SHDW & Obscure Shape - Nachtblende (James Ruskin Version) [From Another Mind]
Yan Cook - Creep [EarToGround]
Perc - Unelected [Perc Trax]
SHDW & Obscure Shape - Wenn Die Masken Fallen (Rodhad Version) [From Another Mind]
Slam - Stepback (Oscar Mulero Remix) [Soma]
Yann Detrøit - D'dtkh [kindcrime]
Cleric - Unwanted Arrival [Clergy]
UVB - Join In The Ranks [Mord]
Woo York - Alien Worlds (The Advent Jacking Remix) [Dystopian]
Gilmer Galibard - Bell Blocker [Lobster Theremin]
EMYN - Summon [Dred Collective]
Minimum Syndicat - SweatANDstrobe [Nocturbulous]
Cadans & Kracht - Lompret [Wolfskuil]
Morphology - Irregular Satellites (DeFeKT Remix) [Zyntax Motorcity]
Jamie Haus & CSGRV - Alpha (Deapmash Rework)
Avion - Inverse [Index Marcel Fengler]
Michal Jablonski - Sinister Mystery [Animal Farm]
P.E.A.R.L. - Joy Of Rapture [Falling Ethics]
Christian Wünsch - Violence And Abuse [Tsunami]
Cleric - Unspoken Rules [Clergy]
J. Tijn - Night Of The Sentinels
Johannes Heil - Exile 007 B2 [Exile]
Mickey Nox - Floating Anchor (Ben Long Remix) [Green Fetish]
Keepsakes - Whadyyatalkinbout (Forward Strategy Group Remix) [South London Analogue Material]
Voidloss - In The Place Where You Cannot Go [Subsist]
Lars Huismann - Monuments [Profound]
JoeFarr - Keep It Simple [UX]
Deapmash - Hold [Soul Notes]
Voidloss - Orias [Subsist]
Talker - Battle Standard [Standards & Practices]
Devys Meli - d001 [Variant Electronic]
Jokasti & Nek - Bumrush [Mord]
Revenant - Constellations (Specialivery Remix) [Specialivery]
Ed Chamberlain - Zarathustra [BaseLogic]

BRAWLcast 223

BRAWLcast 223 Horror Brawl - The Finer Details of Explode

Techno DJ, producer, remixer and radio brodcaster for different radios around the world.
Alias : Black Smith Craft

Send me your promos and I'll do my best to play your tracks !

== RADIO SHOWS ==
Interstate 94 on Livesets radio (the Netherlands, since 2006, monday from 21.00 to 23.00 CET, twice a month) : Detroit techno oriented show. More infos : http://www.livesets.com
Interstate 94 on Emergence FM (Limoges/France, since 2007, every friday from 22.00 to 00.00 CET) : Detroit and techno oriented show. More infos : http://www.emergence-fm.com
The Dirty show on Techno.fm (London/UK, since 2008, every thursday from 20.00 to 22.00 CET) : Detroit and Birmingham oriented show. More infos : http://techno.fm/shows/dirtyshow/
The Bside show on Livesets radio (the Netherlands, since 2007 monday from 21.00 to dawn CET, every three months) : Birmingham and industrial techno show. More infos : http://www.livesets.com

== SOUNDCLOUD GROUPS ==
http://soundcloud.com/groups/technotherapy (founded by Tyler Smith, moderated by Tyler Smith & Mike Stern)
http://soundcloud.com/groups/old-school-techno-1 (founded and moderated by Tyler Smith)

== BIOGRAPHY ==
Back in the Day, Tyler Smith aka ‘Black Smith Craft’ discovered the unique sound of acid house and was immediately captured by the hypnotic vibe that emanated from the music during the end of the 1980’s.
He found himself seduced & consumed by this wave of electronic music and fell in love with the German melodic trance style labels such as Eye-Q, Platipus and Superstition, as many of us did… 
Having followed dance music in all its forms throughout the 1990’s he started DJ’ing and by the turn of the millennium he started to develop a taste for the more underground techno sound which was coming out of England, Germany & especially the Detroit sound of the time…
Tyler Smith had always wanted to be involved with radio broadcasts and this ambition kicked off in earnest when he started playing regularly on the ‘Tuesday Session’ show, broadcast on the very popular Campus FM (Villeneuve d’Ascq/France), which was run by Dmitri Pike of Mirage/Matrix/Subject Detroit fame.
Spurred on by the development of increased exposure through radio he started honing his skills in music production and the ‘Alphaground’ website was born. This brought about more exposure for his music mission and by 2004 Tyler was performing on a number of key profile dance music stations in France and Holland. During 2006 he launched ‘Interstate 94’ show with Erell Ranson & Pedro Cali for Livesets.com, which was dedicated to the sound of Detroit. This was quickly followed by the aptly named ‘B-Side Show’ which showcased the darker, offbeat & industrial sounds. Currently the main man is managing different shows playing classics from way back, Detroit & Birmingham tunes on Livesets.com, Emergence FM (Limoges/France), and Techno.fm 
In 2006 Tyler’s finally realized the goal of having his debut vinyl release which was in collaboration with Bionic on French label ‘Audiocrash’. This was quickly followed by several upstanding digital releases. Over the years Tyler’s side to the music has become darker & more industrial, which in turn has led to the birth of his most acclaimed project: Black Smith Craft… With music released already on distinct labels from the scene and more on the way for labels including Grovsjopa’s mighty ‘Pohjola’, Leeds finest ‘Limetree’, UTCH rec. & Rednox’ superb free net-label ‘Ante-Rasa’…
Since 2008, Tyler has played across Europe alongside artists like Kr!z, the 65d mavericks, Bas Mooy, DJ Toki, DJ Boss, Bionic, Dimitri Pike, Arrestar, Sean Matters, Systemic, Victor Martinez…
More recently, he has created the groups http://soundcloud.com/groups/technotherapy and http://soundcloud.com/groups/old-school-techno-1 on Soundcloud to keep the real techno spirit alive and promote both established and up and coming techno artists from around the world.

Modulations is back — with a new musical direction.

In this next chapter, the podcast will focus mainly on live performances from electronic music artists who embrace a DIY approach to creativity — many of whom perform at EMOM and similar grassroots events.

Over the past few years, I’ve been attending various EMOM (Electronic Music Open Mic) events across the north of England. It’s at these gatherings that I’ve discovered some incredible talent — from both familiar and often unknown artists. This includes close friends, whom I’ve had the pleasure of watching take to the stage and perform for the very first time. The whole experience has been inspiring — and eye (or ear) opening, to say the least.

Click here for more information about EMOM and how to get involved: electronicmusicopenmic.com

In addition to live performances, I’ll occasionally upload DJ sets — from myself and a few handpicked others. No genre boundaries — just the good stuff.

If you create live electronic music — whether you play at EMOM events or elsewhere — I’d love to hear from you.

Listen wherever you get your podcasts

System Overview:
-------------------
An audio entity nestling at the intersection of bleeding-edge dancefloor subroutines and technical filth. This sonic mainframe transcends conventional genre boundaries. Welcome to the evolution of dancefloor electronics.

Core Modules:
---------------
1. Digital Distortions: A proprietary fusion of rhythmically charged modules, meticulously designed to synchronize neural oscillations and evoke spontaneous kinetic responses.

2. BRAWLcast: A sophisticated dissonance engine crafting audial anomalies that challenge conventional norms. This module introduces intricate layers of glitch, distortion, and sonic artifacts, creating an immersive auditory environment ensuring a dynamic and unpredictable listening experience.

3. @KitchenSpasm: The epitome of controlled chaos, this module pioneers uncharted territories, seamlessly blending the organic with the synthetic.

Signal Flow Architecture:
--------------------------
- Input Stage: Raw creativity ingested from the creative minds, dissected and analyzed for maximum sonic potential.

- Processing Layer: State-of-the-art algorithms meticulously fine-tune each element, optimizing for dancefloor resonance and sonic innovation.

- Output Matrix: The final product, a meticulously engineered sonic entity ready for dissemination into the auditory network.

Error Handling Mechanisms:
-----------------------------
Digital Distortions operates on a zero-tolerance policy for sonic conformity. Any deviation from the established norms is considered a feature, not a bug. Embrace the irregularity, become the data.

Future Upgrades:
------------------
Digital Distortions envisions continual upgrades and expansions. Stay tuned for firmware updates that will push the boundaries of dancefloor electronics further towards the pinnacle of algorithmic harmony.

BRAWLcast 223 Horror Brawl - The Finer Details of Explode

DIGI/SPASM