Pièce instrumentale composée et produite par Didier Ganache. Instrumental piece composed and produced by Didier Ganache.
Copyright © 2022 Show Devant/Ganache Didier. All rights reserved. The reproduction of the music herein contained is prohibited without the express consent of the author.

Show - Devant

Thank you  for visiting my world, I'm happy to share! Listening is free, commenting is priceless.

I 've been composing electronic music for more than 23 years but only started this new project 3 years ago, when the band in which I played bass splited.

 A large amount of the music I love was recorded in the 70's. Among these revered groups , Yes, Genesis, Pink Floyd, Jethro Tull, Ange or King Crimson stand out. Over the years, I've also been very fond of many diverse bands and songwriters (The Doors; The Beatles; Bowie; Neil Young; Deep Purple; Led Zep; Patti Smith; U2; The Police; Massive Attack; Chemical Brothers; Killing Joke; Marillion; Morphine; Nirvana; The Young Gods; Dominique A; Noir Désir, Conil, Aurora ...). 
More related to my own synth music production, one could find influences from Vangelis, Jarre, Björk, Oldfield, Numan, Kraftwerk, Schultze and other pioneers. Finally, I should mention the great soundtrack composers such as Ennio Morricone, Wendy Carlos or Hans Zimmer.
Above all those great musicians stands the beloved statue of Ludwig van Beethoven, the visionary, the prodigy, the most sensitive man.

My desire is to be a tiny part of the admirable family of human composers and musicians in order to explore the infinity of musical combinations that our mind offers... To achieve this goal, I will continue to mix my own set of diverse influences in my own imperfect human way, without surrendering to any type of AI composer. My approach questions the astonishing way in which skills, sensitivity, aesthetic and personal history provide the fuel and oxygen for our creativity, while chance, curiosity and current feelings provide the spark. What matters the most is the process, not the result, the “product”. 
I often start my new pieces with a vague idea of the genre and mood I want to explore. Then, by playing with one of my synths, I let the sound impose its nature and call for other sounds it wants to play with.  My role as a composer is like that of a sailor acting on his rudder and his sails. I am neither the wind nor the sea and I have no map, but my instinct should allow me to avoid the reefs and I will eventually land somewhere, most likely a strange and unexpected place.
My pieces will always reflect the result of hundreds of micro-choices I made, consciously or unconsciously, that's what makes it fun, right?
Feel free to comment or criticize my plethoric prod because reading your feedbacks is the only reward I expect.

Bandcamp: https://loyajirga.bandcamp.com/
Spotify: https://open.spotify.com/intl-fr/artist/0bohy1SDB37BBZLksRM9GY

Impressionist instrumental music that tells stories without words. Each composition has a strong visual and sound imprint, while having a style and instrumentation specific to the atmosphere that the music depicts.

Musique instrumentale impressionniste qui raconte des histoires sans mots.  Chaque composition a une forte empreinte visuelle et sonore, tout en ayant un style et une instrumentation propre à l’atmosphère que la musique dépeint.

I'm just a self-taught musician and piano player who tries to express his mind and thoughts through the black and white keys.

free player, loves music like a breath,Music painter, sound researcher, unusual harmony tester
Repost  https://soundcloud.com/yannkifer
Any message from promoters or marketers will be trashed immediately: NOT INTERESTED!

Hello everybody!
The music shared on this space is of my creation from scratch.
It is written on sheet music and designed to be played live by small orchestral groups. Through these original creations, I always try to present a completed work. Via computer aided musical creation, I do my best to integrate the actual constraints of instrumentalists. Writing, mixing and mastering are done on Cubase-Pro.
I hope you will like it. As for me, I can assure you I really take great pleasure in this creation work.
Hola a todos!
La música que pongo a disposición para escuchar en este sitio está hecha por mí de principio a fin. Está escrito en partituras y diseñado para ser interpretado en vivo por pequeños grupos orquestales. A través de mis creaciones originales, siempre intento presentar un trabajo completo. En el ámbito de la MAO (Música Asistida por Ordenador), trato de integrar lo mejor posible las restricciones reales de los instrumentistas. Por otro lado, la composición, la mezcla y la masterización se realizan en Cubase-Pro.
Espero que mi música les guste. Por mi parte, puedo asegurarles que en su creación disfruto mucho.
Bonjour à tous.
La musique que je mets à disposition pour écoute sur ce site est réalisée par moi-même de A à Z.
Elle est écrite sur partition et conçue pour être jouée en direct par de petites formations orchestrales.
A travers mes créations originales, j’essaie toujours de présenter un travail abouti.
Dans le cadre de la MAO, je cherche à intégrer au mieux les contraintes réelles des instrumentistes.
Sinon, l’écriture, le mixage et le mastering sont réalisés sur Cubase-Pro.
J’espère que ma musique vous plaira. Pour ma part, je peux vous assurer que dans sa création j’y prends un plaisir certain.
www.youtube.com/@didierganache6530

I started my musical journey at the age of five, initially composing music with tablature taught by my father. Beginning with the penny whistle and violin, I played in our family band, busking on the streets of Bath.

Our travels across the country inspired compositions like "Road to Wareham." Music became my sanctuary, especially after being diagnosed with Asperger's syndrome. In college, under mentors such as Dr. Rick Birley, Dr. Richard Hall, and Dr. Julie Trevett, I honed my skills in composition, theory, and piano, transitioning to formal music notation using Sibelius.

Today, I compose for film, video games, and theatre. My music, influenced by my diverse experiences, aims to evoke emotion and tell stories.

Thank you to my followers and listeners for your support. I hope you continue to enjoy and share in my musical journey.

こんにちは。あなたが聞くものはすべて、マスタリングに至るまで遅延なしでリアルタイムです。

Bonjour, tout ce que vous entendez est en temps réel jusque au mastering sans latence.

Hello/Hi, all what you hear is in real time including mastering, no latency.

ミュージシャン、マイク、プリアンプ、サウンド カード、プラグインの組み合わせにより、突然それが可能になります。

Une combinaison de musiciens, micros, préamplis, carte son, plugin rend la chose soudainement possible.

A mix of musicians, mics & pres , audio converter + plugin make it all of a sudden possible.

テクノロジーは進化しており、非常に小さなレコーディング構造も進化しています。2023 年後半に、私は ProTools HD カードを、独自の EQ をプラグインとして使用した完全なネイティブ構成でこれまでで最高のレイテンシーのないレコーディング システムである 1073 Neve のコピーに置き換えました。これにより、ライブ ワークフローのすべてが変わりました。

Les technologies évoluants, les mini studios d’enregistrements aussi, j’ai changé ma configuration « propriétaire » depuis 2003 pour config native fin 2023 et un seul et unique EQ pour mixer : une copie de Neve et tout à changé pour du live.

Technologies are evolving, and so are the very small recording structures, late 2023 i have replaced protools hd cards which were long ago the best no latency recording system ever for full native configuration using a unique EQ as plugin, a copy of 1073 Neve : it changed everything for live workflow.


(P. Desproges) : "c'est rigolo non ?" / それはリゴロではないですか ?

I am currently involved in various activities, from making songs to creating audio files for Pond5.  I focus on soundscape, ambient, and piano music. If you want to contact me, my email is achazia74@gmail.com. (Gonna rebrand myself again. I can't decide)

I am also trying to connect with people on twitter as I like that plattform for interaction: https://x.com/achaziamusic

Nearly all my songs are originals (see descriptions on the songs). I do everything myself, from composing and arranging to mixing.  I use Propellerhead's Reason.

I wish I had more time to make music, but my full-time job and daily duties require a lot of my time as well! :) For now, I am happy to do music as a hobby and have no further ambition than that.

My musical references and inspirations come from artists like Sigur Rós, Anathema, Clannad, Loreena McKennitt, and a few Norwegian artists. I also get inspired by books and movies with a fantasy/medieval feel, like Tolkien's work.

Every time I am sincerely surprised that the music came together again, that it worked. I don’t often write music , to enjoy nature of this wonderful process.
All tracks AI free!
Big thanks to SOUNDCLOUD for the wonderful opportunity to be heard and to my invisible friends, musicians and composers, whom I hear well thanks to SC
As an architect, I am interested in the question - if architecture is frozen music, then music is melted architecture? In this case I'm the freezer unplugged.🤗
The iceberg from the freezer is still dripping, but over time it can leak heavily...
My musical education is modest - 4th grade piano in childhood at the cultural center named Mikhail Kalinin in Kharkov + SC now