Read our interview with @kiernan-laveaux and check out this mix's track list here: bit.ly/KiernPod

Groove Podcast 384

Tracklist

Groove Podcast 384 - Kiernan Laveaux

Words by Ceci (@ccl-url): 

"Special thanks to Steevio & Suzybee & all the volunteers, workers & dancers 💙

This is my recording from Friday night Room 2, 12:30-2am, my first time being at the mythical Free Rotation. Playing one of the first sets & seeing the room, decor and the big bad subs of Room 2, years of fantastical lore and reality melded, I wanted to keep it sexy, wonky, trippy— imagining a psychic electric swamp and how one would levitate thru it... to the sky. No bpm trickery this time. Out to the heavenly bodies of the universe! ;)

Mastered by Wordcolour"


i <3

ani/live Fifty Six: CCL @ Freerotation

𖦹

https://www.instagram.com/deep_creep

pi pi pi with deep creep @ The Lot Radio 03-10-2025

Exposé Noir (March 1st, 2025) - Amelia Holt

"In November 2007 Pinch’s debut album Underwater Dancehall was released to widespread acclaim. Four years later in July 2011 Space Shuttle Atlants commenced its final voyage from the Kennedy Space Centre. Unbeknownst to NASA and the crew, somehow a CD copy of Pinch’s landmark Dubstep masterpiece found its way aboard.

While the CD itself survived the journey into space physically unaltered the music contained within morphed and warped in its new zero gravity environment, Underwater Dancehall had become Dancehall in Outer Space. The weighty throb of the original floated away to leave a lean and spacious soundtrack for a new kind weighless wineing.

Whether through alien interference or some other miracle the CD started to play all by itself just as the Shuttle docked with the International Space Station. Beyond their control the crew found their bodies begin to contort into odd shapes as their muscles spasmed, seemingly in time to the beat. What follows is a recording of that moment from the Space Shuttle Atlantis sensors."

@sam_pv / @pumpingvelvet
IG: @sampv____ / @pumpingvelvetldn

Sam is the founder and a resident at Pumping Velvet, a London-based Queer dance party, and regularly plays at queer parties across the UK alongside a US tour and other international gigs including Planeta Manas (Lisbon), Savage (Hanoi), Kockiri (Seoul) and (Re)treat Festival (Vietnam).

Sam grew up in London, his tastes moulded by the city’s diverse dance music scenes: from childhood trips to Notting Hill Carnival, to formative dancefloor experiences at nights like FWD, Trash and Süd Electronic. He brings these influences to his DJing in sets that span a broad gamut of genres, tied together by a love for big drums, pop melodies and sleaze.   

Frustrated by the lack of queer spaces where you could hear both a Svek record and Kylie in the same night, Sam founded Pumping Velvet in 2018, driven by the firm belief that any barriers erected between pop and ‘serious’ dance music are entirely artificial and that there’s no such thing as a guilty pleasure. It’s this same ethos and disregard for boundaries that makes his DJ so thrilling.

Tracklist:
DJ Giant - Something Bady
Schuttle - Junkman
Joe - MPH
Leo - Jade Floors
Malcolm - Damâa
Brenda - Masato!
Kaval - Druid Potion
Product Toss - Willow
Yuseemi - Roll With It
Xzavier Stone, DJ Plead & Phillip Jondo - Bellydance
Plus One - Zero Chance
DJ Pausas & DJ Fofuxo - Tarracho Exxelentt  
Ayesha - Roll
Wes Lee - Gates
DJ Pitch - Juan Mecanico

Distant Signals 075: Sam PV

A rare club mix from the ever-evolving artist, with 90 minutes of shadowy, atmospheric pressure.

Music's therapeutic value is often linked to relaxation—gongs, singing bowls and the like. Dense passages of foggy droning and eerie static aren't traditionally considered restorative, but Laurel Halo makes a pretty good case for it.

The Detroit-born, Los Angeles-based musician's abstract, often improvised productions are heavy on sound design and emotional climax. Driven by atmosphere rather than rhythm, they push listeners to grapple with their innermost insecurities, fears and dreams. "I'm lucky my music has helped people through crises," Halo once told Discwoman. It's easy to see why.

Since her 2010 debut King Felix, Halo has built a stunningly diverse catalogue of classically-informed records. A multi-instrumentalist—piano, violin, guitar, keys—her sharpest instrument is arrangement. Inspired by the surrealism of Italo Calvino and Apichatpong Weerasethakul, her releases, from Atlas to Behind The Green Door, unfold with slow-burning narrative and dense emotional weight. Her soundworlds are layered and labyrinthine—an architectonic space where self-reflection happens almost by force.

Even in the club, the sought-after composer excels in immersion. Her sets extend the expressionist palette of her records, trading traditional rhythm for tension, space and surprise. It’s no wonder she takes a genre-agnostic approach to the dance floor—her deep roots in freeform radio began at WCBN-FM in Michigan, followed by Berlin Community Radio, Rinse FM, and now a regular show on NTS.

RA.992 stitches foggy ambient loops, propulsive techno, mutant percussion and heady left turns with care. Tracks from DJ Rush, Octave One and Eddie Fowlkes nod to her Midwestern heritage, balanced out by deeper, psychedelic fare from the likes of Polygonia and Cousin. It's the mark of an artist revealing both deep curiosity and a precise hand as a selector. Rare, indeed.

@laurelhalo

Find the full interview at ra.co/podcast/992

RA.992 Laurel Halo

THE TEAR: EARTH DOG

Rude Audio take a turn for the dubby and chunky

Strange Phenomena

North Star Dub

One More Wonders

The producer behind RA's #1 album of 2009 starts off the year with an acoustic-electro ambient mix.


RA.188 Terre Thaemlitz

Received transmissions from the outer reaches of an exquisite corpse universe

Distant Signals 075: Sam PV

DISTANT SIGNALS