Booking Contact : booking@fm-booking.com

Tsuyoshi Suzuki is an internationally-acclaimed DJ and producer from Tokyo. At the leading edge of the psychedelic trance movement for a quarter of a century, Tsuyoshi continues to thrill crowds all over the world with his uniquely focused style of mixing and psychedelic music selection.
A former art department film student at Nippon University in the 1980s, Tsuyoshi’s life turned to music when he was exposed to the evocative and futuristic DJ’ing of KUDO at the club Yellow in Nishi-Azabu, Tokyo in the early 1990s. Visiting India and immersing himself in the emerging Goa sound, Tsuyoshi formed the band Taiyo (which would later become Prana) with Nick Taylor, who had also been influenced by KUDO’s music.
Tsuyoshi moved to London in 1992 to found Matsuri Productions with marketing manager John Perloff and to expand his work as a DJ. Producing popular releases on his record label while DJ’ing at the popular Return To The Source events in London, Tsuyoshi gained international popularity and was soon travelling across the globe, bringing his precisely-crafted energizing style of music to outdoor and indoor parties and festivals on every continent. Tsuyoshi’s influence extended into inspiring a collection of psychedelic clothing for the legendary Issey Miyake brand, designed by the collective Organix (who designed Matsuri’s labels), which involved Tsuyoshi DJing for fashion shows in Paris and Tokyo that featured the collection in 1997.
In 2000 he moved back to Tokyo and shifted focus to a wider range of electronic and analog musical styles with a new label, Madskippers, while also organizing the regular event Tokio Drome. He expanded from DJing into live music with his band Joujouka, which produces cross-platform electro psychedelic rock and fusion music.
In 2009, as Goa Trance started to enjoy a revival in Tokyo, Tsuyoshi re-started Matsuri Productions by rebranding as Matsuri Digital, working together with the young new DJ Yuta and other talented producers to bring the timeless Goa sound to a new generation. He has been producing more collaborative tracks in the last few years.
Tsuyoshi’s new project GoKen, with the ever-popular Japanese producer Ubar Tmar, is focused on updating psychedelic sounds with a 90s inspiration. 2018 sees GoKen’s debut EP released on HOMmega, while Tsuyoshi continues to take Matsuri Digital back to its roots with his compilations Sympathy in Chaos 4 and Forever Psychedelic 2 – refreshed and reinspired revisionings of psychedelic electronica.
As Matsuri Digital produces more releases of older tracks and newer productions, Tsuyoshi continues to be in demand as a DJ both at home in Japan and around the world. Over a quarter century after his exposure to electronic music, Tsuyoshi and Matsuri are continuing to evolve and shape the global scene.

Instagram: https://www.instagram.com/hard_______candy/

DJ/Producer/Remixer 
Contact: jasonbornee@live.com
Soundcloud: https://soundcloud.com/jasonbornee (music)
                    https://soundcloud.com/jasonborne (tracks)
Twitter: https://twitter.com/Jason_Bornee
Youtube: http://www.youtube.com/channel/UCoTPrWgzgbphGckAXqXvC8Q
Remix requests: jasonbornee7@gmail.com

D.A.V.E. The Drummer is a techno DJ and producer from the UK. He's been making electronic music since 1993 and has made dowzens of acid techno and hard techno recvords which are available on many well respected record labels.

He owns 3 record labels: 
Hydraulix Records, which concentrates on dark & hard techno.
Apex Recordings, for deeper techno & tech house
Mutate To Survive, for minimal, electro, weird tech beats.

Demos/Promos: label@hydraulix.co.uk
Linktree: https://linktr.ee/davethedrummer

Get in touch with us! 

E-Mail: business@technogermany.com

Socials
Instagram: https://www.instagram.com/djcringey/
Youtube: https://www.youtube.com/@djcringey
Bandcamp: https://djcringey.bandcamp.com
Spotify: https://open.spotify.com/intl-de/artist/01Pcb79vo3Ei5lLdpM3E7q?si=VhrHLhtnRNyZXjAONd6iUw

Booking: fabio@hyper-dreams.com

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Dirk Debono is following