@galtier returns to Plasma Sources with Mainframe Incantation, a five-track release marking the 7th position on the label’s roster. First appearing on the Multi Source compilation earlier this year, Galtier now moves beyond the mechanical, sci-fi focus toward a sound that fuses technology with the divine, inhabiting the liminal space between worlds. 

Rooted in the earliest traditions of percussive music as a vehicle for altered states, Mainframe Incantation channels ritual energy through synthesised and digitised means, closing a cultural loop from origin to present. The result is a tension between the spiritual and the mechanical — feverish, dissonant, and hypnotic. 

The journey begins with "Ausmisis States", a restrained, technical opener of squelchy basslines and coarse pads, setting the stage for contact. "Tincture Pump" bursts through next—erratic, bouncy, and high-velocity, with a swelling distortion lead that injects chaotic energy straight to the bloodstream. 

In "Tink Cycle", the pace slows into a groove-laden trance, its caustic bassline dragged forward by steady kicks and splintering snares. At the centre lies "Hex Crawler", a gurgling, otherworldly entity speaking in alien tones before breaking into a vast, unearthly climax. 

Closer "Phantom Tremors" hurls us back toward reality with hasty techno-inflected percussion, metallic strikes, and roaring sub-frequencies. Pulsing hardware bleeps push the final surge, sealing the ritual in a haze of digital energy. 

Mainframe Incantation

Hex Crawler

Underloop

Underhand Brokery

Out now - 12 tracks: double vinyl and digital 

In 2013, Different Circles launched with Weightless Volume One, a compilation that helped define a new minimalist aesthetic in electronic music. 

Twelve years later and after a six-year pause, the label returns with its tenth release: Ping Volume One.

Like weightless, ping isn’t a genre. It's an approach to anchoring and propelling sound without relying on the steady pulse of a kick drum.

Instead, a single percussive hit — the ping — holds the centre. Dry and high in the mix, or echoing distantly through space, it becomes a temporal anchor. Around it, the rest of the track can undulate, bend, float or collapse.

The term first appeared on Mumdance’s radio show, where playing “the pingy ones” from the Different Circles back catalogue became a running joke. In the Discord community, it evolved into a shared language, with memes, lore and a mascot known as the Ping Devil.

In 2023, Mumdance aired The “Ping Report” a radio show that gathered everything into a coherent moodboard. It included original tracks made by Discord members for the show and set the foundations. From there, more producers began making ping intentionally, and over time, Ping Volume One took shape.

As the idea came into focus, Logos and Mumdance noticed that much of the Different Circles back catalogue, if not explicitly weightless, could now be understood through the lens of ping. It was a sound they had been drawn to long before they had a language to describe it.

Ping Volume One is a document of shared instinct. A collection of tracks connected by feel rather than formula, shaped by years of dialogue between a community of artists and listeners who were drawn to the same sounds & ideas before they had a name.

Lillia Betz - Boomerang

6amsunset - Scroll of Doom

Cortical - Grated

Beton Brut - Lime Bike

FR
Fruit d’une longue gestation, E-G-G éclôt aujourd’hui comme la synthèse d’un travail de recherche sonore et introspectif signé par le producteur français Rare0000 (rare-quatre-zéros).
À travers quatre titres résolument club, l’EP déploie un univers alien où chaque son devient matière vivante. Les textures se dilatent, les fréquences se fragmentent et les rythmes se contorsionnent tandis que les nappes électrostatiques qui traversent l’ensemble du projet esquissent la cartographie mouvante d’un monde intérieur et extérieur en perpétuelle révolution.
Deux remixes viennent prolonger l’expérience : la productrice de Seattle enereph propose une relecture percussive et cybernétique de ‘Rebound’ tandis que le français RAVL intensifie ‘Clutch’ avec une version technoïde abrasive.
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EN
After a long gestation period, E-G-G is now emerging as the synthesis of sound research and introspection by french producer Rare0000 (rare-four-zeros).
Through four resolutely club-oriented tracks, the EP unfolds an alien universe where each sound becomes living matter. Textures expand, frequencies fragment and rhythms contort while the electrostatic layers that run through the entire project sketch the shifting cartography of an inner and outer world in perpetual revolution.
Two remixes extend the experience: Seattle-based producer enereph offers a percussive and cybernetic reinterpretation of “Rebound”, while french artist RAVL intensifies “Clutch” with an abrasive technoid version.
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Releases September 26th, 2025 on limited alien egg usb + digital
Composed, produced & mixed by Rare0000 @rare0000 except "Rebound" produced with nunu ntp @nunununu
Remixes by enereph @enereph and RAVL @ravlsncld
Mastering by Rare0000
Cover art by Dodleyz
3D egg + 3D print by Darius Zoltan @dariuszoltan
Powered and published by 10.60 Hz

[10.006] Rare0000 - E-G-G EP (snippets)

From 'Hyperobject', out October 17th on All Centre.

TIME NOW TO BUY: https://riziorizio.bandcamp.com/album/hyperobject

Do you want this forever, forevermore even? To experience this into perpetuity? To extend what this is into and over and beyond the infinite horizon ahead? Hubris will be your undoing. But then again you always were given to it, alongside your established weakness for Rizio's 'Channel Code', out via All Centre, premiered by Madjestic Kasual. It's here, now, forever, for you.

@riziomaurizio
@all-centre-504822953

time now to buy

Rizio - Channel Code [MK PREMIERE]

TERRACE

Free Intro (self remix)

issues jimbeat2 as intro_42.mp3

Record label & event series curated by Mumdance & Logos

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