Original . . . 
. . . . . . . . . . . DieOne_Techno track 
 Dark Red - ( Hardcore Terror Dark Techno 155 bpm )

DieOne Techno - Dark Red - ( Hardcore Terror Dark Techno 155 Bpm )

Dark Red

Born in Tehran in 1991, I’ve been in love with music since I was 6, starting out with the keyboard and piano. Over the years, I picked up percussion instruments like the darbuka, djembe, cajon, and even the handpan. In 2014, I took my passion to the decks and became a DJ. They call me ‘Astronaut’ because I’m always exploring new sounds and pushing boundaries.
In 2022, I started producing my own electronic music, aiming to become a top-notch DJ and producer. My goal? To create music that makes people feel alive and gives them a space to let go and dance. When I see people vibing to my beats, it’s not just their happiness—it’s mine too. Let’s keep exploring and dancing together!

DieOne_Techno
.  "more" feature is active on most tracks. cheers 
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. my techno is from the heart 
. realist
. Dark yet clubby tracks
. multitude of years exp dj mixing as main room club dj  
. I'm going for my own style as anyone who creates tracks should do :) 
. original tracks tuned dark.    
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.  We live in the day and age of infinite daw possibilities. 
.  Be happy about that.
.  I love creating tracks . . . 
.  Till death do I part ;) 
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.  Peace friends have fun with your craft.. 
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I start to making music 8 mouths ago. I am experimenting with Grooving Techno Stuff! I use Ableton 12 Suite! In the Box ! 

Mail:  decafmusic85@gmail.com

Kind regards!

demo and premiere and repost inquiries: raveculture.mgt@gmail.com

No fluff here , just heavy beats, nonstop vibes, and that raw underground energy we all crave. Connect with the real rave fam.

Welcome to Rave Culture

Dark Techno

📥 Bookings: denizberkmusic@gmail.com
📸 IG: @denizberkmusic

Frank Visosky (Frank Zozky) is a Bronx-born songwriter, recording artist, producer, and DJ. Emerging from the underground electronic scene, Zozky blends raw emotion with synth-heavy pop, alt-hip-hop, and experimental soundscapes.
From his early contributions to Cam’ron’s Purple Haze to his evolution as a boundary-pushing solo artist, Frank has carved out a sound rooted in both vulnerability and innovation.
Follow for genre-defying tracks that move both heart and speaker. 🎧
Available for remixes, collaborations, and live performances 🔥
https://open.spotify.com/artist/6UvkNHPeNzT5pWMZr11n3f?si=sPQG2mOHREe1EhqrFQCs6g
Frankzozky@gmail.com

Work/Produce/Mix/Master/Selector/Beat Maker/Collaborator     HI all I've been with the rave music since the start of it and feel blessed to be a part of the uprise of a lot of different genres of music witch I had a passion for going to the early Acid House free parties in fields squats abandon warehouses peoples house and Garages and then when it split into different beats like Jungle Tekno ,Jungle, House , Ambient,Trance , Dub ,Dub Reggae Ragga I decided to follow Jungle Tekno ,Jungle and then to follow Drum n bass going to the big raves from back then normally the same line ups Fabio, Grooverider ,Micky Finn ,Elis Dee ,Carl cox ,Jumping jack frost,Top Buzz,Ratpack,and normally you would here the same white label dropped about 10 times in different mixes through the night ,the after parties sometimes turned into 3 to 4 days of raving on a beach or abandon warehouse or derelict buildings or a squat and plus there were so many record Labels back then with some awesome classic tracks from back in the day like Reinforced records ,Shut up and dance records, Warp Records, Moving Shadow, suburban bass Records, Boogie Times, Production House, Xl Recordings, Network Records, Ibiza Records, Strictly Underground Records, Strictly Hardcore, Kickin Records, Lucky Spin Recordings, Dee Jay Recordings, Basement Records, Formation Records, Absolute @ Records, FFRR, Slammin Vinyl, Urban Shakedown, Jumping & Pumping, Rubeboy Records .....I could go on and on there were soooooo many and again I feel blessed to have been apart of that going to the records shops in different towns and cities going through the white labels and getting to know the branded labels and trying to work out the bpm of the wax ....so many good memories were had and i still have a love a passion for Jungle first and foremost and Drum n Bass ....and all music Thanks for Reading this maybe we could share some old school and new stories some time just hit me up in the messages....One Love Big Love to all old and new People in the Dance , Production, DJs ,Big Ups Massive Blessssssss  
 Also I like  Produce Jungle and Drum n Bass... Love all music
@Spotify junglist1972@gmail.com spotify:artist:0m3AIejjoLurKuvHQTbdXq

Rapper From Baltimore '' #YMB
ＥＮＪＯＹ　THE　ＭＵＳＩＣ！ |BOOKING & FEATURES | 🗣 Contact | #Darealyungwon@gmail.com
🄵🄾🄻🄻🄾🅆 🅈🄼🄱 🅈🅄🄽🄶🅆🄾🄽“
NEW SPOTIFY PAGE”

https://open.spotify.com/artist/3ZujIp7C1acjdmTAMLZ2tr?si=wb-c-y41SdSa1Pzz9Pm8aA

— ОRIĢINS —
New Album • Out Now
Listen: https://ffm.to/origins-album

Origins, the third album by The Chronicles of Manimal and Samara, is out now.

The Chronicles of Manimal and Samara (TCOMAS), a UK-based duo featuring Daphne Ang (Singapore) and Andrea Papi (Italy), emerged in London in early 2020. Their debut album, Full Spectrum, established their innovative fusion of poetry performance and heavy music, creating a unique form of expression that has become synonymous with TCOMAS.
TCOMAS's sophomore album, Trust No Leaders, released on July 1, 2022, explores the history of metal, paying tribute to various subgenres. Set against orchestral and cinematic landscapes, the songs also incorporate non-Western musical influences. The lyrics draw inspiration from contemporary and classical poetry, as well as Jungian psychology.

https://tcomas.com

Bass-driven electronic project blending techno, progressive, and future acid. Known for immersive soundscapes and heavy low-end, Kik Science delivers transmissions built for the floor and the circuit.

Each release and set channels atmosphere ∴ intensity ∴ precision — shaping the underground frequency.

Label: Sub Sync Records (@subsyncrecords)
Affiliates: G-Mafia Records (São Paulo) ⌖ Mustache Crew (Brazil) ⌖ Galactic Bamboo
SSR HQ: @subsyncrecords
Axis: YYC ⇌ BER

◉ Our story continues…

The stars had dissolved into pale threads of light, bending endlessly around them. Driftspace was never silent; it hummed—low, unstable, alive. Neon pressed her hand against the bulkhead, feeling the vibration pass through her skin like a second pulse.

“We bought time,” Thorne said, hands moving across the helm. “But the Vantoth won’t stay scattered for long. They’ll recalibrate, triangulate our echo. Mystica’s reach doesn’t end at the corridor.”

Neon studied him. His voice was too calm, the same way it had been when he bluffed the cascade. She hated how convincing he sounded—even to her.

“What aren’t you telling me?” she asked.

Thorne hesitated. His eyes flicked to the navigation screen, where a single glyph burned faintly in the corner: ∴.

“That’s not a drift marker,” Neon whispered. “It’s a seal.”

Thorne nodded once. “Old code. Buried before the wars. Coranthium doesn’t just power ships, Neon—it opens gates. If Mystica wanted it, it’s because they’ve found the lattice.”

Her stomach dropped. The lattice. A myth, or so she thought—an interlocked network of corridors between sectors, some stable, some collapsing. Legends said the ancients locked it to prevent entire systems from folding into each other.

“And you… you have the key?” she pressed.

Thorne’s hands stilled. The hum of driftspace grew louder, or maybe it was just the pounding of her heart.

“Not the key,” he said finally. “A shard.”

Before she could respond, the console flickered. The ∴ seal pulsed once—twice—then spread across the screen like veins of light. Driftspace around them warped, folding inward.

“They found us,” Neon breathed.

“No,” Thorne said, jaw tightening. “Someone else did.”

The ship shuddered violently. Outside, driftspace cracked like glass, revealing a sphere of impossible color—a station, suspended where no station should exist, thrumming with signals older than their war, older than Mystica.

The shard in Thorne’s hand glowed to life, resonating with the fractured seal.

“Welcome to the lattice,” he muttered.

Stewart Beades, also known as DJ Stewe B, is a seasoned DJ and music producer originally from the UK, now based in Queensland, Australia. With a career spanning over two decades, Stewe B’s journey into electronic music began in 1998, mixing tracks in his bedroom and spinning at intimate house parties. His passion and persistence quickly led to his first public gig at The Gallery in Birmingham, marking the start of his presence in the UK club scene.

He soon became a resident DJ at Heroes Bar, playing two nights a week, and eventually secured a warm-up slot at the renowned Steering Wheel nightclub. As his profile grew, Stewe B took to the decks at major underground events like Bump Nights, and held sets in the back rooms of legendary UK club nights such as Godskitchen and Sundissential, where he made his mark playing hard house and uplifting electronic sets.

In 2010, Stewart relocated to Queensland, Australia, where he shifted his focus toward music production—channeling years of live DJ experience into creating original tracks. With a deep understanding of the dance floor and a love for energetic, crowd-moving music, DJ Stewe B continues to evolve his sound, bridging classic underground vibes with fresh, forward-thinking production.

Whether behind the decks or in the studio, DJ Stewe B brings passion, history, and authenticity to everything he does. Stay tuned—this journey is far from over.

