hatchback - The Most Beautiful Sound Next To Silence

Live Radio session for Le Mellotron's weekly show on Worldwide FM. 
For full podcast with my host @AndersSicre and tracklist: https://worldwidefm.net/show/le-mellotron-anders-4/

Paris WW x Worldwide FM London - Jan. 18th 2018

TAKEN FROM HIS UPCOMING ALBUM "TRIVIAL OCCUPATIONS"
OUT ON OCTOBER 19 VIA SCISSOR AND THREAD

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www.facebook.com/francisscissor/
www.facebook.com/scissor.and.thread.nyc/

**

Trivial Occupations' is the third LP released under the Kingdoms and Scissor and Thread founder’s own name - and continues in the traditions of those landmark records. Having scaled to heights within the club scene and released almost a hundred records under different monikers, Francis Harris embarked on an altogether more personal journey as a composer of intimate, atmospheric pieces removed from the dancefloor.

Here, with 'Trivial Occupations', Harris dives deep into a new sound pallette - bringing the listener on a journey through various states over the almost one hour run time. The album was made over the course of four years in various studios with an array of notable players, bringing a diversity of perspectives and approaches encompassed within Harris stunning artistic studio approach. It was also mixed at Jack White’s Third Man Studios again with the help of long time collaborator and friend, Bill Skibbe.

'At First A Wide Space' opens up the album, setting the tone with a vista of soundscapes, merging synths, live strings by Kingdom’s artist Emil Abramyan. It sets the stage for what is perhaps the album’s (first) opus, 'St Catherine And The Calm'. Spanning over 12 minutes, drifting through ambient textures, shuffling beats and beautifully arpeggiated melodies and found recordings, it gives the listener a widescreen intimacy, not unlike the enveloping sensation of a cinematic experience. 'Song For Aguirre' is a more mournful affair, built around Abramyan’s cello, Leah Lazonick's Piano, deep bass tones, pad washes and distant sounding horns from Greg Paulus, adding to the noir-ish 70’s soundtrack feel. 'Trivial Occupations' the album's title track and perhaps the centerpiece in terms of mood and tone, is a dizzying off kilter Jazz trip featuring a cast of remarkable jazz players, including vocalist Genevieve Marentette, Robb Reddy (tenor sax), Darkside member Dave Harrington on guitar and Will Shore (vibes).

Breaking up the album nicely, 'Dalloway', perhaps Harris’ most unique production to date, moves into Dancehall territory with a collaboration with Cameroon born but NY based singer, Kaïssa.

'Recital Of Facts' , one of the only beat driven songs on the LP, harkens back to the sound of Harris' last two albums with a melancholic groove paired with melodic bass fragments and the ever-present pad washes. 'Parklife' follows a similar vibe with the return of Greg Paulus’ mournful horns, but without any rhythmic underpinning, before the previous single 'Minor Forms' appears with its shuffling percussion and the singular sound of Will Shore’s Vibraphone, bringing about a climatic moment listening moment.

The final two tracks - 'Beaumont' and 'No Useless Leniency' both further explore the sense of space with which Harris has become so enamoured - creating textures and backdrops for piano by Leah Lazonick (Beaumont) and horns (Useless Leniency).

It’s an album that is easy to get lost in - a structure suggesting no real beginning or end. Listening to it on loop offers the listener a chance to be fully immersed in the rich, melancholic tonalities of Harris’ sound universe..

Trivial Occupations

Pre-order album

Francis Harris - Song For Aguirre

Week 4 went on a bit of an afro tip... Broadcast on 17th April 2020

Lockdown Living Room Sessions

OOFT!'s Lockdown Living Room Sessions #4 // Afro Centric

Seahawks - Sun Salute
Hi Tide - Soda lite
Phil France - Circle reprise
RVDS - Menuet de vampire
Avishai Cohen - Teardrop
Damien Jurado - Maraqopa
John Hassell - Masque
Hiroshi Yoshimura - Tokyo bay area
Graham De Wilde - Cirrus
 Traffic - Graveyard People
 Will Powers - Adventures in Success Dub

Music For Dreams Radio Show 30.5.20

DF Tram and Future Bc “Carmelita Profundita” (trammys 4am in the basement mix)

For the final episode of the Masala Movement Podcast 2020, we present Vineetha Panalickal Listen here, a DJ, architect, and watermelon lover. She’s been a key part of Masala Movement, supporting INDERNET exhibitions and curating her monthly event “Nyx.” Thanks to all our listeners for supporting the music and artists. See you in 2021! Season's Greetings!

For tracklist please visit:
https://masala-movement.de/events/podcast-12-vineetha/

Podcast 2020/12 | Vineetha | hosted by Todh Teri

DF Tram is a visionary music producer, DJ, and visual artist renowned for his cinematic and psychedelic fusion of ambient, electronic, and chillout music. Hailing from Los Angeles, his deeply immersive audio-visual performances have captivated audiences and earned the recognition of industry pioneers such as Alex Paterson (The Orb) and 'Youth' Martin Glover (Killing Joke, producer for Paul McCartney & The Verve).

His critically acclaimed album Serenitay Infinitay, released on the legendary Liquid Sound Design label, solidified his reputation as a trailblazer in the chillout music scene. Throughout his career, DF Tram has crafted countless remixes and original works under various aliases, pushing the boundaries of sonic exploration. His unique approach has led to international acclaim, including touring alongside The Orb.

A Driving Force in the Chillout Scene
DF Tram played a pivotal role in shaping and cultivating the ambient and chillout music scene in San Francisco from 1995 to 2018. Over two decades, he curated transformative events, delivered legendary DJ sets, and fostered a thriving community of artists and listeners dedicated to deep, immersive soundscapes. His influence helped establish San Francisco as a global hub for chillout and experimental electronic music, providing an essential space for artistic innovation.

Expanding the Sonic Universe
Beyond music, DF Tram’s artistry spans film, sound design, and immersive storytelling. His collaborations with ambient icons such as The Orb, The Irresistible Force, Afterlife, and Dr. Atmo showcase his ability to create sonic worlds that transcend traditional boundaries. His work has been exhibited at the Smithsonian in Washington, D.C., and he has been honored with a nomination for an Ibiza DJ Award in the Eclectic category.

In 2025, DF Tram’s highly anticipated new album will be released on Alex Paterson’s Orbscure record label, marking yet another evolution in his ever-expanding sonic journey. dftram@gmail.com booking https://7artistmanagement.co.uk/artists/df-tram/