Daboor - Fi Ta5 [NAKANO BLU Edit]

Different Circles follows up the 'Weightless Volume One' release with a four track solo EP from Logos, featuring an apocalyptic noise remix from Berlin based techno and industrial producer Shapednoise. 

Logos "No Skyline"

★ CREDITS ★

‘GOT IT’
Written & Performed by VV PETE
Produced by UTILITY and CASSIUS SELECT
Cover art by JON WATTS, UTILITY, VV PETE
Mixed by GEORGE NICHOLAS
Mastered by RYAN SCHWABE
Released by TRACKWORK

GOT IT [FEAT. CASSIUS SELECT]

Breakfast of champions, soundman Guide debuts with three dancing vectors for SOSOSO: Lemons, Voyces and Citrus2.

Sound designer by day, Guide augments foley and SFX flecks into the walls of these three offerings; go, make hay off-planet. 

✐ SOSOSO ✐

Bandcamp

SOSOSO6 ~ Guide ~ Citrus2

Listen to "Nice2Cum" by Miggy Pop taken from "Sorry, No Beige" self-released on July 18th

Nice2Cum is the first track off a Jungle and Footwork inspired EP by Miggy Pop, for fans of breaks, bass, and everything in between.

Links:
Miggy Pop
https://soundcloud.com/miggy_pop
https://miggypop.bandcamp.com

miggy pop sc

Miggy Pop - Nice2Cum

We are very excited to welcome London-based artist Tooth Rust for her All Centre debut, as she follows up her standout Glut EP on Early Reflex. Her new release delves deeper into the fringes of club experimentation with four warped, overdriven tracks that fuse grime, breaks and twisted techno sounds into raw, unpredictable forms.

Gullet Glue lurches into action with off-kilter kicks to introduce a stuttering, hypnotic groove. Rapid-fire claps exchange with bursts of noise while a woozy, abstract melody weaves through the chaos. In its latter half, the track intensifies, sharpening its percussive edges and dragging a sludgy, DnB-adjacent bassline into the mix.

Rude Mechanicals adopts grime sonics with a pummeling eski-like bassline and frantic shards of MC chatter. The track shifts these sounds into a hard-hitting club track, with pounding kicks and whirring hi-hats, sure to send any dancefloor into a frenzy.

Tecque slows the tempo but keeps the tension high, leaning into splintered dub percussion and cascading breakbeats. Perfectly executed breaks career around the mix as the track builds to a trippy, atmospheric middle section with warped vocals and an earworm melody. The frantic melodics combine with crashing breaks in a flying final third.

The EP closes with Time chits, where a lurching digi-plucked melody and intricate percussion fold into a rubbery, mutated club rhythm. The track switches up in the second half with a twisted bassline warping amongst stuttering kicks and frenzied bursts of melody.

Jump Discontinuity is available across all digital platforms from July 18th. 

Tooth Rust - Time chits

READ > inverted-audio.com/premiere-nic-as-well-tickler

Creaked Records gear up to issue their latest double vinyl album release from Swiss producer Nic As Well, previously known under the moniker Lemonick...Our pick from the album is ‘Tickler‘. Opening with precision-drilled drum patterns threaded through a maze of tension-charged frequencies, Nic As Well drags the audience in a Gqom-tinged dimension, ready to be blasted in a jam-packed yard in the townships of Alexandra. As the track unfolds, a maelstrom of stomping kicks collides with FX-warped screams, ending in a cyber aftershock that remains forever like a planetary memory.

@cloudcreaked
@nic_as_well

Nic As Well - Tickler [Creaked]

London-based Indian producer Noni-Mouse debuts on Early Reflex with Eyes IV, the latest installment in the label’s Eyes two-tracker series. Following a series of acclaimed genre-fluid releases, Noni-Mouse arrives on the label with her heaviest record yet: a pair of raw, shadowy club cuts that double down on percussive pressure and weighty basslines.With a background that spans 2-step, hardcore, and experimental club music, Noni-Mouse has become known for her sticky top lines, restless rhythmic sense, and tactile grooves. On Eyes IV, she dives into a darker, more physical register—retaining her unmistakable bounce while testing the limits of a more abrasive, stripped-back sound.Opening track “Bracket” lays down lurching breakbeat mechanics and squashed bass beneath flickers of manipulated vocal and synth debris—skipping along the edge of chaos with precision and swing. “Model” stretches out the mood with tense pacing and syncopated drum work, where melodic fragments smear across a pulsing low-end and flickering hi-hats, creating a hypnotic pull built for strobe-lit floors.Eyes IV is a statement of intent from one of the most forward-thinking voices in the contemporary underground—a sharp-edged, club-ready exploration of rhythm and tone from an artist who continues to surprise.

Noni-Mouse said: "With this release, I was attempting to test this ‘gritty, percussive’ sound that is currently heard across clubs and festivals, by crafting those grooves with breaks, while preserving that signature 'bounce'. The textural melodies are my favourite, as they end up adding another layer of percussion to the arrangement, creating this compelling groove that hits the spot"‘Eyes IV’ is available on all platforms starting from Friday 12th September 2025.

Eues IV

Eyes IV

OUT NOW!

Noni-Mouse - Bracket

Out now - 12 tracks: double vinyl and digital 

In 2013, Different Circles launched with Weightless Volume One, a compilation that helped define a new minimalist aesthetic in electronic music. 

Twelve years later and after a six-year pause, the label returns with its tenth release: Ping Volume One.

Like weightless, ping isn’t a genre. It's an approach to anchoring and propelling sound without relying on the steady pulse of a kick drum.

Instead, a single percussive hit — the ping — holds the centre. Dry and high in the mix, or echoing distantly through space, it becomes a temporal anchor. Around it, the rest of the track can undulate, bend, float or collapse.

The term first appeared on Mumdance’s radio show, where playing “the pingy ones” from the Different Circles back catalogue became a running joke. In the Discord community, it evolved into a shared language, with memes, lore and a mascot known as the Ping Devil.

In 2023, Mumdance aired The “Ping Report” a radio show that gathered everything into a coherent moodboard. It included original tracks made by Discord members for the show and set the foundations. From there, more producers began making ping intentionally, and over time, Ping Volume One took shape.

As the idea came into focus, Logos and Mumdance noticed that much of the Different Circles back catalogue, if not explicitly weightless, could now be understood through the lens of ping. It was a sound they had been drawn to long before they had a language to describe it.

Ping Volume One is a document of shared instinct. A collection of tracks connected by feel rather than formula, shaped by years of dialogue between a community of artists and listeners who were drawn to the same sounds & ideas before they had a name.

Cortical - Grated

@djobeka - Pressure (feat. @entranas) (taken from 'A World No More', out on the 23rd of October via @yukumusic)

Obeka’s 'A World No More' - to be released on leading bass label YUKU - channels the weight of soundsystem culture and diasporic memory into an important sonic statement by blending distorted bass, fractured dub and industrial frameworks with Yoruba spiritual references to confront colonial legacies. And while the intricate drums and Caribbean rhythms are something that this Bermuda-born producer has been already well known for, the upcoming record expands on the usage of his powerfully deep voice that will be heard in the tracks like 'Drillaman', 'Pon Ya Head' and a pounding song 'Pressure' that is a collab with none other than Entrañas.




[PREMIERE] Obeka - Pressure (feat. Entrañas) (YUKU)

Record label & event series curated by Mumdance & Logos

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