Difficult music to create, with a unique style creating love for any environment!!

Sunflowers

Digital Base & Andy Vibes - Sunflowers

🌏 Resident, House Fusion Radio (July '24-Present)
🌏 Resident, Beach Radio UK (Aug. '22-May '24)
🌏 Resident, Waves Radio (Jan '22-April '23)
🌏 Resident, UMT Radio (July '21-May '23)
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One of New York City’s most enduring exports, Aaron James has spent the last couple decades in a state of wanderlust rocking parties around the globe. With skills forged in the fire of NYC’s vibrant and eclectic club scene, Aaron is versatile with a capital V while still dropping his signature style into every set.

Aaron's CV reads like a Who’s Who. He’s opened for House legends Barbara Tucker, Joey Negro (aka Dave Lee), Danny Rampling, Norman Jay, John Digweed, Detroit Techno founder Juan Atkins, Jeremy Healy, Studio 54's Nicky Siano, Groove Armada,, Mat.Joe, Vanilla Ace, Elton John, Sheryl Crow, TV On The Radio, Santigold, Bootsy Collins, Talib Kwele, Jack Johnson, Hawthorne Heights, Mark Ronson, ?uestlove (The Roots), Alex Pall (The Chainsmokers), Lil' Kim, Pitbull - and he's warmed the stage for the Beastie Boys, Eminem, and Tenacious D to name a few.

BOOKINGS
bookings@djaaronjames.com

Digital Base aka Andy Vibes, Sevillian DJ producer with a career spanning more than 30 years, being one of the oldest DJ producers in the Breakbeat scene who is still active. He was one of those responsible for the legendary iBreaks label and co-founder of the promoter and label Ibreaks España, being a reference for the Hardcore Breaks sound in the late 90s and a pioneer of the Techfunks & Electro House Breaks sound in the early 2000s. His creations have evolved over time, currently giving rise to a substyle that some call “Liquid Breaks”, without forgetting the Old skool of yesteryear. Labels aside, from his Old Skool Records label he usually releases extraordinary compositions with a high emotional charge, musicality and impeccable rhythms, which give a timeless character to everything that comes out of his studio.

🎼Deep Organic/Melodic/Progressive/Breaks/Tech/Minimal/Liquid 🎼 and of course you may know me for Old Skool🙏🏼

"Life is a journey, melodies are our theme"

I'm a DJ, I play other people's music (with the odd production masterpiece)....I mix & blend using my brain and hands, no sync or mixing desk here, just a basic set up with a couple of tiny 300's, some 1210's from 1992 and an amp from 1997 :D

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Heavily influenced in the early 70’s by my fathers taste in Electronic music /Kraftwerk/Jean Michel Jarre, Tangerine Dream, I was also a big Vangelis & Moroder fan growing up. My teenage years in the 80’s consisted of listening to early 80’s Hip Hop & Electro, Key-Matic, Man Parrish, Bambaata & SSF, Eric B & Rakim. I lived in East London where street breakdancing/body popping was at its peak. Alternative to electrical music I was also a big fan of revival Ska/Two tone bands throughout the late 70’s early 80’s and still am to date.

My DJ’ing journey all started on the London M25 Acid House Warehouse scene back in 1988/89 which inspired me to learn to mix House & Techno in 1990.  I pretty much love most genre's/sub genre's of Dance Music and  mix it all from vinyl to digital.



In 1991 I worked in my brothers record shop "Total Music" in Canning Town- East London, it was there I got the opportunity to secure a weekly radio show on Londons Pulse FM 90.6. Consequently I started to get bookings for New Age Productions "Harmony" Hackney1991 -The Bass Box Edmonton, Labrynth Dalston Lane, Double Dipped @ Bagleys Warehouse, Ministry Of Sound, Moondance & Love Rave at Camden Koko, Innovation @ Club UN plus many more. I also co-produced a Piano Hardcore track on Soapbar Records back in 1993 and have remixed various tracks for Total Music (Verde Sative) @ Soapbar Reload as the Social Chameleons(with Model from Liquid/Sweet Harmony)producing a Liquid Breaks mix. 

To date you can catch me playing at Various Old Skool events including The mighty “Moondance”, The legendary “Labrynth”. I also have a residency at the South coasts finest charity rave Encapsulated Energy plus various events across the UK spinning Old Skool House/Early 90’s Breakbeat Hardcore/Breaks/Deep-Tech House/Progressive/Uplifting Trance, Old Skool era’s.


 Check my Facebook page for updates of shows. 
For bookings and more information please contact me via my Souncloud inbox

Greetings...and Thank You for the Love!    Our passion for music makes us part of a special tribe!!!  My passion for music brings me here. My journey to here started a a young age with my lips behind a mouthpiece of a Benge Trumpet !  My interest in Electronic and Dance Music began with the birth of the scene in the early nineties. What moves me begins with THE BASS ..... combined with the influence of Soul, Gospel, Jazz, Rock & Roll, Blues and Funk ! 
“Music gives a Soul to the Universe", 
Soul Music binds the Heart, Mind and Spirit ....
Funk Shakes the Trunk!
Thank You for your ears....your love......and supporting our passion!!

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
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This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
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My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
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I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
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Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Raver from late 80's to late 90's ...family man now secretly listening to rave music in the silent hours of the night...

I love the variety of music and art! 
For now, I make my music on my phone. 🎵

Bassoon (main instrument)  
Piano / Synthesizer
Improvisation / Vocal Improvisation / Composition 🔸 Singing

Classical & Modern / Contemporary Music

~Several Styles~

DJ (since 1995 until 2005) Producer (since 2015 until...) • Art director • Graphics design • superior technician in creativity and advertising techniques

Have been playing music some years ago in the best discotheques, clubs and events in Gran Canaria, some clubs in Madrid and Bilbao (Spain), and after having been away from the music world for many years, he returns to the music scene as a producer as well., having signed his first arrangement with Irma Records and GNE music, and he just sign his first contract with Sunexplosion Records. In this moment he regent two channels in Soundcloud and Mixcloud, his B2B space and his Superdeep channel and he just be resident in Live Radio and Easy Groove Radio. He is also superior technician in creativity and advertising techniques and Art Director. 


His musical styles began with House and Garage, until today where he develops in all styles within house (deep house, tech house, progressive house, melodic house, etc) some techno, downtempo, organic, etc.