Lighthouse, Eden Garden, Guy's Bar - Koh Phangan Thailand

Peter G was born in 1975, in Fürth, south Germany. For generations his family had been in the entertainment business working in carnivals all throughout Germany, and so it was inevitable that Peter would grow up as a showman, a character that comes out in his performances. 

It was in 1990 that Peter G was first introduced to techno music while partying in Würzburg - Airpot, Frankfurt - Omen, U60311, & München – Ultraschal. The beats immediately appealed to his senses and thus grew his passion for electronic music. 

Peter G initially started going on holidays to Koh Phangan, Thailand, falling immediately in love with the island, but it wasn't long before he started to really miss the music from Germany. This is when he decided to start his DJ career in 2004 on Koh Phangan, and finally made the permanent move to Thailand in the winter of 2008. 

During the past 12 years, the electronic music scene of Koh Phangan has evolved, along with Peter G’s style of music to the point that he is now one of the most popular artists of the island. His deep passion for electronic music and his creative knowhow to bring the people to another level of experience has helped shape Koh Phangan's underground music scene to what it is today. 

Peter G is one of the artists that started the Lighthouse party and the infamous Eden Garden Saturday night parties, and is still resident DJ of both today. Now music lovers from all around the world come to listen to Peter G play and to get inspired by his music, inviting him to play in clubs and festivals all over the world. 

Peter G is always appreciative of his friends and fans and gives thanks to all of them for their support, enjoying his music, and dancing to his beats. “Music, Love, & Peace. Keep It Alive!” – Peter G

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

NEW EDITS @ WWW.KON1200.COM 
https://kingofnothing1.bandcamp.com/

STOP TRYING TO CHANGE MY PASSWORD AND GET A LIFE.
Been here for years. 
Thank you all for the support, much Love.

PLEASE NOTE ALL SOUND FX ARE AUDIO WATERMARKS TO PREVENT RIPPING !!
Bookings: joe@remoteartists.co.uk

For the past twenty years, Argentinian-born, Barcelona-based artist Juan Pablo Pfirter has been a driving force behind a sound that's alternately steely, dark, and uplifting, remaining true to the founding principles of techno while infusing it with his avant-garde touch. 

Since his early days, whether through DJing, producing, or as a label owner, Pfirter has demonstrated his talent with focus and style. He's left his mark on esteemed labels like CLR, Figure, Mord, and Stroboscopic Artefacts with select singles, while headlining renowned electronic music venues and events such as Berghain, Tresor, Concrete, Awakenings, and Time Warp. Since his first European tour in 2005, Juan Pablo has tirelessly shaped one of the most distinctive sounds in contemporary electronic music, blending stadium-sized kicks with textured organic elements and hypnotic sub-bass motifs that remain captivating after countless listens. 

In 2006, Pfirter launched his own imprint, MindTrip, which has since become a prominent fixture in the techno landscape. The label serves not only as a platform for his own productions but also for those of his close friends and collaborators, including luminaries such as Flug, Kashpitzky, Nørbak, Stanislav Tolkachev, Dold, and more. Additionally, MindTrip has thrived through its monthly podcast series, featuring acclaimed artists like Angel Molina, Setaoc Mass, and Amotik, each presenting an hour of music that embodies the ethos of the label. 

Having released over 50 club-oriented records, Pfirter ventured into the realm of albums with 2019's "The Empty Space," offering a panoramic view of the subtle intricacies and emotional depth of his craft. His sophomore album, "Altered States," further explores the nuances and expressive possibilities within techno, balancing club-focused realities with introspective, psychoactive elements deeply rooted in the genre's tradition. 

Continuing to bridge the gap between the visceral and the cerebral, Pfirter consistently delivers compelling works that resonate long after the last strobe light fades. While his singles dominate specialist charts, the depth of his compositions lingers in the minds of listeners long after the club doors close. In Pfirter's hands, darkness becomes oddly comforting, inviting listeners into his unique sonic universe.

www.facebook.com/pfirtermusic
www.soundcloud.com/mindtriprec
www.twitter.com/pfirtermusic
www.pfirtermusic.com
www.mindtripmusic.com

BOOKINGS/INFORMATION: Claudia@brainsurgeryhq.com

+++ I DO NOT CHECK MESSAGES HERE
+++ I DO NOT FEEDBACK YOUR TRACKS OR MIXES
+++ PLEASE DON'T SEND UNSOLICITED PROMOS
THANKS!

latest chart Dec 24 https://www.juno.co.uk/charts/dj/3488-Jane_Fitz/13060926-Chart//?ref=janefitz

IMPROVISED LIVE TECHNO
Psychedelic / Techno / Groove 
Berlin | Germany


If you love techno, you can't vote right. On a real techno floor, you can be free no matter who you are, if you respect the freedom of all others. Right politics stand for the opposite. if you want this culture to sustain, please get informed and stand up against this oppression.  
So FCK AFD! and be loud against all the populist, right-wing parties around the globe.  They promise you a better future, but history can teach you better. <3

🌎 Booking & Contact:
Kenji.Tanaka@loft.contact

View, Watch, Listen:
www.instagram.com/kenji_tanaka_official
www.youtube.com/@KenjiTanaka_LIVE
www.kenjitanaka.bandcamp.com

My Family: "BonkerSquad"
👉www.soundcloud.com/maldaneben
👉www.soundcloud.com/vaianamusic
👉www.instagram.com/bonkersquadberlin

Meet me here 2025:
01.03.25 BonkerSquad Salöön Berlin
06.04.25 Sisyphos Berlin
16.05.25 Rosa Greifswald
17.05.25 Secret Rave
24.05.25 Choose Jonny Knüppel Berlin
31.05.25 Accension Festival
27.06.25 Fusion Festival Tanzwüste
26.07.25 Coucool Festival France
03.08.25 Garbicz Festival Poland
16.08.25 Compact Madnass Festival Germany
22.08.25 Entropie Festival Germany
27.09.25 Exit Hamburg
11.10.25 Monopol Basement
18.10.25 Südpol Hamburg
02.11.25 Sisyphos Berlin
21.11.25 Jonny Knüppel Berlin
06.12.25 JAZ Rostock 
20.12.25 Reflected Radio
26.-29.12. CCC Hamburg (additional workshop on my liveset)


My approach to my music: 
I love loopy and trippy techno. When dancing, I like to let go of everything around me and enter a deeper dialogue with myself. At this stage, I am 100% in tune with myself. This works for me when the groove drives me and the elements I hear are interesting but not too intrusive. That’s exactly what I love to create on the dance floor.

To achieve this—and to create the necessary element of surprise—I combine different loops randomly and blindly. Since I never know exactly what will happen, I am constantly surprised and inspired by the result.

If you want to see how it works check out my youtube channel. www.youtube.com/@KenjiTanaka_Official




My instruments:
-Drums (TR8S)
-Bass (Modular)
-Rumble Bass (TR8S)
-Atmos (Fieldrecorder, Drumrack, Ableton)
-Synth 1 (MicroMonsta 2)
-Synth 2 (Polysix VST, Ableton)
-Vocal Samples (Ableton)
-Misc Samples (TR8S)


More nerdy Information:
For each of these instruments, I have prepared about 30 different loops, most of them 1 bar long.
Using the Streamdeck and a self-built ‘Max for Live Tool’, I can select a completely random loop for each instrument with the push of a button. The tonality can be set. To make sure it’s not completely random, I can choose between different categories, such as chords/arpeggiator.
I can control the complexity of the loop using controls.

All instruments run through Ableton (RME Fireface UCXii). With the help of ‘Launchcontrol’ and 2x ‘Midifighter Twister’, I can control all the parameters that are important to me. Filters, reverb, random delay and pitch effects glue everything together.

When playing, I rely on my intuition. I can sense what should happen 2-4 bars in advance. If I feel like I want to hear a new chord pattern, I press a button and let myself be surprised. If I like it, I develop it further. If I don’t like it, I move on.

Since the whole structure is improvised, I am correspondingly excited before the gigs. Because almost nothing can be planned in advance. My biggest clue is whether I dance. If I get myself to move and get lost, I am happy with what happens.

EP029 K2W0 - Devils Dance
with remixes by Daniel Hokum and Faul & Spaeth
out now

https://dubfire.komi.io/

@scitec

From global success in the commercial domain, to equal accomplishments within the underground scene, Dubfire (aka Ali Shirazinia) is an artist whose drive, talent and intuition have placed him in the top tier of electronic music artists in the world. He maintains this position within the industry with an unrelenting work ethic and a determination to innovate, evolve, and entertain. Whether it’s his involvement with Deep Dish, his solo performances at an extensive list of the world’s most influential clubs and festivals, his dubfire:live HYBRID show, running his label SCI+TEC, or simply his exploration of audio and visual technology, Dubfire is in a class of his own.

Booking
North America: 
julian@thebullittagency.com 

Central / South America: 
diego@analog-a.com

Europe:
jmac@paramountartists.com
tom@paramountartists.com

Asia / Australia / New Zealand / MENA:  
ross@tboasia.com
kenny@tboasia.com

Diego Varos is following