I close my eyes and feel...feeeel sooo much love!!!!!

a slighttttly longer version would have been better, but love this anyway. thanks <3

Temporal

Conditional Futures

260 high quality ONE SHOTs sounds in the deep dubstep style

60 Basses
70 Synths
10 Ambient Drone sounds
40 Fx Sounds
-----------------------------
80 Drums One shots:
20 Hats
20 Kicks
20 Percs
20 Snares

Thanks for support! Peace!

Kercha - The Call Sample pack (Review)

‘Apologues’ will be released by Erased Tapes on September 11, 2015 on LP/CD/DL and can be pre-ordered from www.erasedtapes.com/store/index/ERATP075
or via iTunes here: http://snip.ftpromo.net/apologues

'Melodic constellations so impeccably gorgeous that they ache' (8.2) – Pitchfork
‘A master craftsman plucking at your heartstrings mercilessly’ (8/10) – Drowned In Sound 
'Elegant, evocative and understated, this is the perfect soundtrack for idle daydreams' ★★★★ – The Irish Times

Masayoshi Fujita, the Berlin-based Japanese vibraphone player, also known under his alias el fog came to the attention of label founder Robert Raths a few years ago. Not only because the vibraphone is an intriguing instrument, but also the way Masayoshi treats his instrument and draws ethereal and layered sounds, is what truly attracted him to Masayoshi’s work.

Having released more ambient-based/electronic recordings of the vibraphone under el fog, Masa became more interested in the sound of the vibraphone itself. He started to compose acoustic pieces and released the first solo album under his real name, titled ‘Stories’, in early 2013. ‘Apologues’ sees Masayoshi for the first time use an array of instruments besides his lead instrument – such as the violin, cello, flute, clarinet, French horn, accordion, piano and snare drum played by friends, but arranged by Masa himself.

In addition to the mallets, Masayoshi often plays the vibraphone with a violin or cello bow, like on ‘Tears of Unicorn’ and ‘Knight and Spirit of Lake’. He would also place bead strings on the vibraphone bars to create an ambient shimmer that can be heard on songs like ‘Moonlight’ and ‘Swallow Flies High in the May Sky’. The latter was composed to let the clarinet express its characteristics and tell its story, whilst the vibraphone takes a supporting role. “The clarinet sounds very warm and soft and very ‘spring’ to me”, says Masa.

“With this album the main idea was to evoke images, atmospheres, sceneries and stories in the listener, the images that have accumulated in myself. At the same time it was an exploration of the unexplored beauty of the vibraphone, and also a pursuit of the charm of the instrumentation and the music itself. Erased Tapes releases a lot of great stuff and naturally became my favourite label of late. And I thought it would fit well to my music.” – Masayoshi Fujita

OFFICIAL WEBSITES: masayoshifujita.com · erasedtapes.com

Apologues

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Masayoshi Fujita – Flag

Glad to enjoy the Piano Day 2016 celebration.

I made this little piece of modern classical music for Nils Frahm's PIANO DAY 2016 playlist, which will be  announced on March 28, 2016.

On Youtube: 
https://youtu.be/pRmd70EF_nY
More details: 
http://www.pianoday.org/
https://www.facebook.com/pianodayofficial/


Enjoy your listening
http://sinoptikmusic.com/ 
https://www.facebook.com/SinoptikMusic

On Youtube

Sinoptik Music - Wings (Piano Day 2016)

taken from upcoming DR-49 : Sven Laux - Paper Streets
out on November 3rd, 2017
Pre-order : dronarivm.bandcamp.com

Sven Laux’s “Paper Streets” is a deeply intimate and vulnerable affair. Released on the Russian label Dronarivm, Sven paints minimal landscapes with watercolors in shades of violin, cello & piano; stripped bare & soaked in memory. 

The artist’s works bares a sense of detachment & reflection that usually occurs with the passing of time. Forlorn irony shows itself as it reminds you what feels like to fall in love for the first time, while conjuring ghosts from the last time you shared a gaze. 

A departure from the Sven’s earlier work, “Paper Streets” is an organic, neo-classical journey heard through a cinematic lens. Orchestral notes surge like tides and resonate like heartache. Nostalgia echoes and dissolves with a disarming vulnerability.

Pre-order CD

TRACK PREMIERE : SVEN LAUX - There's Still Hope

Track taken from the upcoming album 'The Topologies of Blue'...

Bill Seaman - Piano, Piano Libraries, Sample Compositions, Samples, Abstracted Percussion, Non-location Recordings, Electric Guitar Abstractions 
Wei Ping Lin – Violin Solos 
David Rothenberg - Clarinet, Bass Clarinet, Contralto Clarinet Solos
Sid Richardson – Upright Bass Libraries
Tim Bjorklund – Electric Guitar Libraries
Volkmar Klein, Sound Engineer for initial violin recording

...

Produced by Bill Seaman
Mastered by James Plotkin 
Cover design by Ian Hazeldine 
Overall design by Daniel Crossley

...

Special Thanks to all of the musicians + John Supko, Craig Tattersall, Volkmar Klein, Maura Walsh-Seaman, Dan Crossley & James Plotkin.

...

www.fluidaudio.bigcartel.com/mailing-list

The Topologies of Blue

Bill Seaman - Isolated Reflections / Dark Slippages / Falling Inward / A Collection Of Repercussions

Carried

Sparks

Cenes - Sparks

PRE ORDER AVAILABLE -
https://thesisproject.bandcamp.com/album/thesis-16-ben-lukas-boysen-martyn-heyne

Ben Lukas Boysen - editing, zen garden.
Martyn Heyne - guitar, organ.

Composed, mixed, and mastered by Martyn Heyne + Ben Lukas Boysen at Lichte Studio Berlin.
Additional engineering by Matthias H. Franz Hahn. Vinyl cut by Mike Grinser.

Thank You!
Gregory Euclide, Matthias H. Franz Hahn, everyone at Manners McDade, Erased Tapes Records & Publishing, Claudia Gödke, and Karolina Zenobia Heyne.

Dedicated to Frieda and Frau Bellmann.

THESIS 16 - Ben Lukas Boysen & Martyn Heyne - June

Une
Track dedicated to PianoDay2020
PianoDay2020 | March 28, 2020
www.pianoday.org/

Listen on Spotify

Didacte - Une (Piano Day 2020)

Like many of you probably, spending the days at home… so decided to record a little ‘mini-at-home-concert’ with one old and two new songs as a contribution to Piano Day 2020 which will take place next week on the 28th of March – the 88th day of the year. Eerie times… you can literally hear the sound of sirens of hospital cars in the background… Wishing you all good health, take care.

Twin - ID - Scratch (Mini - Piano - Day - 2020 - At - Home - Concert)

Composed by Claude Debussy and performed by Gavin Greenaway on prepared piano.

Didacte - Une (Piano Day 2020)

Didacte

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